This anti-coming-of-age film follows Generation Y characters as they chase the desire for radical self-realisation.
When a young boy makes a wish at a carnival machine to be big—he wakes up the following morning to find that it has been granted and his body has grown older overnight. But he is still the same 13-year-old boy inside. Now he must learn how to cope with the unfamiliar world of grown-ups including getting a job and having his first romantic encounter with a woman.
Jesus, a carpenter living a simple life, discovers his destiny as the biblical Messiah.
Post-war Germany 1945: Two rival gangs of uprooted boys fight each other in the ruins of Berlin, whose business is the black market out of necessity in order to survive. Their respective leaders are Gerhard and Dietrich. A pretty young circus artist named Corona comes to the destroyed city with a traveling circus. She immediately caught the boys' attention. When the latter notice that the circus director is abusing the girl, the two gangs join forces and plot an act of revenge against the tyrant. But with the hustle and bustle caused by this, Corona falls from the trapeze and is seriously injured. When the circus moves on, the boys organize a doctor for the sick artist who has been left behind. Their collectively concern for the blonde beauty makes them forget their enmity. This welds the troops closer together and sets the course for a common, meaningful future.
Sitting in Zoe’s beat-up Beetle, two girls chomp on their fast food. At no point do they look at each other. We don’t know why. They don’t acknowledge their rather… interesting attire. We don’t know why. But what they do is talk- about life, London, and pigeons. Having moved from France and a small English village, the girls have long dreamed of coming to the city. But now that they’re here, they’ve found themselves lost in the smoke. Zoe and Lady must push through the loneliness they both feel, and perhaps, in doing so, realise that yes - they are lonely in London. But they are lonely together. Flying Duo explores what it means to live in a new country, and the loneliness of migrating to a big city.
Geeky teenager David and his popular twin sister, Jennifer, get sucked into the black-and-white world of a 1950s TV sitcom called "Pleasantville," and find a world where everything is peachy keen all the time. But when Jennifer's modern attitude disrupts Pleasantville's peaceful but boring routine, she literally brings color into its life.
Get ready to explore a dizzying confection of Swedish life and love spanning all shades of the gay experience, from childhood confusion to a teen's coming out, a trio of friends in a three-way relationship, a mother trying to connect with her deaf son and a heterosexual ghost from a homosexual past. The 7 short films are: Coming Out [Komma ut] (2011); Polly (2017); Filip (2015); No Breaks [När bromsvajern släpper] (2008); The Memory of You [Minnet av dig] (2015); Distances [Bortom] (2014); Stockholm Daybreak [Gryning] (2013).
A female/non-binary-led short film,
A Polish-Jewish family comes to the U.S. at the beginning of the twentieth century. There, the family and their children try to make themselves a better future in the so-called promised land.
After his father is murdered by the Nazis in 1938, a young Viennese Jew named Ferry Tobler flees to Prague, where he joins forces with another expatriate and a sympathetic Czech relief worker. Together with other Jewish refugees, the three make their way to Paris, and, after spending time in a French prison camp, eventually escape to Marseille, from where they hope to sail to a safe port.
An exploration of the growing friendship between small-town girl Laura, who is persuaded onto a hiking trip by her friend Merit, and Joosep, a middle-aged guide.
Ainda é cedo
The true, harrowing story of a young Jewish girl who, with her family and their friends, is forced into hiding in an attic in Nazi-occupied Amsterdam.
Taro, who recently graduated from high school, doesn't know what he wants to do. He rents a house and plot of land in the country-side determined to make a living in agriculture. His expectation is great as the girl he likes, Yoko, will also go with him, but his father, recently laid off by his company's down-sizing, is also tagging along and so begins the the trio's strange life in the country. Set at a solitary house in the middle of the desolate, country-side, the relaxed tempo and off-hand humor are impressive despite the themes of parent-progeny conflict and reconciliation that unfold in the film.
Four friends go out to skate, only to find something they never expected.
The story centers on Kurumi Hosoya, a high school senior and member of the newspaper club, who is one week away from turning 18. When her childhood friend, Naoki Tachibana, gains sudden fame for rescuing an elderly woman on the last day of his 17th year, Kurumi becomes determined to achieve something remarkable before her own birthday. Her efforts, however, often lead to unintended consequences.
The film is about a young Jewish student who has to work as a prostitute in order to maintain residence in Riga. This leads to a misunderstanding with tragic consequences.
Eighteen-year-old Shehab is a dreamy teen torn between his ambition of becoming a psychology teacher and his struggles with communication. In a heartfelt journey of self-discovery, he must confront his insecurities and re-evaluate his confidence as he navigates the challenges of adolescence.
When the popular, restless Landon Carter is forced to participate in the school drama production, he falls in love with Jamie Sullivan, the daughter of the town's minister. Jamie has a "to-do" list for her life, as well as a very big secret she must keep from Landon.
Beautiful, detached, laconic, consumptive Lily Brest is a streetwalker with few clients. She loves her idle boyfriend, Raoul, who gambles away what little she earns. The town's power broker, called the rich Jew, discovers she is a good listener, so she's soon busy. Raoul imagines grotesque sex scenes between Lily and the Jew; he leaves her for a man. Her parents, a bitter Fascist who is a cabaret singer in drag and her wheelchair-bound mother, offer no refuge. Even though all have a philosophical bent, the other whores reject Lily because she tolerates everyone, including men. She tires of her lonely life and looks for a way out. Even that act serves the local corrupt powers.