Pipsqueak Prince

In a bar, a speed-dating. Birth of an improbable and miraculous love in unsuitable circumstances ...

A man reacts with violence when a pair of eyes spy on him from inside a cardboard box.

Riding home atop a train, the Pichu Brothers suddenly find themselves knocked off and flying through the air! They hit a Wynaut on their way down, bringing all three of them to the forest where Pikachu, Totodile, and some more friends are playing in a waterfall and building a campfire. When it starts to rain, the group takes shelter in a water mill—but the water mill starts moving! The next morning, the whole group decides to work together to make sure the Pichu Brothers make their train. Will the two be able to make it home safe?

The story of child violence and the national violence. And the problem of the old Japanese environmental pollution.

It's Ghosts vs. Skeletons one night in a churchyard cricket match. At the outset, it appears that the Ghosts' pitcher will best all of the Skeleton's batters. That is until one dandy steps up to bat and practically lays waste to the entire churchyard.

Utilising an apparently new-found obsession with the colour red and reinvigorating some of the circular imagery of A Man and His Dog Out for Air and 69, Breer delves into the very basis of animation to explore how a variety of easily recognisable objects can be portrayed and manipulated differently using pixillation and classically drawn animation. -Malcolm Turner

People, animals and buildings create a visual echo in this surreal, hand-drawn animation. Obtuse, atmospheric and engaging.

“Like rabbits” is the second part of “Chronicles of bad luck”. The man with the fish head continues his melancholy stroll through a fun fair, randomly distributing, its bubbles of misfortune. As its title suggests, there is a lot of talk of rabbits, but don't let that make you forget the crows. And if you see in this movie, a sordid portrait of a badly barred humanity, your mind may have gone awry.

A door-to-door salesman tries to use the gift of the gab to sell an elderly couple things they don't really need.

This motion comic gaps the bridge between 2004's The Chronicles of Riddick, and 2013's Riddick. A new attempt on Lord Marshal Riddick's life is made on the Necromongers' ship. It's time for Riddick to end the years long meandering through space and go back to his roots.

“Bolero” by Ravell is expressed in the mouvements of surrealistic paintings and in the rhythm of the film. This short animation won Golden Berlin Bear for Best Short Film.

An animated film compiled by David Ehrlich consisting of 27 animators from different countries all explaining themselves through their animation.

What starts out as a fun road trip for the Toy Story gang takes an unexpected turn for the worse when the trip detours to a roadside motel. After one of the toys goes missing, the others find themselves caught up in a mysterious sequence of events that must be solved before they all suffer the same fate in this Toy Story of Terror.

Two characters finding hope and coming together in the bleakest of moments. One marooned on a desolate planet and the other crash landing on the same planet. Both have benefits to helping each other find solace in this barren world.

The plot of this Action/Romance short-film starts with the duel of Carl (Robot-Gladiator-Champion) and Space Jesus. Before the finishing blow could land, rescue comes in the form of a Techno-Angel, who turns out to be Carl’s long lost love. So he changes sides and goes head to head against Drill-Raptors, EggBeater-Scorpions and a mighty BBQ-Octopus.

Run Wrake's iconic meathead character - first established in 1994's "Jukebox" bobs his head to PIL through the streets of NYC.

Study No. 1

Montage of crazy stream of consciousness imagery from Run Wrake - mixing animation and live action.

Directed and animated by Run Wrake, a one minute illustration of Paul Merton's words on Sudoku commissioned by the BBC for the Radio 4 website.

Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.