Yùl and the Snake

After narrowly escaping a bizarre accident, a troubled teenager is plagued by visions of a large bunny rabbit that manipulates him to commit a series of crimes.

Pablo, a shy teenager, meets Marco, who is a few years older than him. Together they go on a impromptu road trip to the Mexican desert, a trip that will make them face what they mean to each other. This experience will turn Pablo’s life around: his points of view, his strength and his own sexuality. Two guys and a video camera that will record their friendship, struggles and the possibility to find another destiny.

The South African multi-award winning film about a young South African boy from the ghetto named Tsotsi, meaning Gangster. Tsotsi, who left home as a child to get away from helpless parents, finds a baby in the back seat of a car that he has just stolen. He decides that it his responsibility to take care of the baby and in the process learns that maybe the gangster life isn’t the best way.

Azusa (Anna Ishii) and Narumi (Fuka Koshiba) are 2nd grade high school students. They lack confidence and also any kind of ambitions. Hazuki (Karin Ono), Tamaki (Mika Akizuki) and Mika (Miku Uehara) are also unnoticed students at the same high school. These five girls form a dance club and begin to dance to get credits. They soon learn the joys of dancing and also learn to express themselves.

While fulfilling her community service hours at a horse rescue ranch, Emma forms an unlikely bond with an abused show horse who won't let anyone ride him.

A man stuck in traffic learns about the benefits of adopting different methods of transportation.

A short film based on the true story of Nigel, the lonely gannet of Mana Island who hopelessly fell in love with a concrete statue. His tragic tale of idealisation and delusion shows us a reflection of our own misconceptions in love. MA Graduation film from Royal College of Art, London.

Two unusual people make contact in German at a London coffee house.

At the dawn of the space-race, two radio-obsessed teens discover a strange frequency over the airwaves in what becomes the most important night of their lives and in the history of their small town.

In Mexico, two teenage boys and an attractive older woman embark on a road trip and learn a thing or two about life, friendship, sex, and each other.

It's the 60s and a bunch of crazy teenagers meet in the beautiful island of Hawaii during their summer holidays. Although they come from different backgrounds, they hang out together and shake up the island! They surf, dance, drink, fight and fall in love. As the summer approaches its end, they find themselves inseparable, friends for a lifetime...

When a small boy loses his favourite toy – a small teddy bear – this draws him into the inner world of his childhood. Nonetheless, he must destroy this realm if he wants to grow up.

Fuimos y Después Seremos

Femi is a British boy of Nigerian heritage who, after being fostered in rural Lincolnshire, moves to inner-city London to live with his birth mother. Struggling with the unfamiliar culture and values of his new environment, teenage Femi has to figure out which path to adulthood he wants to take.

15-year-old Tom is going to spend another calm summer with his parents and younger sister at their summer house. But by fate, another family comes to spend some time with them, with their 17-year-old son Félix. In the unforgettable summer, Félix will introduce Tom to new things...

The film twice states that it doesn't intend a moral injunction, but it clearly does with comments such as "our society... regards sexual intercourse outside marriage as irresponsible and possibly disastrous" and "you can use your knowledge with responsibility and real love or you can use it wantonly and with mere animal appetite". This is clearly marriage education not sex education.

David and Eliab, two apprentice jockeys, get to know each other through admiration, rivalry and jealousy.

THE BLUE HOUR tells the story of Tanya, a young woman with a mysterious past who finds herself trapped in a sexual hell in Los Angeles. Punctuated by striking visuals and avant-garde editing, THE BLUE HOUR is a lost masterpiece of late period sexploitation.

One day, an ever-growing man goes out for dinner in a posh restaurant. He devours everything around him, from the food on his plate to buildings, cities, and planets, ultimately eating the entire universe.

A theater director struggles with his work, and the women in his life, as he attempts to create a life-size replica of New York inside a warehouse as part of his new play.