Artist of Fasting

In the last days of their tumultuous relationship Julian and Lara are confronted with a life changing event and now must bear the consequences.

The 1975 film by Georgi Daneliya "Afonya" was an unexpected commercial hit in USSR. The main character "Afonya" Borshev is a plumber, who spends his life partying with "buddies", many of whom he doesn't even remember after nights of heavy drinking. His wife leaves him, his boss places him on probation, his whole life is falling apart, but he doesn't realize it. Afonya met Katya at a dance club, yet didn't pay her much attention. But she is the one, who can save him... In this movie Daneliya achieves a perfect balance of satire and drama. Quotes from the movie gained a cult status in USSR.

Casey is attacked at random on the street and enlists in a local dojo led by a charismatic and mysterious Sensei in an effort to learn how to defend himself. What he uncovers is a sinister world of fraternity, violence and hypermasculinity and a woman fighting for her place in it.

Imagine what it would be like if black settlers arrived to settle a continent inhabited by white natives? In 1788, the first white settlers arrived in Botany Bay to begin the process of white colonisation of Australia. But in Babakiueria, the roles are reversed in a delightful and light-hearted look at colonisation of a different kind. This satirical examination of black-white relations in Australia first screened on ABC TV in 1986 to widespread acclaim with both critics and audiences alike. This is the story of the fictitious land of Babakiueria, where white people are the minority and must obey black laws. Aboriginal actors Michelle Torres and Bob Maza (Heartland) and supported by a number of familiar faces from the time, including Cecily Polson (E-Street) and Tony Barry, who starred in major ABC-TV hits such as I Can Jump Puddles and his Penguin award-winning Scales of Justice. Babakiueria was awarded the United Nations Media Peace Prize in 1987.

Frustrated when network brass reject his sitcom idea, producer Pierre Delacroix pitches the worst idea he can think of in an attempt to get fired: a 21st century minstrel show. The network not only airs it, but it becomes a smash hit.

General Candy, who's overseeing an English squad in 1943, is a veteran leader who doesn't have the respect of the men he's training and is considered out-of-touch with what's needed to win the war. But it wasn't always this way. Flashing back to his early career in the Boer War and World War I, we see a dashing young officer whose life has been shaped by three different women, and by a lasting friendship with a German soldier.

Bounced from her job, Erin Grant needs money if she's to have any chance of winning back custody of her child. But, eventually, she must confront the naked truth: to take on the system, she'll have to take it all off. Erin strips to conquer, but she faces unintended circumstances when a hound dog of a Congressman zeroes in on her and sharpens the shady tools at his fingertips, including blackmail and murder.

Millionaire conservative Bob Roberts launches an insurgent campaign against incumbent senator Brickley Paiste, firing up crowds at his rallies by singing '60s-style acoustic folk songs with lyrics espousing far-right conservative social and economic views.

The lives of several individuals intertwine as they go about their lives in their own unique ways, engaging in acts which society as a whole might find disturbing in a desperate search for human connection.

Four characters get stuck in a boarding house after the spread of a contagious disease.

Italian immigrant kidnaps a wealthy British woman, and they fall in love.

Former child star Joe Davis, reduced to living in a cheap Hollywood motel while struggling for acting jobs, is lusted after by nearly every woman he meets, including Jessica Todd, a tightly wound feminist who has recently come out as a lesbian. When Jessica's mother, Sally, an emotionally needy has-been actress, meets Joe, she moves him into her enormous, tacky mansion as her new boy toy and attempts to get him acting work.

It tells the story of Ramadhan and Monita, two people with opposite personalities who become entangled in a push-and-pull romance, presented with clever humor and social satire.

Harij, a newlywed, is eager for dowry gifts that never arrive, while his wife Sajili, trapped in an unwanted marriage, detests his insatiable appetite for intimacy. Harij, frustrated by her reluctance, enlists Leila, a bold and pragmatic sex worker, to "train" Sajili in "marital duties". What begins as an unorthodox intervention, spiral into a sinister plot when Leila uncovers Harij’s chilling plans for dowry-related murder. And Leila is no ordinary bystander. Viewed by society through a lens of stigma, she steps into the role of a protector. In a clever twist, Leila offers Sajili a dangerous escape—faking her suicide and framing Harij. Can Sajili escape the patriarchal nightmare, claiming her independence, her hidden dowry, and her lover, leaving Harij and his greed exposed?

The story of two friends and managers of a mountain hut. The central theme of the film is nature conservation and environmental protection. Friends Mišo and Dušan, who love the Tatras, try to preserve "their" valley as one of the last corners of nature untouched by tourism. They do it with sincere enthusiasm, but only with the means at hand. They settle accounts with sneaky hikers.

Amma Rajyam Lo Kadapa Biddalu (Kadapa Children in Mother's Kingdom) is a political satire film directed by Ram Gopal Varma and Siddartha Thatolu. It explores caste, dynasties, religion and their influence on politics in Andhra Pradesh, India.

Tracy Flick is running unopposed for this year’s high school student election. But Jim McAllister has a different plan. Partly to establish a more democratic election, and partly to satisfy some deep personal anger toward Tracy, Jim talks football player Paul Metzler to run for president as well.

A suicidally disillusioned liberal politician puts a contract out on himself and takes the opportunity to be bluntly honest with his voters by affecting the rhythms and speech of hip-hop music and culture.

When veteran anchorman Howard Beale is forced to retire his 25-year post because of his age, he announces to viewers that he will kill himself during his farewell broadcast. Network executives rethink their decision when his fanatical tirade results in a spike in ratings.

A satirical low effort short film to portray the stupidity and ugly nature of racism, by Paris Sofianopoulos