Cherith

A young and successful insurance underwriter must allow her mentally unstable mother to move in with her after the institution in which the mother had been living is deemed unfit for occupancy. The mother then begins to dislike how close her daughter is with her boss.

On Coal River takes viewers on a gripping emotional journey into the Coal River Valley of West Virginia — a community surrounded by lush mountains and a looming toxic threat. The film follows a former coal miner and his neighbors in a David-and-Goliath struggle for the future of their valley, their children, and life as they know it.

Born in Los Angeles but a New Yorker by choice, Barbara Hammer is a whole genre unto herself. Her pioneering 1974 short film Dyketactics, a four-minute, hippie wonder consisting of frolicking naked women in the countryside, broke new ground for its exploration of lesbian identity, desire and aesthetic.

Frankie was recently diagnosed with HPV. After getting a follow-up cervical cancer screening, she tries to find connection as she goes about her day. It turns out not to be so easy.

Eva a 16-year-old girl lives with her mother, her younger sister and their cat, but wants to move in with her estranged father. Clinging onto him, she tries to balance between the tenderness and sensitivity of teenage life.

Frédérique's mother has died recently leaving her the family stud farm. She's never met her father, doesn't even know his name. But she finds it on the back of an old photo. She sets off for Paris. She stays with her gay dancer pal Marc. Marc and friends decide to go to their favourite gay bar... but it's men only. So Frédérique becomes Frédéric, an effeminate gay boy... Frédérique follows her father. Pierre Arroux is an art curator - and gay. She introduces herself to him, but as Frédéric. So while Frédéric is quite an awkward young man and an embarrassment to his father, Frédérique is secretly meeting with her old boyfriend now living in Paris..

A wealthy playboy named Bruce Wayne and a Chicago cop named Jim Gordon both return to Gotham City where their lives unexpectedly intersect.

A frank and funny romantic comedy set in Antwerp, filmed in a quirkily inventive style, Madly in Love has a lot to say about human relationships. It focuses on the four women of the Miller family: teen daughter Eva, her mother Judith, aunt Barbara and older half-sister Michelle, as they work their way through the chaos called love. The result is a roller coaster ride of first crushes, lust, affairs, baby fever, and indestructible love. The four women are beautiful, courageous and sensible, but are also sometimes a bit lost. Can their male counterparts handle this dangerous cocktail of determination and female hormones?

Ugly, Me? is a film manifesto made from a workshop for actors called Characters in Search of a Movie, in 'La pa', 'Rio De Janeiro', extended to Paris and 'Kerala' (India). Multifaceted like a kaleidoscope, the characters appear in multi-screens scenes and sequences. The images were captured with different kinds of cameras and Ugly, Me? uses this sign of the variety imposed by independent production as language experimentation. Transposing the boundaries of style, Ugly, Me? navigates in a sea of metaphors, philosophical and musical politics, from Prince Harry to Heraclitus, going through a series of authors like Rimbaud, Brecht, Nietzsche, Bispo do Rosario and Eduardo Viveiros DE Castro, capturing a contradictory and original country.

A swimming study of paisley patterns traces this decorative motif from its origins in Persian weavings to appearances Irish quilting and American Counterculture. Extending on the stroboscopic tradition of anti-animation, this short material study fixates upon discarded materials to examine the decorative and its relationship to the cycles of industry and evolving modes of production. - Jodie Mack

Murk, a village in the middle of nowhere. There live the Gerbers, a couple who have dropped out of society, scraping by and definitely more left-wing than right-wing. Felix still loves Sarah as much as he did on the first day they met, but what began with a spontaneous trip to India together has now become a psychological and existential test of endurance for both of them.

When a man known only as "The Digger" opens fire in a train station many are left dead. The only clue the FBI has is a hand written letter with demands on it. Agent Margurete needs help analyzing it and the best is retired specialist Kincaid.

A gifted high-school student flubs her college admissions interviews for the most unexpected reasons in this independent coming-of-age drama. Cynical, world-weary Evie is more interested in taking care of her family than getting into the Ivy League institutions for which she seems destined. Dad Harry spends all his time building model trains in the basement, while workaholic mom Martha depends on Evie to take care of her other daughter, developmentally challenged Emily. When she's not busy reading poetry to her sister Emily, Evie hangs out with James (Fran Kranz), the sensitive boy next door, whose romantic overtures prove too confusing to acknowledge. College also seems too daunting, so Evie deliberately blows one university interview after another in the hopes of staying at home as her sister's keeper. Meanwhile, Evie begins passing off her own poems as Emily's, fuelling the belief that her brain-damaged sister is actually a literary savant.

The film tells the touching story of Alfredito, a sacristan in a country church: in a long flashback he talks about his life and his deep love for his mother and for the Virgin Mary, both 'beloved mothers' (madres amadísimas). From the discovery of his sexual identity to his first love, from his military service to his move to the big city, his personal experience traces the history of Spain, from Franco's dictatorship to the achievement of democracy. A baroque melodrama where the protagonist's homosexuality and religious belief together form a single devotion, passionate and unwavering.

The story of a young, pregnant woman whose world falls apart when she loses her child in a hit and run accident. As her life unravels, Nathalie finds an unlikely protector in Henry, a down and out guardian angel who has followed her thread. But Henry is not quite the angel he seems...

A young woman who has just become engaged has her life completely shattered when she is raped while on her way home from work.

A woman steals from her drug-dealer boyfriend and runs away. She meets a sympathetic woman on the way who helps her escape.

We know about the swing. We know about the swagger. But what most Americans don't know about Venus Williams is how she changed the course of her sport. In a stunning case that captured the European public beginning in 2005, Williams challenged the long-held practice of paying women tennis players less than their male counterparts at Wimbledon. With a deep sense of obligation to the legacy of Billie Jean King, Williams lobbied British Parliament, UNESCO and Fleet Street for financial parity. And it was her poignant op-ed piece in The London Times that convinced many people that the Wimbledon tournament organizers were "on the wrong side of history." Roland Garros and Wimbledon finally relented in 2007. That year at Wimbledon, Venus became the first women's champion to earn as much as the men's singles winner (Roger Federer). VENUS VS. chronicles Williams' fight for pay equality.

Mary Decker obliterated opponents and records with blazing speed and a starving hunger to win. She dominated her sport, holding US records in every distance from 800 to 10,000 meters, and she did it all without the Olympics. She was too young in '72, hurt in '76 and shut out by the U.S. boycott in '80. As Sports Illustrated's cover Sportswoman of the Year in 1983, she was ready: 1984 was the target, with the Olympics in LA and her skills at their 25 year-old peak. But the story leads to a single shocking moment in the 1984 Olympics, with Mary writhing on the ground in physical pain and emotional heartbreak with the whole world watching.

The world of women's sports was kicked upside down on July 10, 1999. Before a sold-out crowd of more than 90,000 at the Rose Bowl in Pasadena, Calif., and an estimated 40 million Americans watching on television, the U.S. women's soccer team reached a cultural and athletic pinnacle with its penalty-kick shootout victory against China to win the Women's World Cup.