Jo and the Boy

Noah Clarke is a disillusioned and isolated man who seeks companionship in a society increasingly dominated by artificial beings. At Fuda Robotics, he meets Junko, a male AI model haunted by memories of abuse and torture — traumas that have left his intelligence fractured and fragile. As Noah and Junko struggle to understand each other, they slowly form a bond rooted in mutual vulnerability and shared suffering.

George Vadakkan is the quintessential prodigal son of a priest, who wished he followed the father’s path. His friends and George generally hang out at Mathayi Parambu, a public playground cum hangout space of the area. How the park plays a part in setting his life straight is the core of the pooram.

The relationships of two couples become complicated and deceitful when the man from one couple meets the woman of the other.

A career driven professional from Manhattan is wooed by a young painter, who also happens to be the son of her psychoanalyst.

A scientist researching if an A.I. can process love discovers that with love, comes trauma.

Abraham, the planter comes from Jaffna to his ancestral home in central Kerala unaware of the unpleasant things waiting for him. On the night of his arrival, he dies under mysterious circumstances and the cloud of suspicion falls on everyone.

A forest smuggle, lives in the jungle and smuggles sandalwood. He is also involved with other anti-social behaviour and forest controlling activities like robberies, dacoity, murders and drug pedalling. He consequently kidnaps an electrician Rahul and takes him to the jungle, forcing him to teach him how to make explosives. Rahul refuses to help create bombs and is subsequently falsely accused of murder. The rest of the story is about how Rahul proves his innocence to police investigators

Servais Mont, a freelance photographer who works taking compromising photos, gets fascinated by Nadine Chevalier, a tormented low-budget movie actress married to an eccentric film photo collector.

Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.

When a young media addict is robbed of his entertainment and sustenance system, he must call upon an AI assistant tasked with rekindling his system and sanity alike.

Hayley’s a smart, charming teenage girl. Jeff’s a handsome, smooth fashion photographer. An Internet chat, a coffee shop meet-up, an impromptu fashion shoot back at Jeff’s place. Jeff thinks it’s his lucky night. He’s in for a surprise.

Salaam Kashmir revolves around two men - Tomy Eeppan Devassy and Sreekumar. Jayaram plays Sreekumar, a character who does all the domestic work expected from a wife in normal course. Into this peaceful world enters Tomy (Suresh Gopi) disrupting the domestic bliss and bringing out an unexpected twist.

15 one-minute shorts created by various people from Japan's animation industry. The title of the collection, Ani*Kuri15, is abbreviated from the words "anime" and "creators".

The wife of a jet-set millionaire takes a holiday in Berlin and poses for racy photographs. These are stolen, a man is killed, and she decamps to the French Riviera with a different photographer, who may also now be in danger.

Five unmarried sisters make the most of their simple existence in rural Ireland in the 1930s.

In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.

Soman is brought up by his elder brother Raju and his shrewish wife Janu. Soman is in love with Lakshmi, the daughter of a poor village performer Kaniyan who belongs to a lower caste. Raju, employed by the zamindar and Janu resent the inter-caste marriage between Soman and Lakshmi.

Newspaper Boy is a Malayalam–language Indian film released in 1955. It is the first neo realistic movie in the language. The film, a drama of stark realism, narrates the life of the common man on the street. The film is noteworthy in that the entire production programme from script-writing to direction was controlled and executed by students.

After an encounter with UFOs, an electricity linesman feels undeniably drawn to an isolated area in the wilderness where something spectacular is about to happen.

High school student David Lightman has a talent for hacking. But while trying to hack into a computer system to play unreleased video games, he unwittingly taps into the Department of Defense's war computer and initiates a confrontation of global proportions. Together with his friend and a wizardly computer genius, David must race against time to outwit his opponent and prevent a nuclear Armageddon.