The Mass

French TV host Antoine de Maximy travels the U.S. from coast to coast, relying on the hospitality of strangers and documenting his experiences with a hand-held camera.

Shadows of Light combines the loud and soft tones of life. The centerpiece is an Austrian mountain pasture where the summer solstice is celebrated with international artists and where tradition and zeitgeist are not contradictory.

Coffee And Cigarettes is a collection of eleven films from cult director Jim Jarmusch. Each film hosts star studded cast of extremely unique individuals who all share the common activities of conversing while drinking coffee and smoking cigarettes.

A myriad of outrageous calamities befalls an eccentric English clan with more than a few skeletons in its closets when the family's patriarch dies an unexpected death.

Pulsar

Young filmmakers trying to hawk a movie titled "Bradykillers" about a serial killer who goes after victims Marcia, Jan, and Cindy meet their screen idol, William Shatner. The two young men, who idolize him and in their fantasies have seen him as a shadowy fairy godfather figure, are alarmed at the reality of the middle-aged non-Captain Kirk man that they meet.

Seven old college friends gather for a weekend reunion after the funeral of one of their own.

When Gabriel and Emilie meet by chance, he offers her a ride, and they spend the evening talking, laughing and getting along famously. At the end of the night, Emilie declines Gabriel's offer of "a kiss without consequences". Emilie admonishes him that the kiss could have unexpected consequences, and tells him a story, unfolding in flashbacks, about the impossibility of indulging your desires without affecting someone else's life.

Silvester Home Run

A warm summer day, bread and wine on the table, it's a portuguese house.

Seven former college friends, along with a few new friends, gather for a weekend reunion at a summer house in New Hampshire to reminisce about the good old days, when they got arrested on the way to a protest in Washington, D.C.

Seven friends decide to play a game at their dinner party, in which each member needs to read aloud all incoming text messages or put phone calls on speaker for all to hear. This causes many revelations to materialize.

In 2012, Charly leaves Nicolás minutes before getting married and moves to another country. Heartbroken, he writes to her a letter where predicts an unhappy life of complete solitude. Ten years later, fate brings them together again at the wedding of Rocío, her best friend, and Diego, her brother, where they will face that their love story is not over yet.

Nine characters gathered around their own bog, live their virtual lives, fostering the illusion that they are somebody else.

The heirs to a family fortune are required to attend a seance at the spooky old family mansion. However, throughout the night members of the family are being killed off one by one.

Two years after the death of his beloved wife, Pat O'Brien summons his children back to their homestead in the west of Ireland. Fionn travels from New York, Gareth from London, and daughter Una returns from Dublin, fearing the worst. Pat is not the only family member bearing the burden of a secret. The O’Briens is a modern comedy about a dysfunctional Irish family and the town they grew up in.

Diana Mariscal reached a moment of fame in the sixties, when at just 18 years of age she was the lead actress of the movie Fando and Lis by Alejandro Jodorowsky. The moment seemed to trigger a promising career, but her public image faded little by little until disappearing. Forty years later the traces of her existence have not been entirely erased.

At the beginning of 2012 the so called war against crime, led by the Mexican Federal Government brought, as consequence, a number of nearly 50,000 casualties and a social climate of violence and distrust. How was this experienced by the men and women who fight this violence from the trenches of science? To the End of Reckoning tells through the eyes of the Jalisco Forensics Institute the development of this engagement, in one of the most violent states in the Country.

During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, but it is certain that his proclaim announced the separation of Mexican cinema and its audience. Discoveries may be found in the films made by Miguel, and bringing back to life these moving pictures might recover this history that was never told, a story that is almost lost and that Contreras Torres himself tried to pass on through his writings in The Black Book of Mexican Cinema.

A eulogy for the groundbreaking HBO series.