A young journalist, an experienced cameraman and a discredited reporter find their bold plan to capture Bosnia's top war criminal quickly spiraling out of control when a UN representative mistakes them for a CIA hit squad.
An aging doorman, after being fired from his prestigious job at a luxurious hotel, is forced to face the scorn of his friends, neighbours and society.
A 1957 German musical comedy heimatfilm.
New York gangster Ben 'Bugsy' Siegel takes a brief business trip to Los Angeles. A sharp-dressing womanizer with a foul temper, Siegel doesn't hesitate to kill or maim anyone crossing him. In L.A. the life, the movies, and most of all strong-willed Virginia Hill detain him while his family wait back home. Then a trip to a run-down gambling joint at a spot in the desert known as Las Vegas gives him his big idea.
In 1930s fascist Italy, adolescent Luca just lost his mother. His father, a callous businessman, sends him to be taken care of by British expatriate Mary Wallace. Mary and her cultured friends - including artist Arabella, young widow Elsa, and archaeologist Georgie - keep a watchful eye over the boy. But the women's cultivated lives take a dramatic turn when Allied forces declare war on Mussolini.
In 1968 the lives of a retired doorman, hotel manager, lounge singer, busboy, beautician and others intersect in the wake of Robert F. Kennedy's assassination at the Ambassador Hotel in Los Angeles.
Aydın is a hotel owner and a retired actor in rural Turkey. As winter emerges he begins navigating the conflicts within the relationships with his wife, sister and existence.
A renowned New York playwright is enticed to California to write for the movies and discovers the hellish truth of Hollywood.
Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
Marisa Ventura is a struggling single mom who works at a posh Manhattan hotel and dreams of a better life for her and her young son. One fateful day, hotel guest and senatorial candidate Christopher Marshall meets Marisa and mistakes her for a wealthy socialite. After an enchanting evening together, the two fall madly in love. But when Marisa's true identity is revealed, issues of class and social status threaten to separate them. Can two people from very different worlds overcome their differences and live happily ever after?
The accidental mix-up of four identical plaid overnight bags leads to a series of increasingly wild and wacky situations.
Louise is a young actress whose first film has been selected for several festivals. Remembering her first love with Dimitri, she decides to contact him again before she goes to Cannes. But time has passed, and their meeting testifies to the incomprehensibility between the two former lovers, who no longer know what to say to each other.
A defrocked Episcopal clergyman leads a bus-load of middle-aged Baptist women on a tour of the Mexican coast and comes to terms with the failure haunting his life.
John Stonehouse (William Russell) checks into a hotel, intending to commit suicide. But instead he winds up helping a girl, Gilberte Bonheur (Fritzi Brunette), out of a jam. He finds her bending over a man who she has apparently killed, and since he's about to kill himself anyway, he offers to assume the blame. Throw a valuable emerald into the works, and the fact that the dead man suddenly comes back to life, and Stonehouse -- not to mention the audience -- becomes thoroughly befuddled by it all. Everything clears up, however, when Gilberte gives him a theater ticket -- it turns out that everything he went through was the plot to a stage play, enacted in real life by the actors. The critics roasted the play, saying it wasn't true to life, and this was their proof that the situations really could happen. Gilberte retires from acting when Stonehouse proposes.
Late one evening Alex suddenly abandons his girlfriend, Simone, to pursue the beautiful Aimee. In his encounter with Aimee time and place dissolve for him and he becomes a stranger to Simone, to whom he cannot return.
Hermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative trace comes from one of his anti-novels, Credito Italiano V.E.R.D.I - displays his immediate attitude to thinking a cinematic language completely based on actor's movements and actions, and more specifically, on his presence and his schemes. Camouflaged or naked, still or moving, his body seems to play and be played at the same time, shifted by objective and subjective tensions, both metaphorically and visually speaking.
Alejandro's life is disrupted when actress Sophie Wilder stays at his hotel. To their surprise, the two fall for one another, meeting at midnight.
George Bird is a salesman of agricultural machinery who finds out that he hasn't long to live. On his doctor's advice, he goes to an exclusive seaside resort to spend his savings on one last holiday.
Serio-comic look at the residents and staff of a Catskill Mountains resort during its final days.