Olívia, a fashion executive, and José, a photographer, gets together in Paris, having casual sex and talking a little about relationships. And, in some days, they meet again in another city. And another one. And another... Latitudes is a trip around the world, the love and the poem of living.
In the periphery of São Paulo, the pregnant single mother Cleuza works as maid in the apartment of a middle-class family. Each of her sons has a different unknown father: the oldest, Dênis, has a baby son that lives with his mother and he works as motorcycle courier.
When a doctor decides to carry out an AIDS prevention program inside Latin America’s largest prison: the Casa de Detenção de São Paulo - Carandiru, he meets the future victims of one of the darkest days in Brazilian History when the State of São Paulo’s Military Police, with the excuse for law enforcement, shot to death 111 people. Based on real facts and on the book written by Dráuzio Varella.
Two teenagers decide to attend attend São Paulo's annual Gay Pride Parade, encouraged by one of their uncles, a successful - although closeted - business executive. After witnessing an incident of shocking violence at the parade, the group makes a pact - they all have one year to come out of the closet.
Year 2006. There are riots in São Paulo. In the middle of the violent situation, widow Lucia is trying to get her young son Rafael from prison.
An impoverished teen seeking to escape the clutches of a human trafficker must weigh living up to his moral code against his struggle to survive.
After losing her job, an unstable woman sinks further and further into a violent fantasy world.
Rachel is a girl, adopted by an upper middle class family, who rebelled at 17 and left her family and studies at a traditional college in Sao Paulo to become a sexy call girl. Shortly after starting work, she decided to write a blog about her experiences. Since some clients thought she looked like a surfer she adopted the name "Surfistinha" which means little surfer girl.
In 1971, military dictatorship in Brazil reaches its height. The Paiva family — Rubens, Eunice, and their five children — live in a beachside house in Rio, open to all their friends. One day, Rubens is taken for questioning and does not return.
At a bar table, old samba singer and composer Adoniran Barbosa tells a young waiter stories about a São Paulo that no longer exists. He fondly remembers the maloca where he lived with Joca and Mato Grosso, their passion for Iracema and other characters eternalized in his sambas, chronicles of a metropolis swallowed up by the voracious appetite of progress.
Café da Manhã
In 1985, a spy risks everything to stop a conspiracy that threatens to prolong the dictatorship in Brazil. While facing the military, she becomes involved in a forbidden romance with the heiress of a megacorp.
A couple of tough girls from the Brazilian countryside race their pickup truck to win a bet and prove that they're better than the boys.
Clifton Webb as a strict, conservative father heads the cast of this 1959 comedy, about an American family vacationing in South America. Directed by Henry Levin, the film also features Jane Wyman, Jill St. John, Carol Lynley, Paul Henreid, Gary Crosby, Henny Backus, Wally Brown, Gardner McKay and Jose Greco.
Bruno and Amanda have to face the difficulties of a long distance relationship after meeting in a flight forced into an emergency landing.
Deraldo, a popular poet from Northeast Brazil, arrives in the capital of São Paulo, making a living only from his poetry and pamphlets. All is well until he is mistaken for a multinational worker who killed the boss at a party where he received the title of symbolic worker.
Leonardo is a blind teenager dealing with an overprotective mother while trying to live a more independent life. To the disappointment of his best friend, Giovana, he plans to go on an exchange program abroad. When Gabriel, a new student in town, arrives at their classroom, new feelings blossom in Leonardo making him question his plans.
Brasil, Vermelho-Amarelo
'OG' is a film about a legendary, Brazilian born, NYC skateboarder, Harry Jumonji. In the course of telling his story, through his triumphs and travails, Jumonji emerges in this portrait as an adolescent innocent, much like skateboarding itself. He is irrepressible, manically energetic and ultimately, pure. He has a transcendent presence, well beyond charm or charisma, of such unalloyed joy that nothing he does is unforgiveable. This is fortunate because, as a drug addict, unsurprisingly, he lies, cheats and steals. Harry is rendered as the poet, the sprite, the artist and the street saint he is.
A resident of a ghetto’s neighborhood of São Paulo amid the Covid-19 pandemic, Gustavo has severe anxiety attacks. When he receives a call from a friend who lives in the same street, he reflects different stories of neighborhood residents in parallel with his family's daily life during social isolation.