California Reel

Home is more than a place where we live. It is also a feeling of trust, being within your family. This feeling is transferred from generation to generation. This film follows a little boy losing his home through mourning and relocation, and questions if it is possible to recapture the feeling in another place. A central theme in the film is the nature of connections between generations. Differences, similarities, and behaviour patterns that are transferred between the old and the new worlds. They tie together individuals and generations in a family the same way as fine silk threads interlace within the cloth.

Camille is about to take a bath when a child appears and questions the identity she has built up until now. After having a talk with whom she should have become, she fully embraces the doubts and issues that come with the construction of one’s unique identity.

One boy battles his own personal tsunami of nose-water.

Death as a global service provider? Unthinkable! So far Death has thought that too. But then his nephew Cedric had the crazy idea of founding the company AFTER LIFE while his uncle was away. This company takes over the craft of death with the latest technology and markets it worldwide.

A mother's constant grumbling about her daughter-in-law's dish poisons her son's marriage bit by bit.

The visual style of the film is inspired by ancient tribal symbols, which constantly morph into each other. They represent life in a womb-like frame.

Blue Racer is forced to play with a rooster's son, so Racer tries to play games with him, which usually involve Blue Racer trying to get rid of the little bird. Unfortunatly for the snake, the rooster is keeping an eye on them all the time.

Daiki just wants to fit in at school, but his magical girl mother might ruin everything for him by bursting in on Career Day. Will the power of love hold strong amidst family tensions???

Two tree-creatures hibernating underneath the bark of their trees wake up by the quakes produced by a snowfall outside. After going out, they become friends and delight at playing with the snow.

The phenomenon of increasing smartphone addiction can be attributed to today's cutting-edge technology. Staring at glowing screens instead of exploring the cast expanse of life, people are gradually alienating themselves from the richness, depth, and loneliness of life.

A precocious young girl makes a new friend when a tiny boy pilot drops out of the sky on a broken flying machine. Now she must race against time to return him home, before her new friend becomes stranded on Earth forever.

Set in Bangkok, the film shows the process of urbanization of the city while humans lose control over the consequences of their actions and their greed. The story begins and we move underground to meet the two protagonists: a pangolin couple. The two lovers are living a tranquil life in their hidden city beneath, when their quiet is upset by sudden earth shakes provoked by the drilling of a construction site above. Separated by the cracks in the soil, they begin an adventurous journey to find each other, taking the viewer deeper into the causes of the loss of connection between humans and the earth beneath and ultimately, of the pandemic.

A man tries to remind himself to go to the doctor.

Freelancers must meet deadlines. There is rush, last minute printing and rendering, which create stressful situations and maddening states of mind. We see their distorted perception of time and space.

In a lifeless urban landscape where time itself has stopped its crawl, a mad ballet is commencing and a newly hatched butterfly is about to die.

Partially based on a poem by Gabriela Mistral.

While on an airplane, a traveller's spirit plunges into a dream world. Here, under the influence of the unknown, the logic of his desires prevails, and a romantic saga takes shape.

A woman is locked in her home with an egg, which she is both attracted to and scared of. She eats the egg, she repents. She kills it. She lets the egg die of hunger. EGG is a poetic short film based on a small yet significant moment of the director’s own life. It portrays a moment of shame, defeat and yet of victory.

An 11-year-old boy, Takasumi Takane, will be given a new bicycle if his exam results are in the top 100, but his results put him in 112th place. He tells his mother a lie that he placed 92nd, and he tears the answer sheets apart. On his way home from cram school, he accidently breaks the old bicycle that he is supposed to hand down to his little sister, Tamaki. This angers Tamaki. Furthermore, Tamaki accuses him of telling a lie, and he begins to think of her as a nuisance. One night, when he goes to a shrine to look for his missing dog, Chris, he encounters a young man named Yoyogi. Somehow, Yoyogi has the answer sheet marked as “92nd." Yoyogi proposes a trade, but threatens to return the answer sheet to its original owner unless he is given something Takane doesn't need.

Lily went to an amusement park using the frog as its symbol character with her parents. At the Frog Castle of the park, she happened to draw a sword. It was said that the Frog King would grant any wish if one beat the big snake with the sword. When Lily beat the snake, she went to the Frog Land and met the Frog King. The king said she would become a frog if she couldn't open the Gate of Hope until a child would hatch from the roe in front of her. Suddenly, a man in suits appeared. His name was Knodo, and he was supposed to become her little brother. Lily thought it strange, and she ran away from him. He chased her. Then, they fell over into the water head over heels.