Casta Diva

A baby, John, who was abandoned in the church with a horse-headed koto on his side. His grandfather was once a Morin Khuur player and died in the atomic bombing of Nagasaki. The brilliantly colored images have an avant-garde charm while hiding the sadness of the war, and will grab the viewer's heart.

Normality is a human state of good intentions, empathy, caring and wanting to do the best for those we love and the world at large.

In artist Su Hui-yu’s signature style, a moody slow-motion pan captures a wild, glitter-scattered, blood-splattered orgy during the Tang dynasty. The film is an invocation of scenes from 1985 Taiwanese cult film Tang Chao Chi Li that only existed in the screenplay, unfilmed until now due to what can only be imagined as budgetary restrictions and censorship pressures during the Martial Law era. Presented without narrative context, the orgiastic murder scene plays out like an unsettling nightmare.

Kangourou is short pornographic film which I categorize as fleshfilm or fleshflick. Kangourou jumps from fantasy to reality as it follows the two protagonist Ryan Patrix and myself on an erotic train ride. I catch a glimpse of Ryan on the platform while he waits for his train. Once I board the train it’s a little unclear if the stranger, Patrix, is also onboard in the physical or if I invent our interaction. Patrix was not only a joy to work with but he is super sexy and smart, which gave me instant scene boners.

Head Out is a depiction of sexual diversity denial still happening in the 21st century.

Embark on a magical journey through time with Boys On Film 15: Time & Tied — featuring a brand new selection of sensational gay British short films that showcase some of the UK's best emerging talent. This compilation features nine complete films: Lloyd Eyre-Morgan's "Closets" starring Tommy Knight and Ceallach Spellman; Brian Fairbairn & Karl Eccleston's "Putting On The Dish" starring Steve Wickenden and Neil Chinneck; Mitchell Marion's "G O'Clock" starring Marc Rovira Cenar and Phillip Weddell; Charlie Parham's "Nightstand" starring Nicholas Gleaves and Amrou Al-Kadhi; Simon Anderson's "Morning Is Broken" starring Matthew Tennyson, Nigel Allen and Jack Hawkins; Tom Frederic's "Sauna The Dead: A Fairy Tale" starring himself and Kumar Muniandy; Leon Lopez's "CrossRoad" starring Marc Rovira Cenar, Ashley Campbell, and Calum Ewan Cameron; Jake Graf's "Dawn" starring Nicole Gibson and Harry Rundle; and Kristen Bjorn's "Trouser Bar" starring Denholm Spurr, Scott Hunter, and Zac Renfree.

The Four Brothers of Huan Nan is a charismatic gang known for its vibrant presence. Amid the bustle of Taipei's traditional food market, two of the youths face familial opposition to their forbidden love, while the only female member grapples with her unspoken feelings for the enigmatic fourth member.

The silent film is about a depressive lady of the last century who travels through time to a beach of current times, but ends up coming across a completely polluted environment.

Michael Gondry's examination of childhood love is replete with his trademark surreality. One evening at the turn of the century, Stephane discusses with his brother the end of the millenium, but also girls, particularly Aurelie, a classmate with whom he is secretly in love. The following day, Aurelie has a letter to give to him....

As a lunar eclipse commences, a frantic moon becomes increasingly twitchy as it attempts to hold back the darkness.

In this avant-garde look at a series of unique or eccentric men and women, director Stavros Tornes has created a film that is visually engaging, but too obscure in many points to be understood. The main protagonists are a young taxi driver -- a man who has had some very unusual, puzzling, and inspirational experiences -- and a middle-aged painter he gains as a new friend. The two men are complemented by a few tough women (all played by the same actress), a pair of verbose politicos, and a handful of other distinctive characters. By the end of the movie, transformations are in store for the pair of friends, reflecting the tenor of the film throughout. ~ Eleanor Mannikka, Rovi

Following a strange encounter with a swan found on the streets of London, a girl begins to lose her grip on reality. She is led to a large house where the lines between dreams and memories become indistinguishable, as she struggles with her relationships, her obsession with perfection and her identity. Loosely inspired by the mythology of Leda and The Swan, it looks at the way women cope with trauma, questions the idea of self and takes you on a journey through one woman's psyche.

A young engineer on holiday gets involved with a boy who has a strange relationship with the wind. Their close friendship arouses suspicion in the small town. When the boy disappears, the engineer is accused of murdering him.

Moonwalker is a 1988 American experimental anthology musical film starring Michael Jackson. Rather than featuring one continuous narrative, the film expresses the influence of fandom and innocence through a collection of short films about Jackson, some of which are long-form music videos from Jackson's 1987 album Bad. The film is named after his famous dance, "the moonwalk", which he originally learned as "the backslide" but perfected the dance into something no one had seen before. The movie's introduction is a type of music video for Jackson's "Man in the Mirror" but is not the official video for the song. The film then expresses a montage of Michael's career, which leads into a parody of his Bad video titled "Badder", followed by sections "Speed Demon" and "Leave Me Alone". What follows is the biggest section where Michael plays a hero with magical powers and saves three children from Mr. Big. This section is "Smooth Criminal" which leads into a performance of "Come Together".

Ten fragments of an exciting romance without love and feelings in the life of Numa, an anti-romantic hero of our liquid time.

A filmmaker holds a series of boundary-pushing auditions for his latest project: a thriller on the subject of female pleasure.

If you had a love-potion, who would you make fall madly in love with you? Timothy, prone to escaping his dismal high school reality through dazzling musical daydreams, gets to answer that question in a very real way. After his eccentric teacher casts him as Puck in A Midsummer Night's Dream, he stumbles upon a recipe hidden within the script to create the play's magical, purple love-pansy.

A hypochondriac irks his partner by embracing the advice of an eccentric healer.

CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...

CREMASTER 4 (1994) adheres most closely to the project's biological model. This penultimate episode describes the system's onward rush toward descension despite its resistance to division. The logo for this chapter is the Manx triskelion - three identical armored legs revolving around a central axis. Set on the Isle of Man, the film absorbs the island's folklore ...