The Schoolgirl

A diamond smuggling operation goes wrong when an ordinary Soviet citizen becomes unwittingly involved, and the criminals are forced to court him to retrieve their diamonds.

The Four Musketeers defend the queen and her dressmaker from Cardinal Richelieu and Milady de Winter.

A small-time con artist and a Hawaiian real estate developer's mischievous, enterprising mistress team up for a potential $200,000 score.

In 1930s Australia, Anglican clergyman Anthony Campion and his prim wife, Estella, are asked to visit noted painter Norman Lindsay, whose planned contribution to an international art exhibit is considered blasphemous. While Campion and Lindsay debate, Estella finds herself drawn to the three beautiful models sitting for the painter's current work, freethinking Sheela, sensual Pru and virginal Giddy.

Nicky, an accomplished con artist, gets romantically involved with his disciple Jess but later ends their relationship. Years later, she returns as a femme fatale to spoil his plans.

When Gabriel and Emilie meet by chance, he offers her a ride, and they spend the evening talking, laughing and getting along famously. At the end of the night, Emilie declines Gabriel's offer of "a kiss without consequences". Emilie admonishes him that the kiss could have unexpected consequences, and tells him a story, unfolding in flashbacks, about the impossibility of indulging your desires without affecting someone else's life.

A shallow, provincial wife finds her relationship with her preoccupied husband strained by romantic notions of love, leading her further towards Paris and the country wilderness.

Publishing assistant Brett Eisenberg wants to be a big-time editor. However, she lacks self-confidence, a problem that isn't helped by her new, overbearing boss. Brett soon enters into a relationship with Archie, an older man who has plenty of his own issues, including alcoholism, diabetes and a difficult relationship with his daughter. Intent on helping Archie get past his problems, she turns to her dying father for advice.

Suddenly, she began to work, alone in a wide house, alone in a wide house, and through this boldness in the woman from defeating the lawyer, the amusement turns into sincere love.

Three smart and sexy friends, Andrea, Lauren and Emily, are fed up with being played by the men in their lives. To prove that all men are predictable and easily seduced, this hot trio decides to play by a new set of rules. They enter into a wild game of seduction to convince one lucky man that he's living the dream... but what the girls don't realize is their mark is on to their game and he's got a few plays of his own. Can the girls win? Or, will this player's double play end their game?

An all-female version of the Van Helsing tale reconfigures the vampire story as an erotic fantasy. The great, great granddaughter of Van Helsing seeks to slay the sexy Countess Dracula. She may have to pretend to be her devoted love slave to get closer to the bloodthirsty demon.

Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm. At once "a comic baroque play, a bourgeois drama, a chansonnier's number, a social satire, a farce and a very pretty love story" according to Marcel Bluwal, it can also be summed up, according to Beaumarchais, as "the most bantering of intrigues".

A gigolo must contend with the prospect that he has found true love.

How far would you go to get the person of your dreams? With the help of Gwen and Tiffani, Kyle pretends to be heterosexual in order to land Troy, the new guy (and nude model) who's turning the heads of both men and women. He soon finds himself joining the campus ex-gay support group and nabbing a girlfriend! Kyle's ex-boyfriend Marc is horrified at the plan and decides to pursue the confused Troy with his own tactic -- being his "out" gay self. Who will win Troy first?

A waitress falls for a handsome customer who seduces her, her two sisters, her brother, and her brother's girlfriend.

A boy who gets frustrated in love meets another boy who loses all of his memories and they find some ways to start a new life together.

With a reputation for seducing members of the opposite sex, regardless of their marital status, a notorious womanizer discovers a beauty who seems impervious to his charms. However, as he continues to pursue the indifferent lady, he finds himself falling in love.

Sam is a shy, mysterious and inconspicuous teenage girl, who falls in love with Troy, leader of an ultraviolent teenage gang, who does not feel physical pain, nor knows what love is. Together, against everyone and everything, they will face a series of obstacles trying to separate them, meanwhile figuring out what love and pain are. Debuting at Curtas, French filmmaker Elsa Rysto presents a love story mediated by ultraviolence, in a modern variation on the classic story of Bonnie and Clyde – or of the more contemporary Mickey and Mallory from “Natural Born Killers”. “Love Hurts” is a simple yet sensitive narrative about the so-called growing pains.

Der Mann im Keller

Janet Flanders is a small-town, unsophisticated young woman who is seduced by the fantasy of romantic love; she believes that someday her prince will come to sweep her away. Then she meets handsome Brett Becker; she believes she's found the man of her dreams -- little suspecting he is engaged to marry a wealthy socialite. Deep into her illusion that Brett loves her, she moves to Chicago to be closer to him, deluge him with calls and love notes, tells her family about her boyfriend Brett, and buys an engagement ring. Her obsession with him leads her from intrigue and eventually to murder.