Vaapsi

Waris Hussein’s acclaimed drama is based on the autobiography of Firdaus Kanga, who stars in the lead role of Brit, a young man born with brittle bone disease, which causes him to have never grown beyond four feet tall. The film follows his sexual awakening whilst his family simultaneously disintegrates all around him. An extremely moving drama confronting stereotypes around disability, sexuality and race, featuring a powerhouse performance from Kanga.

Rocket Singh: Salesman of the Year is the sometimes thoughtless, sometimes thoughtful story of a fresh graduate trying to find a balance between the maddening demands of the 'professional' way, and the way of his heart - and stumbling upon a crazy way which turned his world upside down, and his career right side up. Welcome to the world of sales boss!

The film starts in the early 1950s showing Sreedharan, the protagonist, as a very popular communist leader and trade union activist. He is forced to go underground after his name was associated with the murder of the owner of a tile factory. He is considered to be dead by his party and they even erect a memorial for him. But he makes an unexpected comeback almost 10 years later, after the first communist ministry gained and lost power in Kerala and after the Communist Party of India has split. On his return, he spends his time sleeping and drinking. His come back is first a puzzle and then an embarrassment to his comrades and family. As the disappointment on his new face grows, he is found murdered. The film ends when both the communist parties jointly celebrate his martyrdom.

Chanel, Dorinda, and Aqua are off to India to star in a Bollywood movie. But when they discover that they will have to compete against each other to get the role in the movie, will the Cheetahs break up again?

In a small village in Darjeeling, Sahuji the merchant has weaved a web of corruption in every layers of the social fabric. And he is also involved in rampant smuggling of goods across the border, and everyone from the local jeweler to the local police inspector are part of his intricate web. While the father has created a position of influence by spreading corruption, his son Kaaliram has ushered in a reign of terror. Desperate villagers make a plea to the owner of the tea garden, who calls (presumably) the higher ups in police force and they promise to send someone.

Lovable goon Munna falls for a morning radio host by the name of Jahnvi, who also runs an elders' home which an unscrupulous builder seeks to attain. In order to gain Jahnvi’s attention, he cheats his way to winning a Mahatma Gandhi radio quiz. When Jahnvi consequently expresses interest in Munna, he and his best friend Circuit attempt to keep up the facade.

No Means No is a cross-genre action-packed, teenage musical love story, a courtroom drama that's more like the thrill of a roller-coaster ride as each twist and turn begins to unravel to reach a conclusion that calls out for justice.

Indian coming-of-age story set in the 1970s and a love story between Seth, a young Englishman, and Asha, a young Indian girl and his friend from the childhood.

Tara and Maya are inseparable, with the same tastes, habits, and hobbies. Years later, the two have matured but have maintained their friendship. Tara marries local prince Raj Singh, who succeeds the throne as the sole heir. After the marriage, Raj seeks another female to satisfy his sexual desires, with his sights settling on Maya, putting a perhaps unforgivable strain on a longtime friendship.

Recently divorced Carl and Julie are not on good terms. When their 19-year-old daughter goes missing in India, they must journey into the Himalayas in search for her.

The film begins in 1857, when India was ruled by the British East India Company. Mangal Pandey is a sepoy, a soldier of Indian origin, in the army of the East India Company. Pandey is fighting in the Anglo-Afghan Wars and saves the life of his British commanding officer, William Gordon. Gordon is indebted to Pandey and a strong friendship develops between them, transcending both rank and race.

Utilizing the 1920s jazz vocals of Annette Hanshaw, the epic Indian tale of exiled prince Ramayana and his bride Sita is mirrored by a spurned woman's contemporary personal life, and light-hearted but knowledgeable discussion of historical background by a trio of Indian shadow puppets.

Lahoriye is the story of love. The love which does not see boundaries, the love which does not see nations. Kikar Singh (Amrinder Gill) is a clerk at DTO office and his family holds a piece of land which is right at the LOC. The people living in Border areas are familiar with the situation. Right across the land in Pakistan is a Kinnow farm where Ameeran (Sargun Mehta) works and live with her family. Kikar falls for Ameeran and slowly slowly even Ameeran falls for Kikar. What follows next is a tale of romance which is worth watching on the big screen.

A married woman realizes how unhappy her marriage really is, and that her life needs to go in a different direction. After a painful divorce, she takes off on a round-the-world journey to "find herself".

Based on the memoir by Indian policy analyst Sanjaya Baru, The Accidental Prime Minister explores Manmohan Singh's tenure as the Prime Minister of India, and the kind of control he had over his cabinet and the country.

In the suburbs of Mumbai, a young couple tries to catch some private time in a very public place, when they're paid a visit by the moral police.

Despite her fame and fortune, Mina, a successful Indian actress in Mumbai, can't forget her little sister Sita, from whom she was forced to separate after their mother's death in a village. Thirty years later she will finally find out that Sita is alive and well in Barcelona. However, Sita's adoptive parents have erased all traces of her past. She is now called Paula, works as a researcher in Biology and has no recollection of her Indian background, let alone of Mina. Faced with the shocking truths of her past, Paula begins a long journey of self-discovery, aided along the way by her budding romance with the handsome Indian immigrant Prakash. A story of hope and love across Mumbai and Barcelona; from India to the Mediterranean and all the way back.

In the Northwest Frontier of India, the 41st Bengal Lancers led by the harsh Colonel Tom Stone are having trouble with the rebellious leader Mohammed Khan. Surly McGregor and wry, blue-blooded Forsythe are officers in charge of newcomer Lieutenant Stone, the commanding officer’s inexperienced son. Motivated by a grudge toward his father, Lt. Stone allows himself to be captured by the enemy.

In India, Toomai, a young mahout, helps lead the British on a large expedition to round up wild elephants.

Director Jean Renoir’s entrancing first color feature—shot entirely on location in India—is a visual tour de force. Based on the novel by Rumer Godden, the film eloquently contrasts the growing pains of three young women with the immutability of the Bengal river around which their daily lives unfold. Enriched by Renoir’s subtle understanding and appreciation for India and its people, The River gracefully explores the fragile connections between transitory emotions and everlasting creation.