Just a Minute

A short trip on an easychair.

Has feeling got a physical representation? This video is the story of a feeling represented by a warm vibration spreading all over the body.

I found myself creating this little Nursery Rhyme, in to a Gothic Lyrical Experimental Animation at midnight, whilst on a break from my other Animated Project. It is just something that allowed me to develop my Experimental Animation making and to use previous Sketches and Archived Animation footage which I have never used before.

This little film, which juxtaposes animated sand and scratching on 16mm film, was made during studies at the Royal College of Art. The starting point of this film was the sentence "but it's always when you're asleep that I want to talk to you", read on a wall in the underground... a phrase actually taken from a Mano Solo song.

A tale about a little fox Vuk from the novel of the famous Hungarian writer István Fekete.

In an effort to end family feuding, a young gypsy travels back in time to kill mammoths to ensure Hungary becomes rich by killing mammoths in order to create a massive oil reservoir. Things don't go entirely according to plan...

A film about human interaction and attachment, The People explores the mark people leave on each other and the space they occupy. The watercolor’s fluidity and transparency are the tools used to communicate the emotional tone of the film.

Three Trees

Homework

An interesting assembly of people decides to play a deadly game of greed for a suitcase full of money.

Emiko, a young Japanese girl, discovers the secret behind the most respected tradition of her village.

Là où poussent les coquelicots

Gus Patatax runs a chip shop in space. In front of him is a huge Fast Food. Gus must satisfy his only client, the competitor opposite. The latter wants to humiliate Patatax and disrupts the gravity machine of the fries stand; it forces Patatax to cook in "zero G".

Walking towards the fire. In a ceaseless stream of light, people, landscapes and objects lead us to mysterious regions. French filmmaker Patrick Bokanowski’s work is hard to classify - and all the richer for it. Together with his wife Michèle, whose musique concrète compositions form the basis of the sound design, Bokanowski offers a prolonged, dense and visually visceral experience of the kind that is rare in cinema today. Difficult to define and locate, its strangeness is quite unique.

Memories split in the space.

Film directed from the play "Orpheon", directed by François Tanguy, played by the Compagny of Raft.

The cartoon is based on several Krylov's fables.

"A hippie takes a musical journey through hallucinogen animation." ----------------------------------Summary from Boxoffice [Issue from 4/14/1975, p.6] This Real Live productions film consists of a kaleidoscope of images and colors, flashes of real-life scenes and animated art work, all set to music. There is no plot. The thread that holds this full-length feature together is an animated hippie character who sits in his living room listening to a Los Angeles radio station while smoking marijuana. His “high” allows him to dream up all the images on-screen. Although the film is overly long and, for that reason, seems disconnected, the photography and art work (by Patrick) are quite enjoyable. The picture seems meant to be viewed by young people and might find appeal in selective showcasing. Anton Noel produced, directed and wrote the film, done in four-channel Quadrophonic sound. Soundtrack is available from Storybook Records.

A world-famous boys' choir goes on a tour. In the hands of their severe conductor they are an obedient musical instrument. But left alone without supervision, they are just playful children. Once in Seoul the conductor is accidentally trapped in the elevator, and the boys are left alone.

"The Role of Chance" ("La part du hasard") focuses exclusively on drawing and painting techniques used by the painter Henri Dimier. Shot over several weeks in the same artist's studio, the film shows works in their different phases, processes rarely explained or little known. It also addresses many practical issues (choice of paper, pigment grinding, reports drawings, put the tiles, cliches, etc) as well as broader questions of method and inspiration (use of space, the role of contours, power of suggestion perspectives, use of random processes). Patrick Bokanowski sought with this film to restore the spirit of this teaching, showing how to bend a note or sometimes revealing an essential mystery of creation.