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Frenchwoman Michele de la Becque, an opponent of the Nazis in German-occupied Paris, hides a downed American flyer, Pat Talbot, and attempts to get him safely out of the country.

When Ariel was just 33, his legs were shredded by an industrial dough mixer in Mendoza, Argentina. He became a living embodiment of the ongoing duel between man and machine. From that point on, he began to rediscover the meaning of freedom: to rebuild his broken identity, keep his family together and design his own prosthetic legs. Following Ariel for 10 years from the time of the accident, director Laura Bari has created an intimate and metaphorical portrait of Ariel’s newfound transhumanity, juxtaposing his daily life with dreamlike inner worlds—and pushing the boundary between the real and the imaginary.

Miss Meadows is a school teacher with impeccable manners and grace. However, underneath the candy-sweet exterior hides a ruthless gun-toting vigilante who takes it upon herself to right the wrongs in the world by whatever means necessary. For Miss Meadows, bad behavior is simply unforgivable.

Counted among his greatest tragedies, Shakespeare’s unsettling combination of warring soldiers and ‘weird sisters’ is brought to life in this post-apocalyptic reimagining of the Scottish play. This production, directed by Gemma Bodinetz and starring David Morrissey in the title role, was captured by Digital Theatre live at the Everyman Theatre, Liverpool.

In Torino, a bittersweet crowd is bringing its own belongings to a pawn shop, waiting for a ransom or the final auction. Between the thousands of faces that tell the human inventory of the crisis, three stories intertwine unconsciously in the thin line of moral debt. Sandra, a young trans, in order to escape her past sells her fur coat. Her gaze will cross Stefano’s, a novice who just started working at the bank, and who drags her towards a tender obsession. Michele, a retired porter, asks for a loan to a family member, who will turn out to be fatally the wrong person to ask a favour from.

Elle Marja, 14, is a reindeer-breeding Sami girl. Exposed to the racism of the 1930s and phrenological examinations at her boarding school, she starts dreaming of another life. To achieve this other life she has to become someone else and break all ties with her family and culture.

Marijana's life revolves around her family, whether she likes it or not. They live on top of one another in a tiny apartment, driving one another crazy. Then her controlling father has a stroke and is left completely bedridden, and Marijana takes his place as head of the clan. Soon, she is working two jobs to keep everything afloat, while her mother and disabled brother do their best to scupper the ship. Driven to the edge, Marijana finds comfort in seedy sex with random strangers; and this taste of freedom leaves her wanting more. But now that she has finally found freedom, what's she meant to do with it?

A young woman marries a wealthy man she isn't in love with, but finds romance instead with the couples' painter friend.

After fighting with his boss and losing his job, Monty, a semi-successful thespian, flees back home to live with his parents under false pretenses. His old friends and family are left to deal with his inflated ego, while he comes to terms with the fact he isn't as 'great' as he may believe.

Joy can't let go of her ex, but doesn't seem to be able to fall for the new guy. In the meantime she keeps having casual sex with strangers.

A chronological look at films by, for, or about gays and lesbians in the United States, from 1947 to 2005, Kenneth Anger's "Fireworks" to "Brokeback Mountain". Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing timeline and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, indie films, sex on screen, outlaw culture and bad guys, lesbian lovers, films about AIDS and dying, emergence of romantic comedy, transgender films, films about diversity and various cultures, documentaries and then mainstream Hollywood drama. What might come next?

At the impressionable age of 16, young Mateo faces a dilemma about the direction his life will take when his corrupt uncle asks him to infiltrate a local Barrancabermeja theatre group to uncover its members' political activities.

A costume drama / satire about financial skull-duggery, and confidence tricksters in both the upper and lower classes in Victorian London. A working class man impersonates a lord who is supposedly very rich and a financial wizard. As such he is invited to all the best peoples' parties.

An exploration of the growing friendship between small-town girl Laura, who is persuaded onto a hiking trip by her friend Merit, and Joosep, a middle-aged guide.

Alexey and Valentina met in the tourist camp on Seliger, and after two weeks they celebrated their wedding. Returning to the family, the young couple faced the first difficulties. Both parents didn't like the willfulness of the young - and there were problems with housing. They started a constant quarrels. The young soon agreed that their wedding was premature ...

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A woman's seaside vacation takes a dark turn when her obsession with a young mother forces her to confront secrets from her past.

Ema finds out she is pregnant with an unplanned child she's not sure she wants to keep, the same week her beloved grandmother becomes gravely ill. Spending her last days at her grandmother's side, Ema is forced to spend time with her estranged, larger than life mother, getting to know her and seeing her with new eyes. As she spends time with the people gathered around her grandmother in her last days; Ema re-evaluates her beliefs, her fears and her set ideas about family, love and parenthood.

The Devil Never Sleeps is a “whodunit” documentary about family secrets. Filmmaker Lourdes Portillo received a phone call informing her of the mysterious death of her wealthy Mexican uncle Oscar. Officially ruled a suicide, Portillo’s relatives claimed murder, offering several possible suspects including a business partner, a ranch hand, and Oscar’s young widow who stood to inherit everything. Traveling to Mexico, Portillo attempts to learn the truth about her powerful uncle. Using interviews, old snapshots and home movies, she finds a complicated web of family secrets, intrigue, rumor and betrayal that makes her enigmatic uncle’s murder seem ever more likely, yet ever more obscure. As the Mexican saying goes, “When evil is lurking, the devil never sleeps.”

Story of the relationship between the poets Ted Hughes and Sylvia Plath.