Depeche Mode: 1999–2002 “Presenting the Intimate and Delicate side of Depeche Mode”

A look at Depeche Mode's final moments of their 2017 Global Spirit Tour, featuring intimate stories from select fans.

This video release by Depeche Mode features an entire concert from their 2001 Exciter Tour, shot at the Palais Omnisports de Paris-Bercy on 9 and 10 October 2001.

21 tracks recorded over two sold out nights at the Palau St Jordi in Barcelona on November 20th and 21st 2009, both shows being highlights of the celebrated tour. Also included are a host of bonus content including four bonus tracks recorded across the two nights and a tour documentary.

This video release by Depeche Mode features almost an entire concert from their 1993-1994 Devotional Tour, filmed in Barcelona, Liévin and Frankfurt.

Depeche Mode: Rock am Ring

The complete collection of Depeche Modes videos.

"Usual thing, try and get the question in the answer" - A conversation with the band discussing recording techniques, inter cut with personal archive footage from previous album sessions.

Berlin, summer 1988: While Michael Jackson and Pink Floyd perform in the West, East Berliners can look forward to Bruce Springsteen, Depeche Mode and James Brown. The documentary reveals how the organizers enforced the concerts with the state authorities. On the anniversary of the fall of the Wall.

"Oh, Well, That's The End Of The Band…" - A short film documenting the personal and professional aftermath of Alan Wilder's decision to leave Depeche Mode; the story of the fledgling attempts to get the band recording again, and the tale of Dave Gahan's descent toward 'rock bottom' and his subsequent conquering of his demons. The resultant album, Ultra, was formed, like all the best Depeche Mode records, in a very different style to those which had gone before.

A dazzling display of abstracted images.

"Teenagers Growing Up, Bad Government… And All That Stuff" - While Alan Wilder becomes a full member of Depeche Mode, the band experiment with new sounds through sampling, for their third album "Construction Time Again".

Hammersmith Odeon, London on October, 25th 1982 Tracklist: Oberkorn (It's A Small Town) , My Secret Garden , See You , Satellite , New Life , Boys Say Go! , Tora! Tora! Tora! , Nothing To Fear , Leave In Silence , Shouldn't Have Done That , The Meaning Of Love , Just Can't Get Enough , A Photograph Of You , The Sun & The Rainfall

A beautiful session between dancer Tanaka Min and director Wim Wenders that illustrates something before we started speaking with words.

In 2015, a Magdalene in Ecstasy was discovered in the modest collection of an Italian family. Was it the original by Caravaggio, who disappeared after his death in 1610, or one of the many copies made subsequently? After an expert appraisal, Mina Gregori, one of the greatest specialists on the artist, was convinced of the authenticity of the work. On her advice, the owners searched their archives and unearthed three documents: two inventories of paintings, dating from 1842 and 1864, as well as an old paper mentioning a "Madeleine inverted by Caravaggio". Starting from these pieces of evidence, an expert in ancient archives and an Italian art historian then launched into a vast investigation to try to retrace the route of the painting.

Hockney talks about his 40 year love affair with photography.

Intimately following 1st and 6th graders at a public elementary school in Tokyo, we observe kids learning the traits necessary to become part of Japanese society.

To fill the absence of his six-year-old daughter living in Berlin, a Montreal filmmaker keeps a film diary which takes him back to his relationship with his adoptive father and his biological father, whom he never knew. His diary also becomes a reflection on cinema by revisiting the work of filmmakers who influenced him such as Ingmar Bergman and Wim Wenders. Diary of a Father is a poetic response to making the separation between a father and his child bearable.

A weary-looking middle-aged couple shuffle around their cluttered loft in Yangon, Myanmar. There is stuff everywhere, and a mountain of pills in blister packs lie haphazardly on top of a glass case. The loft turns out to be a clinic and the couple are qualified doctors. They are also artistic: she paints and draws, he is making a feature film, and their patients receive creative therapy in addition to regular treatment. This might not be a sterile, efficient hospital full of white coats, and the treatment rooms might look shabby, but there is real time and attention for people here.

Abdurrahman Keskiner is one of the big guns of Turkish cinema. In Türkiye's national productions' history, his working method distinguishes him as a producer from the rest. Even though it may seem contradictory at first glance, he never gives up on investing in subtlety. Other producers have not pursued the same hope over and over and invested all of their earnings in shooting films ambitiously after making a loss. Yet, Abdurrahman Keskiner was an exception to this. He took great strides in promoting Türkiye's cinema to the world.

Who and why shot Hungarian and German infants and young children in the head and exterminated entire families near the town of Prerov (Prerau) in Moravia on the night of June 18, 1945? Why did the bodies of the women and children killed here had to be cremated two years after this massacre - after these bodies were disinterred by army units - in the crematorium of the also Moravian city of Olomouc? Why didn't the Czech historian, who investigated the fate of the slaughtered Hungarian and German families and who also fought for the last honors to be paid to them, receive no praise or medal from Budapest? And what was the fate of the 90 Hungarian leventes handed over to the soldiers of the Slovak army by the soldiers of the Soviet army occupying Austria at Ligetfalu below Bratislava? This documentary explores the story of two hitherto unexplored mass murder in Pronov and Bratislava in the village of Bratislava.