Luna

A Filpino family deals with hooded people who are involved in extra-judicial killings and other abuses in Philippine society.

The film is about the lives of simple folk caught between the crossfire of Kapitana accused of political patronage, and Patrol Kalikasan using the environment as a front for their own political and economic interests on the small mining community.

Melba is the wife of a slain farmer-leader whose murder is attributed to an incumbent governor. She goes to the city to appeal the case and to seek out a new life after the tragedy. Working as a staff member at the office of City Councilor, she is introduced to the life inside politics. Eventually she will be deeply involved, as her decision to marry the budding politician lays a carefully planned agenda.

Four interconnected stories during the height of the Martial Law crackdown against rebels. The palpable aura of fear leaves Filipinos in a state of paralysis, unable or unwilling to move until the dark cloud of history passes over.

Estela, an idealistic, call center slacker is mentored by Trevor, a pragmatic, senior agent. Their interaction develops into an unconventional relationship that would challenge their most personal convictions.

Don Victorino Hernandez, a creole secular priest from Manila, has two passions: botany and the total conversion of the native population particularly the Agtas, who in spite of the rigorous undertakings of Spanish colonialism continue to live in the hinterlands, giving them a notorious reputation in the minds of the lowlanders as well as the colonizers.

Amidst the vast sugar plantations of Negros in Southern Philippines, a matriarch lies in the throes of death. Her children rush home to confront the crisis as news of the impending death of their well-loved mother spreads among the community. There, in their ancestral house, the siblings are forced to deal with the issues of inheritance, tradition and the family legacy. It is a familiar tale. After all, every family has its story. And to each one, its own deserved secrets.

This is the life story of Mother Ignacia del Espiritu Santo, a Chinese-Filipina nun who founded the Congregation of the Sisters of the Religious of the Virgin Mary.

When asked for her real name, the feisty woman in a rural whorehouse would quip, "Ligaya. It means joy. And that's what I sell." Yet the small-town prostitute is not resigned that she would be in the flesh trade forever. She still harbors the dream of getting out of the job someday. She saves money and fancies that someone would come and marry her as if she were clean and never been a whore. That becomes almost a reality when a hardworking farmer enters her life. Under some problematic circumstances, her chances get blown away-but not exactly of her sole doing.

It shows the lives and relationship issues among the modern generation of Chinoys and how it isn't as perfect as it seems.

When the Love Is Gone is a 2013 Filipino romantic drama film directed by Andoy Ranay, starring Cristine Reyes, Gabby Concepcion, Alice Dixson, Andi Eigenmann, and Jake Cuenca. The film is distributed by Viva Films with co-production of Multivision Pictures and was released November 27, 2013 nationwide as part of Viva Films' 32nd anniversary. The movie is a remake of the 1983 blockbuster movie directed by Danny Zialcita entitled Nagalit ang Buwan sa Haba ng Gabi which stars Dindo Fernando, Gloria Diaz, Laurice Guillen, and Eddie Garcia.

A Filipino dram film directed by Joey Romero.

A family falls into turmoil as the son defies his abusive father in order to protect the people he loves.

Mark is a high school senior who makes a personal problem out of his parents break-up when his mother leaves home for another woman. The thought of being the butt of jokes for "having two fathers" horrifies him. All these worries and angst take the backseat when a new teacher comes to campus. Her name is Connie and she is an instant hit among the boys. It is love at first sight for Mark. However, Connie has an affair with Vincent, a married man.

A story about a dancer and a thief.

A mother works abroad to fulfill the dreams of her family, but when she returns, she finds that her husband and daughter have disappeared. Thus begins a search for her family, leading the mother down shady roads, only to discover a devastating truth.

Love in the time of hyperthymesia.

On Christmas Day, 15 year old David finds out that his boyfriend, Jonathan has taken another lover. The discovery leads him on the brink of depression making him think of ways to have him back at all cost. He has invited Jonathan to see him on this day for the last time.

“Sisid” is the story of a videographer, played by Raymond Bagatsing, who was betrayed by women in the past and swears never to be betrayed again. He meets a nightclub performer played by de Rossi. The two have an affair, perhaps even fall in love, but Bagatsing hesitates to commit himself to her. De Rossi tells Bagatsing the story of one of her lovers, played by Rodel Velayo; Velayo was once chauffeur to the beautiful but spoiled daughter (again, de Rossi) of a wealthy fishpond operator. De Rossi is kidnapped, Velayo helps her escape; when she learns of his involvement in the plot, she leaves him. Velayo wanders about, until he meets de Rossi in the nightclub; he insists that nightclub de Rossi is really his long-lost de Rossi, and pursues her with fierce intensity. Bagatsing feels threatened by Velayo’s presence, even jealous, and the two struggle over the woman they both think they love.

The story about a teenage boy, Antonio, whose emerging gay sexuality alienates him from his friends and family, until his libertine uncle, Jonbert, comes to live with him and his mother.