Mord am Montag

Günter Walcher, 40-years-old, is a hardworking, apolitical West German businessman caught in a moral conflict. He is offered a promotion to become the head of a division—on the condition that he find a reason to fire Zacharias, a communist and the work council chairman.

Im nächsten Leben

Jette and Johannes have been living together for two years when Johannes suggests that they "legalize" their relationship. Jette loves him, but the proposal of marriage terrifies her.

Farsighted Falcon, chief of the Lakota, seeks refuge in the Black Hills with his wife Blue Hair and two warriors, sole survivors of their tribe. When they are attacked by the outlaw Bashan, Falcon strikes out for the town of Tanglewood to take on Bashan's boss, mining magnate Harrington.

A conference is to be held once again to discuss the construction of a new dam, which Professor Paul Satie rejects. During a train journey, he spontaneously leaves the train. Here in Wolfsgrün, from 1948 to 1950, he helped build the old, now far too small dam as a youth brigadier. He and the others who helped build it have erected a monument to this. A monument with his name on it. Is that perhaps why he is against the new dam?

The law student Caroline and the assistant professor Tom are husband and wife, but they keep their marriage a secret. While Caroline is afraid of annoying her mother Hella who ever since her divorce twenty years ago distrusts men in general, Tom dreads the criticism of his professor, a family law specialist who objects to the concept of marriage. By chance, Caroline gets hold of some juicy information: Her mother and the professor used to be a couple and she is their child. With almost missionary zeal she addresses herself to the task of convincing the two grown-ups to get back together. In the process, however, she steers both her academic studies and her own marriage into a crisis.

Die sieben Geheimnisse der NVA

On a forest road in the Brandenburg March, village teacher Potsch accidentally encounters the distinguished Professor Menzel, who got stuck there in his car. In the conversation that ensues, Menzel and Pötsch quickly discover that they both are great admirers of the early 19th-century writer Max von Schwedenow who was born in the area.

Jonas and Ines are in love and want to spend their vacation together camping on the Baltic coast. But Ines’s narrow-minded parents intervene and insist that the young couple joins the family vacation. Problems arise, so everyone ends up traveling to the Bulgarian Black Sea on their own. Along the way, Jonas meets a beautiful Dutch girl who is going to India via Turkey…

Wolf Brandin is in his mid-twenties and lives with his wife and child in East Berlin at the end of the 1950s. In West Berlin, the student of electrical engineering is recruited by the American secret service CIA. But Brandin immediately notifies the State Security of the German Democratic Republic and from then on lives a dangerous life as a double agent. When Brandin reaches the breaking point, his marriage starts to unravel because Brandin is not allowed to tell his family about his double life.

End of the 1970s in East Germany: Fred and Jonas are close friends. The 10-year-olds live near at the German-German frontier. After the mother from Jonas has made an exit application, the boys have to recognize that they are soon separated from each other. But they want to dig a tunnel to Australia to meet there themselves again. When Jonas should leave the country with his mother this night changes everything.

Soldier Ignaz Wolz returns from WWI with an immeasurable hatred of capitalist war profiteers. He decides to start his own revolution, but tries to stay away from the organized class struggle. He steals from the rich men and divides the wealth among the poor. One day, Wolz is arrested and sentenced to life in prison; seven years later he is released due to mass protests. More than ever, it is hard for him to fit in. He severs ties with his former companions, who reject his ideas, and leaves Germany.

DEFA made several science fiction films that are hardly known today. These productions, called "utopian films" in the GDR, show astonishing technical achievements. ...Science fiction at DEFA was never a war of the stars, no alien invasion, but in most cases an establishment of contact with the alien via signals, a recurring plot motif. Communication instead of confrontation. These films provide information about the image of a coming socialist society, about expectations and hopes, and they were counter-images to the officially condemned Western SF art.

Fourteen-year-old Stefan Kolbe, along with his mother and sister, moves from an idyllic small town to the developing area of Berlin-Marzahn, where his father works as a construction worker. Stefan must find his way in a completely new environment and surrounded by strange people. Stefan gets to know two girls, who attempt to seduce him, and gets himself into trouble with the landlord, who kisses up to societal authority figures. He becomes friends with the anxious Hubert, defends him against the constant humiliation of the older student Windjacke, and encourages him to stand up for himself. It ends tragically in a bitter fight between Stefan and Windjacke.

August 13, 1961: The passengers on the interzonal train from Munich to East Berlin learn 3½ hours before crossing the border that the Wall is being built in Berlin. They have 3½ hours to make a life-changing decision: to get off the train or keep going.

In the 1960s, a white couple living in East Germany tells their dark-skinned child that her skin color is merely a coincidence. As a teenager, she accidentally discovers the truth. Years before, a group of African men came to study in a village nearby. Sigrid, an East German woman, fell in love with Lucien from Togo and became pregnant. But she was already married to Armin. The child is Togolese-East German filmmaker Ines Johnson-Spain. In interviews with Armin and others from her childhood years, she tracks the astonishing strategies of denial her parents, striving for normality, developed following her birth. What sounds like fieldwork about social dislocation becomes an autobiographical essay film and a reflection on themes such as identity, social norms and family ties, viewed from a very personal perspective.

Detlev, a single insurance clerk in his 30s, is kept dependent by his loving and caring mother and loses his girlfriend Karin as a result. Grief and an alcoholic chance acquaintance prompt him to place an ad for marriage. Detlev gets caught up in a whirlwind of friendships and love affairs: with the caring widow Karin; the well-to-do hair salon owner Ute Schöbel; the cultural editor Norma Goldbach, the photo reporter Kerstin and the student Andrea Binz. Detlev, who initially proves himself as a friend and advisor, but also as a lover, becomes increasingly self-confident. He is also successful in his work and finally emancipates himself from his mother. Although he loses "his" women in a turbulent odyssey, Detlev has transformed himself from a mama's boy into a thoroughly acceptable man.

The viewpoints of women from a country that no longer exists preserved on low-band U-matic tape. GDR-FRG. Courageous, self-confident and emancipated: female industry workers talk about gaining autonomy.

In 1944, SS-Obersturmbannführer Becher arrives in Budapest in order to obtain material for the Waffen-SS. At the same time, he starts to gather private property by offering an insidious choice to the corporation′s Jewish majority shareholder, Dr. Chorin: Either Chorin assigns the company to Becker "on his own free will" – thereby obtaining the permission to travel abroad - or he his family will end up in an extermination camp.

So klang die DEFA - Filmmusik aus Babelsberg