A story about Fred a kid janitor that substitutes for his mother who has kidney disease. Fred listens from outside the classroom of Ma’m Ami, hoping to give his mother a better life in the future.
A frustrated, ambitious, self-centered and narcissistic filmmaker named Hapi has finally finished writing the screenplay of his first ever indie film which he believes is a masterpiece. Overeager, he enlists the help of his best friends, the comical Caloy and the voice of reason, Onyok, to make his dream movie. The only problem is, they have no budget to produce it.Residing in a poverty stricken community that is highly dependent on the Indian 5-6 cash loan system, which includes his own sister Rowena, Hapi, out of desperation, finally resorts to borrowing money from the community’s main Indian lender, Alfajor. However, things become worse for Hapi when his nemesis, the neighborhood midget thug named Oblax, steals his borrowed money. Deep in debt, burdened by his father, his dream movie project put on hold, and a seemingly bleak future with his current love interest, Cherry.
The Philippines is being geared up to be interconnected through a system called One Wired Nation (OWN). This would allow faster and easier access to information across the country, from the smallest barangay to Malacañang. With OWN, progress is inevitable, says Bert Javelo from Prime Connections, the company who won the contract to build and manage OWN. Bert promises instant service and progress to the country. But Pia Gorospe is not convinced and smells something wrong.
A neglected and unloved orphan raised by poor relatives in the slums of Manila is wrongfully convicted of murder that resulted from a heist he was compelled to join. Unable to prove his innocence and his minor age, he is thrown into the cruel, perilous and horrifying world of death row where he is introduced to other inmates all awaiting their execution by lethal injection. One of them is a 70-year-old man who detests the jungle of jail and is feared by all the convicts. He would serve as the boy’s protector and savior and in the process touch and shape enormously the violated youth’s life in prison and beyond.
The death of Mariel was met with such hurt by her three closest friends. But it was her best friend, Carla that she leaves a most special gift, a box full of her diaries through the years. Carla has been Mariel’s friend since their high school years; they have practically shared everything in their lives together. Their two other girl friends, Sandra and Olive formed the quartet who would get together ever so often and served as a mutual support system. Despite warnings from Sandra and Olive not to read the diaries left behind by Mariel, Carla could not help herself to find out what was written on those volumes of handwritten materials. True enough, what she discovered completely shattered all her perceptions and beliefs of the friendship shared by the four women through the years.
On a particularly nondescript weekend afternoon, Edison must deal with his exasperated mother, who is bearing down on him like a force of nature; the looming deadline of a paper on the philosophical writings of Immanuel Kant; and a persistent, insidious force that aims to destroy the tranquility of his existence.
Powerful but ill-stricken business woman, Vilma Santos navigates her complicated relationship with her caregiver, Angel Locsin and her estranged son, Xian Lim in this story about acceptance, love and forgiveness.
It picks up where the series left off in its final episode as the relationship of Joee and Joey moves on to the next level. Joee is about to give birth while Joey remains in love with her and tries to become a responsible foster father.
It is the time of El Niño, a season ruled by superstition and fear. The rain is long in coming, the ground has cracked up dry. The ricestalks are thin and sickly. Villagers go hungry. And a boy dies from a snakebite. The adults splinter. Some pray. Others join a cult to appease earth spirits and wait for the ada, the ricefield spirit goddess of bountiful harvest who dances naked on moonlit nights and signals the need for a virgin’s sacrifice. There are fence sitters, equally pro-church and pro-cult. A landlord’s steward enforces his master’s usury on hapless farmers. A self-righteous priest says rain must first be deserved. Two young women fight for the right to do with their bodies as they please. A bastard boy and a blind girl come of age. Yesterday, they were children.
Due to a delayed flight a group of German flight passengers have to wait in the hall of the airport of Manila. The crowd is quite mixed, ranging from an cultivated east German teacher couple up to sleazy sex tourists. As the waiting prolongs, more and more aggressions and long repressed behaviors shed their way to the surface.
It's the story of a young woman, whose husband, is arrested by the soldiers of a Japanese garrison, on the suspicion that he is a guerilla. Dizon pleads her case to the garrison's commander, who sympathizes and lets Yllana go; when the commander's wife dies and leaves their son motherless, Dizon, is hired to feed the baby from her own breast.
An environmentally conscious movie about Butanding, or whale shark.
Ang Paglilitis ni Andres Bonifacio is the untold story of the trial of Andres Bonifacio under the Revolutionary Government of Pres. Emilio Aguinaldo. Two leaders, Andres Bonifacio, Supremo of the Katipuneros, and Emilio Aguinaldo, president of the Revolutionary Government, made their way to fight for freedom for the Filipinos against the dominant rule, fought for a cause and for a reason to be one nation. Yet only one should rule. This was the start of Philippine politics. Ang Paglilitis ni Andres Bonifacio is a film documentation of Philippine history put to screen and megged by Mario O’Hara. And now, let the people be the judge whether Andres Bonifacio is guilty or not guilty of treason
The long-standing conflict between the military forces and the rebel group Abu Sayaff has severely ravaged the poor town of Patikul in Sulu. Residents have become so accustomed to the armed clashes, that reports of kidnappings and recruitment of young Tausugs to join the rebel groups already became normal news to them. However, Amman, a 33 year old coffee farmer in Sitio Kan-Ague, continues to believe that there is still hope for their town. Amman believes that educating his children would change their present situation.
Sarah is a nurse at a Public Maternity Hospital. The hospital is abuzz with pregnant mothers of all shapes and sizes in different stages of labor. The hospital is short on staff on Christmas Day so Sarah is forced to put in a double shift. Sarah observes the women coming and going in her ward, noting who is a first-timer and who is a veteran. Meanwhile, the wards are overcrowded : two women and their babies sharing single beds while those in labor are spilling unto the hallways. Sarah takes these all in stride, her heart and mind laboring over her own personal pains.
A coming of age story about Isabel’s lessons and realizations on life and death as a funeral videography intern. Due to her family situation, Isabel is cynical and skeptical of everything that comes her way. When she enters the I-libings for her required college internship, she sees it as the worst internship her college adviser could suggest to her. Later as she accumulates her required hours, she realizes that the company is not just a place where videographers make money out of other people’s misfortunes but is a place where the dead and the grieving receive special attention. It all comes full circle when Isabel is faced with an unusual family tragedy. Isabel realizes that her internship might have been just 200 hours, but the lessons that the I-libings left her would last a lifetime.
Mabuti accidentally finds a stash of money that could bring an end to her family’s financial problems: is the solution that simple or is it loaded with complications?
A macho dad learns to accept the real identity of his gay son before it gets too late.
Three stories of love starring Sharon Cuneta. The first, "I Love You, Moo-Moo" (directed by Leroy Salvador), is about a young bride who died on her honeymoon; the second, "Ang Silid" (directed by Lino Brocka) is about an interior decorator who investigates a forbidden room owned by a mysterious woman whose sister was murdered; and the third, "Katumbas ng Kahapon" (directed by Emmanuel Borlaza) follows a young woman torn between her abusive husband and her former lover who returned from the US.
In a quiet, rural Filipino village, sibling rivalry continues through adulthood for two sisters and finally tears their family apart.