A jetliner spans the miles, sheering through clouds to open sky and scenic vistas of the provinces below. Glimpses of town and country, of people of many ethnic origins, of a resourceful and industrious nation - impressions it would take days and weeks to gather at first hand - are brought to you in this vivid 1800-kilometer panorama.
This film is an in-camera portrait of the place Ville Marie Royal Bank Building in Montréal.
This short piece by Athina Rachel Tsangari, commissioned for the seventieth edition of the Venice Film Festival in 2013, draws on Jean-Luc Godard's "Contempt" and functions as a meditation on the state of cinema, depicting two film projectors contemplating the uncertainty of their future.
In the summer of 2008, Enzo travels to Berlin to work on a creative documentary and find a former lover.
Whatever became of the actor director Luchino Visconti famously cast as young Tadzio in "Death in Venice"? Documentary filmmaker Etienne Faure goes looking in this short film first presented at Cannes.
Garden of Two Rivers
EMPATHY (a digital love letter) is a short essay documentary, a heartbreaking comedy about a break-up, an attempt to concretize emotion and evoke empathy from a writer’s approach. After getting her heart crushed in a relationship, a woman writes a letter to the man she loves for a simple reason—to evoke his empathy towards her. Knowing the premise of human emotions, the woman starts her letter with her own life stories, follows with a blunt confession of affection, and ends with a cursing when she can’t handle the emotions anymore.
Kogonada's visual essay about the formalistice choices of master filmmaker Stanley Kubrick
Promotional short for the film "The Sandpiper".
There are so many ways to travel, to explore the unknown. Here, rather than a tourist trail, we’ll follow a look, a smile, a wave of a hand, snippets of music or the curve of a wave...
The Bony Lady (La Flaca) is a film about Arely Vazquez, a transgender woman and leader of the Santa Muerte (Saint Death) Cult in Queens, New York. During her yearly celebration to the Bony Lady (‘La Flaca’ as she likes to call her), Arely faces a lot of challenges to fulfill a promise she made ten years ago.
Coerência
This is a companion piece to the Fall time-lapse. Intended to be the polar opposite of the first one. Not just the Fall vs Spring. But wide shots vs close ups, everything in focus vs shallow depth of field, very cutty vs one shot, contemporary music vs classical, static camera vs moving camera.
With no wet-suit, no breaks, or physical support, Rachel Horn swims the Santa Barbara Channel to help the Special Olympics.
Omniscient perspectives shoot vibratory gleams through human projectors statically displaced across the screen. Superimpositions at fever pitch falling apart and compressing into new molecular lattices. Peripheral fantasies imagine forth collusioned destinies. A yin/yang interchange makes light's transparency into density, while the darkness metamorphoses into thin lucidity. Hands in peristaltic motion grasp and release, conjuring interstitial embroideries. Landscapes yield their own maps in topographical patterns.
A 7-minute portrait of natural born fashion and street photographer 'Jimmy on the Run'. Coming from rural China, he now roams the streets of Amsterdam always chasing the next best picture. This short film shows Jimmy's passion for the lens, his dynamic lifestyle and his struggle with family expectations.
TV crew claims to be from the BBC and records priceless moments in coverage of the Carnival of Olinda and Recife, Brazil.
Erik Satie’s work is at the heart of modern music. However, who was Satie? An elusive genius or a visionary misanthrope? The film tries to sketch an identikit of the musician through his notes and the places he lived in. Musicologists mostly agree in describing Satie’s music as inhabited by voids and holes. The long pauses between one musical passage and the other are musical structures unto themselves; therefore, the filmmakers create a dissonant Satie-like universe in which empty spaces are adjacent to eloquent passages. Like a mysterious flower visible only to the eye that is willing to dance with its charm, the film unfolds little by little through mental associations and creative juxtapositions. There are no answers in the universe inhabited by the ghosts of Satie’s creations. Architectural forms and recollections from desires and acts of creative hubris compete to create a new world, which ultimately is the image of a new and more seductive pleasure principle.
The road is a perilous place, in part because there are so many jerks behind the wheel. As the narrator informs us, "Do anything you can to rid yourself of schoolboy competitiveness...driving in today's traffic is not for children. Fortunately, even the most infantile personalities among drivers are being cured of an inclination to view being passed as a challenge to their imaginary superiority." Alas, there remain plenty of hotshots, blind spots and other dangers that this live action educational short from the National Safety Council and Pilot Productions duly illustrates, then instructs us how to avoid them. - Dennis Harvey
The creation of beautiful new landscapes. Shot on the Canary Islands.