Holland in Tulip Time

The life of the Schouten family revolves around tulips and top sport. Together they run a large international tulip company and children Irene and Simon skate at world top level. When mother Jolanda unexpectedly needs a lot of care and attention due to a brain haemorrhage, everything changes. How does the family relate to each other, skating and the company in this new situation?

This FitzPatrick Traveltalk series short looks at Czechoslovakia before World War II, including images of bridges, churches, and castles in Prague, also a non-military parade through the city.

This Traveltalk series short takes a look at Cairo's landmarks, people, and culture.

A man canoes through the the Rhine

Shortly after his mother’s passing, playwright and stage director Mohamed El Khatib receives a phone call from his uncle in Bab Berred, the family’s village in the Moroccan Rif, instructing him to come as soon as possible to collect his inheritance – mysteriously insisting that he should make the trip in a Renault 12. Coaxed by his father, El Khatib decides to make the journey from Orléans to Tangier. Structured like a road movie, Renault 12 is also the filmmaker’s quest to discover his own origins, in which he both documents chance encounters and stages situations to bring social, political, and cultural landscapes to light.

Blissful scenes of tourists arriving by boat and then sea bathing on a beach in the Venetian lagoon.

1950s Soho beats with far more energy than its 21st century counterpart in this vivid time capsule.

This short film presents a look at Italy's popular tourist spots.

A short look at various seasonal activities offered in the Tyrol region of Austria.

This travelogue begins at Bangkok's rail depot, a center of Indo-Chinese commerce. Next the narrator talks about Buddhism as the camera shows us some of Bangkok's many temples. Then, the narrator introduces us to the importance of traditional dance, with emphasis on the way that delicate wrist movements tell stories. It's on to the system of waterways in Bangkok, where more than 1,000,000 people live or conduct commerce. We take a ride down the Menam River, the country's most important commercial and social road. From our boat, we pass Wat Arun and other colorful signs of life typical in serene Siam.

This Traveltalk series short brings us to Lima, Peru where we see a modern city.

This documentary short features Chile's history, culture, and customs.

This Traveltalk short visits Rocky Mountain National Park and a nearby dude ranch in Colorado.

This Traveltalk series short visits Copenhagen.

Travelogue/documentary follows newly married Rita Hayworth and Prince Aly Khan on their honeymoon trip through exotic locales.

This Sportscope series entry highlights sailboat races in Holland.

This Traveltalk series short celebrates San Francisco, past and present.

This short film takes a look at the sights, sounds, and customs along Italy's Amalfi Coast.

This travel film takes the viewer to the northern part of Rajasthan. After a quick day tour in New Delhi and its surroundings we visit the magnificently painted havelis of Shekhawati, in Jhunjhunu, Mandawa and Fatehpur, an area that used to be one of the most prosperous parts of India. From there we visit Bikaner with its impressive fort, maybe the most beautiful in Rajasthan, and the city's Jain temples ending the tour with remarkable traditional music and dance in Kuri village right outside of Jaisalmer.

Travel films have an established format with their own conventions, history and baggage. It is a medium that has all too often sought to control, define and dictate perceptions of ”other” places. Comprised of footage shot while travelling on group excursions across Russia in 2019, An Uncountable Number of Threads is an attempt to draw out the ethical restrictions of a travelogue, while questioning how (and why) to make one. At times there is an awkward tourist-gaze, aware of its outsider position. But as a self-reflexive work that considers its own creation, it ultimately unravels, as the artist rationalises themselves out of a particular way of working, inviting the viewer into their uncertainty.