That's Bluegrass

Crash 'n' Burn is an experimental film shot in and named after Toronto, Ontario's first punk rock club. (Not to be confused with Peter Vronsky's similarly titled 1977 documentary on the Toronto punk scene made for the CBC television network.) The film, shot on 16mm black-and-white stock, features performances by Dead Boys, Teenage Head, The Boyfriends, and The Diodes".

Down-and-dirty rock courtesy of the iconic Texas trio.

The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.

On July 5th 2008 the Amsterdam ArenA was filled with the Ocean of White. Against a breathtaking backdrop of waterfalls and fountains, the world's best DJs provided the music, spectacular dance acts and mind-blowing special effects provided the entertainment, and thousands of people were submerged in the magical underwater world.

Sensation White 2007 Amsterdam Arena presenting the premiere of 'The Tree of Love'.

Sensation White 2006: Amsterdam Arena, Netherlands

Sensation White 2004, Amsterdam Arena, Netherlands.

Sensation White 2002, Amsterdam ArenA, Netherlands.

Sensation 2001 in Amsterdam ArenA. Guests were asked to come dressed in white - a success that 2002 sparked the Sensation White-concept.

July 2009 ID&T celebrated their 10th edition at the Amsterdam ArenA by launching a sexy new theme – Wicked Wonderland.

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An aspiring conductor finds himself in his dream position, conducting an orchestra that doesn't exist.

He promised supermodels and yachts, but delivered tents and cheese sandwiches. How one man engineered a music festival disaster.

North London band Wolf Alice have had a rise to prominence that might have been bends-inducing were it not for their tightness as a group. In summer of 2015, the deliciously dark, hook-and-riff-filled sound of their debut album, My Love Is Cool, inspired the NME to crown it: "the debut of the decade". As a measure of their impact, BAFTA-winning filmmaker Michael Winterbottom joined the band on the road, capturing 16 different gigs and daily life backstage.

Twenty One Pilots: Live at Lollapalooza Berlin

Qlimax 2016 Rise of the Celestials The theme Because of the size of GelreDome, the essence of Qlimax stands out even more. The presence of something greater, that can’t immediately be labeled as ‘a sovereignty’, but as something more than we can observe with modern science, is of great importance for the theme. ‘The Dark Side’, ‘Science & Religion’, ‘Immortal Essence’, ‘Rise of the Celestials’. This spiritual and often dark corner attempts to hold a mirror in front of you as a visitor and confront you, in order for you to open your eyes and add an extra layer to the event. Because of the presence of just one area with one stage, each and every visitor is submerged in the same story, that you all take home with you afterwards. This feeling of solidarity and understanding results in the preservation of the essence of Qlimax, while every edition enters a different chapter.

James Bay’s soaring voice, dexterity on the guitar and statuesque good looks have earned him a Critic’s Choice Award last year. While his attained superstardom has decisively measured up to previous winners like Adele, Sam Smith and Florence & The Machine, James Bay has deftly and humbly maintained a balancing act between his chaos and calm with a down-to-earth, easy going attitude. A remarkable songwriting talent in the truest sense.

Steamboatin' stories from those who lived them, river history, authentic footage and stills, along with music and narration by John Hartford.

The history of New York City's Apollo Theater in Harlem is given the full treatment.

Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.