Nati stanchi

A small Sicilian town elects a new, honest major but quickly learns that playing by the rules is not as easy as it seems.

Diciamoci la verità

6th January 1975, in an infant nursery in Palermo (Italy), for a mysterious reason, a male nurse exchanges the labels of baby number 7 and 8. Thirty-one years later Tommaso (7) and Daniele (8) meet each other by accident.

A thief and a priest end up magically transported in the year 0's Palestine, where they'll have to make sure that the Nativity will follow its course.

Salvo and Valentino are two Sicilian friends who have moved to Turin, and now run a small business together. They drive foreign tourists around in a double-decker bus, and Salvo always tries to approach the pretty girls.

Valentino and Salvo, unemployed and in search of fortune and recommendation, leave Palermo for Valentino’s home town, Monteforte, where they will try to survive the Italian crisis by opening some sort of hospice.

Two cousins haven't spoken for almost twenty years, thanks to the enmity that their fathers feel toward one another. But an accident suddenly brings the cousins back together and thrusts them deep into the heart of the mafia.

Vuoti a perdere

Ficarra & Picone return to the scene with a new work entitled I'm These things happen and directed by Giambattista Avellino. The center is the man and the phases of its most salient life: love lost or regain, the love that makes us suffer because "the difficulty is not engaged but let ...", love of which we do not notice, "I love her, but I look around and there are hundreds of females, and I am the hunter"; the death of a relative who becomes a spectacle, because the funeral in Sicily can only be representation. But Ficarra & Picone go further, they discover that there is another kind of love, another kind of death and another rebirth. She teaches him a mysterious relative, Uncle Pino.

Set in an urban fairytale, DeShawn (an unlikely anti-hero) is smack-dabbing in the middle of a peculiar crossroads. He is haunted by the ghosts of one hundred men: ex-“boyfriends,” in addition to the ghosts of everyone they dated. His days are filled with spiraling epiphanies and lucid, reckless bohemianism fueled by systemic poverty and HIV ennui. In this particular sketch he is relating his philosophy of the world to an unknown caller on his landline telephone while magically shrink-fitting a new pair of jeans that he recently shoplifted from Levi’s. Commissioned by Visual AIDS in 2017 as part of ALTERNATE ENDINGS, RADICAL BEGINNINGS, a program of seven videos prioritizing Black narratives within the ongoing AIDS epidemic curated by Erin Christovale and Vivian Crockett.

A wife and mom with secret dreams of being a stand-up comic uses a one night stand with a burned-out touring comedian to face the harsh but funny truths of her failing marriage, neglected aspirations, and individual identity.

With a technical education background, Eva (Eva Arnaz) tries to become an entrepreneur by opening a workshop. He was assisted by several friends, and it turned out that soon his efforts were quite advanced. Rudy (Geroge Rudy), one of his customers, is interested in Eva's beauty, who is considered a good-looking woman. Tit for tat, Eva received Rudy's love. Unfortunately the relationship between the two men did not get the blessing of Rudy's parents. Eva, in the eyes of Rudy's parents, was considered too low for her prospective engineer. Because the relationship between Rudy and Eva is getting tighter, finally Rudy's parents bless him too.

Tomboy Zehra helps Omer to get with the girl he is madly in love with after saving him from a suicide attempt but finds herself also falling for him.

One night in Tokyo, Leo, a young boxer, meets his first love, Monica, an imprisoned sex worker. Caught up in a drug-smuggling scheme, they find themselves pursued by a corrupt cop, a yakuza, his nemesis, and a female assassin.

A miserable Argentine troupe of actors, dancers, musicians, filmmakers and a girl embark on a theatre tour to some country, probably in Latin America.

A dysfunctional family is forced begrudgingly into an instant reunion when they have to move their father's grave due to construction. Hye-yeong receives a letter of notification that her father's grave should be forcibly removed due to modernization projects. Hye-yeong and the sisters are gathered in a long time, but only the brother cannot be reached easily.

Tired of being a banal architectural ornamental, a sculpture runs from the Louvre to confront real life on the streets of Paris.

After answering an ad on a dating website for Eastern European women, Olla leaves Ukraine and heads to French suburbia to move in with Pierre, who lives with his elderly mother. However, the suburbia cannot temper her desires, and nothing goes as expected.