This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.
It's Ted the Bellhop's first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another.
Two musicians witness a mob hit and struggle to find a way out of the city before they are found by the gangsters. Their only opportunity is to join an all-girl band as they leave on a tour. To make their getaway they must first disguise themselves as women, then keep their identities secret and deal with the problems this brings - such as an attractive bandmate and a very determined suitor.
After ending a six year relationship, a well-behaved, Jewish, OBGYN decides to turn her brain off and her body on by exploring BDSM; instances of which are popping up in the most unusual places.
A group of people who were the inspiration of an author's fact-based, best-selling book are invited to a party at a mansion in the Hollywood hills to celebrate the making of the book into a movie which a series of situations, and bed-hopping begins between all persons involved.
In 1987 Oakland, a mysterious force guides The Town's underdogs in four interconnected tales: teen punks defend their turf against Nazi skinheads, a rap duo battles for hip-hop immortality, a weary henchman gets a shot at redemption, and an NBA All-Star settles the score.
Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than they previously thought.
A journalist could marry the daughter of a tycoon, but prefers a relationship with a married woman. An attorney renounces her lover by greed. A soldier tries to approach a widow on a train. A German couple looking for adventure mistakingly aim for the wrong target, yet find love.
An anthology film consisting of three linked stories by different directors, all set on an Okinawan island. The first story, 'Aunt Reiko' concerns an opera singer who travels back to her home island to consult a spiritualist about the loss of her voice. The second story, 'Haruko & Hideyoshi' concerns an outsider to the island who is tricked into marrying an island girl after visiting the island god of fertility with her. The final story, 'Bomb Kids' concerns two kids in a punk band who set out to win (or steal) a large amount of money. Linking these stories is the ongoing search for an unexploded WWII bomb, a large model pineapple, and the possibility of a hotel development coming to the island...
A two-part feature directed separately by Shimizu and his colleague Keisuke Toyoshima. Unrelated to each other, both have a common goal: to bring ghosts and aliens together in pure, referential and absurdistic delirium, including neo-Nazi specters, zombie yakuzas and nasty aliens.
A night of attempted seduction is recalled from the perspectives of the woman, the man, a lecherous doorman and a psychoanalyst.
A young film student pursues a woman while studying under a bizarre, eccentric film professor.
The Grimm Bros. tale of the brother and sister who wander into a witches' house, but told with a more adult slant (in other words, lots of nudity).
Michael and Suzie are an engaged couple taking their honeymoon off the coast of Spain. Their reservations are lost and Michael loses their luggage and money to a scam artist promising to get them a room. Suzie berates him and Michael, disenchanted with his nagging wife-to-be, gives in to the temptations that are all around them. He falls in with a free-wheeling motorcycle gang. Eventually his lover leaves him (Hemingway-style) for a bullfighter, and he and Suzie, having found their wild and independent spirit on the island, come back together.
Sex comedy about lonely housewives and their activities while the husband is away. It’s a series of vignettes connected by documentary-style interviews with people on the street. The eroticism relies completely on nudity, not altogether different from British sex comedies of the era.
When you're as pretty as Iris, choose an analysis of the love market as your doctoral thesis and also want to gain practical experience, you have to expect to get involved in delicate and not always entirely safe, but at least amusing situations. And since Iris can't manage all these love adventures alone, she enlists her circle of friends to help her with her research...
Rosemarie, called Rosi, and her colleague Uli have worked as waitresses in a strip club in downtown Munich. Now the disused shop has been closed by the police for reasons of custom and decency.
Rolf (Michael Cromer), a sex-advice columnist and a lecher, has affairs with numerous women, but never a permanent relationship. Suzanne, one of his ex-lovers, offers to bet that no woman can get Rolf to propose marriage, a bet her girlfriend Andrea (Sybil Danning) eagerly accepts. But there's a catch: To win the bet, Andrea must get the womanizing Rolf to commit to marriage without first going to bed with him.
Egon Kappes has a problem. For years, the honest and righteous mountain man has played the lottery with his buddies, and for once he has a winning ticket! But Egon can't find the ticket, and his buddies only have a few days before they have to pay back the usurious "butcher of loans" Noppeney. As the financial situation becomes more dire, Egon forgets about the search for the ticket, and pimps out his wife Erna (Alena Penz) in a brothel of women (run by Elisabeth Volkmann). They go on a shopping spree while completely forgetting about the loan. After a mental breakdown and being committed to a psychiatric clinic, Egon "comes across" two self-sacrificing nurses Monika and Veronica (Uschi Karnat), who help him remember where the winning lottery ticket was placed...
One of the many German "report" sexploitation films from the early 1970s, with the only distinction that it focuses on female apprentices instead of schoolgirls.