Taego Ãwa

Brazilian singer Maria Bethania has a 40-year singing career. A documentary shows her concerts and famous family.

During the last forty years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever-changing humanity. He has witnessed the major events of our recent history: international conflicts, starvations and exodus… He is now embarking on the discovery of pristine territories, of the wild fauna and flora, of grandiose landscapes: a huge photographic project which is a tribute to the planet's beauty. Salgado's life and work are revealed to us by his son, Juliano, who went with him during his last journeys, and by Wim Wenders, a photographer himself.

Panair do Brasil revives the story of the most important commercial aviation company in Brazil, between 1930 and 1965, with its commercial daring in establishing routes to the four corners of a continental country, taking the adventure of air transport to never-before imagined places, as well as the first international routes. Four decades after it closed its doors, it still retains a marked presence in the country's collective imagination for its pioneering spirit and stories of heroic deeds and for the bewilderment which was aroused by the facts surrounding its closure during the military regime.

All the lives of Cora Coralina in a poetic narrative in the voices, feelings and interpretations of six generations of great Brazilian actresses. A polyphony of the voices that inhabited Cora, revealed in prose, verse and images with its immense literary talent and human content. The film reveals the trajectory of Cora Coralina, from her childhood years to getting married and leaving Goiás, from the long period of 45 years lived in different cities in the state of São Paulo and her return to the City of Goiás, when she revealed herself to Brazil with the strength of his poetry.

O Arco e a Lira

Tells the stories of six national soccer titles won by São Paulo Futebol Clube, from the point of view of the fans.

City of God – 10 Years Later investigates what happened to the actors who took part in the award-winning film directed by Fernando Meirelles and Katia Lund. This documentary shows what City of God’s worldwide success meant to their lives. Were the actors prepared for the film’s success? Did the social background of some of them prove stronger than the opportunity that came their way?

The documentary goes through the 23 years of MTV Brazil, taking stock from the avant-garde to the ostracism of the broadcaster that was the main guide for the musical, cultural and social formation of young people in the 90's and 2000's with interviews and testimonials from former VJ's and artists that emerged and became popular in the country because of the channel.

A tomato is planted, harvested and sold at a supermarket, but it rots and ends up in the trash. But it doesn’t end there: Isle of Flowers follows it up until its real end, among animals, trash, women and children. And then the difference between tomatoes, pigs and human beings becomes clear.

Chacrinha's legacy on TV and excerpts from his personal life are revealed through testimonials and archive images, which tell the story behind the cameras, the behind the scenes that consolidated a new way of communicating Brazil and the facets of a man who is one of the most interesting contemporary characters on the national cultural scene.

An uplifting feature documentary highlighting the transformative power of art and the beauty of the human spirit. Top-selling contemporary artist Vik Muniz takes us on an emotional journey from Jardim Gramacho, the world's largest landfill on the outskirts of Rio de Janeiro, to the heights of international art stardom. Vik collaborates with the brilliant catadores, pickers of recyclable materials, true Shakespearean characters who live and work in the garbage quoting Machiavelli and showing us how to recycle ourselves.

Cássia Eller Rejane. Cássia Eller. Cássia. A powerful restless force on stage, shined herself out of it. One of the greats of Brazilian music, Cássia Eller marked the 1990s and shocked the country with her early death in 2001. A film about the singer, the mother, the woman who exposed her personal life and broke barriers, leaving a beautiful social and artistic legacy.

The encounter with a growing, and mostly undocumented, brazilian community allows us to bear witness to its energy, its vivacity, and its diversity. This film attempts to work for a larger acceptance of foreigners in their land of exile.

"O Mar de Antônio Peregrino" tells the fascinating story of the pilgrim Antonio Conselheiro and the village of Canudos. In a region feared by its long droughts, thousands of outcast peasants and Indians came together to build a country utopia. The city has been wiped off the map three times but refuses to die. The film is a journey in search of the people and dreams of Canudos. Guided by Antônio Conselheiro's famous phrase “The drought will turn into the sea, and the sea will turn into the drought”, the film goes through the drought and the flood to meet a warm and strong people who never surrendered, cherished with the music of hope and missing.

The work mediated by digital apps and platforms is growing worldwide. But the advance of the “gig economy”, called in Brazil “uberization”, has aroused debates about the precariousness and intensification of work.

UFO experts claim that after the explosion of the bombs on Hiroshima and Nagasaki, there was an increase in the number of sightings of UFO'S (Unidentified Flying Objects) worldwide. Just over two decades later, the Brazilian medium Chico Xavier confided to close friends that when man reached the moon on July 20, 1969, happened a meeting with the celestial beings of our solar system to check the progress of humanity. They decided to grant a period of 50 years for humanity to evolve morally and live in peace, without provoking a third world war. If we live in peace until the Deadline, humanity would be ready to enter a new era of its existence, and magnificent feats would be checked everywhere, including our brothers from other planets would be expressly authorized to present themselves publicly and officially to Earth's residents.

The Central Prison of Porto Alegre was considered the worst in Brazil by a commission of inquiry of the Chamber of Deputies in 2008. Now, the place opens its doors to expose the poorly maintained structure and the life of penitentiaries in unhealthy conditions. Prison officials, detainees, and relatives of prisoners tell how their daily lives are in jail and propose a reflection on the condition of the Brazilian penitentiary system.

Hello, Hello, Terezinha! is a feature-length documentary about the country's biggest communication phenomenon. Politically incorrect, radical, renewing, Chacrinha changed Brazilian television forever and expressed a Brazil that was around it, but was not perceived. The film tells the great adventure of Abelardo Barbosa through the eyes of the presenter. It gathers the nuclei of its constellation - chacretes, fledglings and artists who passed through its programs - to identify their individualities and their emotions.

A city that has been living for two years with the law that prohibits "clandestine parties". A youth who, when reunited, risks receiving a police raid on their doorstep, in the street, in the park or in the square. Spatial segregation, denial of the right to the city and public space for the leisure of the poor, black and peripheral. Willingness to make art, create music, lyrics, poetry, beats, hits and spread culture in this repressive scenario.

Ebony Goddess: Queen of Ilê Aiyê follows three women competing to be the carnival queen of Ilê Aiyê, a prominent and controversial Afro-Brazilian group with an all-black membership. The selection is based on Afro-centric notions of beauty, in counterpoint to prevailing standards of beauty in Brazil, a country famous for slim supermodels and plastic surgery. Contestants for the title of Ebony Goddess dress in flowing African-style garments, gracefully performing traditional Afro-Brazilian dances to songs praising the beauty of black women.