Freundinnen - Alle für eine

Juvenile detention or retirement home: That's the choice 17-year-old Malu is faced with after she's been caught stealing again. In order to save the girl from imprisonment, her aunt Johanna agrees to take Malu in with her until she has completed her social service in a retirement home. The rebellious half-orphan, whose single father Paul has hardly any time for her as a pilot, initially finds being placed with her aunt just as restrictive as a stay in prison.

It should be a relaxed holiday with her daughter Nora - at least that's how the single mother Maren Bogner imagined it: a journey in the footsteps of Winnetou, a ride to the breathtaking locations of the legendary Karl May films, a holiday of discovery in Croatia. Although Nora doesn't share her mother's enthusiasm, a little variety never hurts. They are accompanied by Nora's best friend, the successful but stressed businesswoman Gabriele Hochmann with a GDR past. Arriving at the starting point of their guided "Winne Tour", the three women make the acquaintance of Elisabeth zu Hallbach-Süren, who, together with her young assistant Simone Lehmann, has also set out for the scenes of German cinema nostalgia.

Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.

Hilla grows up in the 60s, her father is a worker and her mother a charwoman. But she wants a different future for herself, wants to study. After a violent incident she needs a strong shoulder. Who of her life will do?

Marie violates tradition in a small German town of Lauscha, to become the first female glassblower in in 1890. Her glass ball decorations find a new market in America.

A veteran actress comes face-to-face with an uncomfortable reflection of herself when she agrees to take part in a revival of the play that launched her career 20 years earlier.

When her daughter is kidnapped in Belize and held hostage to be used for human organ trafficking, Kate Johnson goes on a crusade to infiltrate the cartel and rescue her.

As a nun, Katharina von Bora lives the life destined for her until she comes into contact with a completely new world of thought in the early 20s through the writings of Martin Luther. She flees with some of her co-sisters and comes without legal status, without income and rejected by her family to Wittenberg, where she meets Martin Luther personally. Katharina decides to marry the reformer and, as his wife, becomes a respected housekeeper, an equal interlocutor and the mother of their children together.

Die Vierte Gewalt

For 18-year-old Finnish–Kosovan Fatu, a simple visit to the grocery store feels as nerve-racking as a lunar expedition: for the first time in his life, he’s wearing makeup in public. Luckily his best friend Rai, a young woman on the spectrum of autism, is there to ferociously support him through the voyage.

American Reflexxx is a short film documenting a social experiment that took place in Myrtle Beach, South Carolina. Alli Coates filmed performance artist Signe Pierce as she strutted down a busy oceanside street in stripper garb and a reflective mask. The pair agreed not to communicate until the experiment was completed, but never anticipated the horror that would unfold in under an hour. The result is a heart wrenching technicolor spectacle that raises questions about gender stereotypes, mob mentality, and violence in America.

How do we represent the ideas of gender? This short reflects about this topic, as we see an unidentified character, suited up, and with a paper bag over his head, walking down the hallway of its high school.

The life of internationally renowned artist and activist Nan Goldin is told through her slideshows, intimate interviews, ground-breaking photography, and rare footage of her personal fight to hold the Sackler family accountable for the overdose crisis.

In 1995, Adina Howard made waves in the world of music with her hit song “Freak Like Me.” Never before had a solo R&B female artist made such a bold and controlling stance sexually through song. Along with becoming one of the highest selling singles and most played music videos on MTV and BET in 1995, Adina Howard’s performance allowed young women of color and future recording artist to express their sexuality without shame. “Adina Howard 20: A Story of Sexual Liberation” shares Adina’s story through her own words as well as the impact that she made during the 1990s and thereafter. Adina speaks on her relationship with Tupac Shakur, the banning of her music video from BET, landing a cameo role in the movie “Waiting to Exhale,” her encounter with legendary vocalist Nancy Wilson, working with Hollywood giants Jackie Chan and Jamie Foxx and the sudden halt to her stardom due to her comments about record exec Sylvia Rhone.

Award-winning filmmaker Byron Hurt explores what it means to be a Black man in America. Traveling to more than fifteen cities and towns across the country, Hurt gathers reflections on Black masculinity from men and women of a variety of socioeconomic backgrounds and a host of leading scholars and cultural critics. What results is an engaging and honest dialogue about race, gender, and identity in America. Features bell hooks, Michael Eric Dyson, John Henrick Clarke, Kevin Powell, Andrew Young, Dr. Alvin Poussaint, MC Hammer, Jackson Katz, and many others.

High season on Usedom. Sophie Thiel has accepted a holiday job and waits tables in the café on the Heringsdorf pier. She becomes friends with her young Polish colleague Jadwiga Gryn. After work, they make their way home together on their bikes. Shortly after the girls have parted ways, Jadwiga is ambushed, drugged and kidnapped.The search for the missing person is the first job that inspector Julia Thiel takes on again after her serious accident. Jadwiga's friend Christoph Dierwald fears the worst.

Diagnosis burnout: The successful career woman Toni Lehmstedt can be referred to a psychiatric clinic after a physical breakdown. Urs Egger's free adaptation of the biographical novel of the same name by Miriam Meckel with Grimme award winner Marie Bäumer in the leading role.

Endstation Glück

With Tschaikowsky's music on the sound track, this parody of long-hair, temperamental orchestra conductors and concert pianists is a long string of sight gags. The pianist has a new hair-do in every scene he is in, all designed to help him see the piano. One fat musician nonchalantly wanders in in the midst of the concert, takes off his hat, coat, muffler and gloves, unpacks his instrument, a triangle, hits one note, repacks, puts on his gloves, muffler, coat and hat, and goes home.

Olive is going shopping and drops Swee'pea off for Popeye to watch. Popeye carves a sailboat for him, but the tyke spots Popeye's battleship, and the puny toy boat will no longer do. He climbs aboard, and there's the expected mayhem. Notable sequences include a stint on the ship's cannon's control board, with Popeye caught on the barrel, then in the gears; also, at the end, Swee'Pea hitches a ride atop a torpedo just as Olive is returning and Popeye's out cold.