The chauvinist Damien wakes up in a world where women and men have their roles reversed in society, and everything is dominated by women.
An apocalyptical storm threatens to wipe out an entire country. A state of emergency is raised while mayhem breaks out.
Cultural historian Janina Ramirez presents a collection of intriguing and exciting short films by emerging women directors and artists. Each film gives a female perspective on modern-day topics from body image and new love to grief and belonging. Expect honest and refreshing storytelling that will make you laugh, make you cry and make you think. In a Room Full of Sisters; Blood Stains; Bridging the Gap; Cake; Ding-Ding, Next; Fruity; In Perpetuum; Owulide; White Dwarf; Cosmic Domestic; The Dead Are Jewels to Me; The Presence of Absence
June and Jennifer Gibbons are twins from the only Black family in a small town in Wales in the 1970s and '80s. Feeling isolated from the community, the pair turn inward and reject communication with everyone but each other, retreating into their own fantasy world of inspiration and adolescent desires. After a spree of vandalism, the girls are sentenced to Broadmoor, an infamous psychiatric hospital, where they face the choice to separate and survive or die together.
Charlie still has hope and is adamant in caring for her mother, Yolonda Thomas, as her health takes a turn for the worse. Loyal, she insists on sticking by her mother’s side until the very end. But when her school begins to notice Charlie’s absence, she is placed under a system of surveillance and Charlie will soon come to find that some decisions are outside of her control.
Minutes before a plane's departure, a situation develops. A passenger refuses to sit down to prevent the deportation of another man. The pilot then finds himself having to take a political stand, the last thing he wants to do.
On a cold fall evening, Leila is left alone to tend the family convenience store. A series of strange clients keep her in a constant state of apprehension. Language and cultural barriers also contribute to the making of a nerve-racking evening.
Alice is 27 years old today. Even though she is suffocating a bit, she still lives with her parents and tends to live in her dreams to escape her dreary everyday life. After a psychedelic party on a factory roof, she has a serious drunken bike accident. Will this give her the courage to become an adult?
A shopping center along a large highway is the scene of an apocalyptic musical. Animation with a strong sense of form set to auto-tuned music by Klungan. About liberation through great catastrophy.
On the windy and cloudy beach, Granny is praying, Mum is shouting, the sisters don’t care, Lucas is alone. Grandpa was a weird guy, now he's dead.
Hedda tries to approach Adam in every way she can, but everything she does turns out wrong. And Adam gets to break all the rules. A film about never being able to win, even though you’re the best, with the gym hall as its arena.
Luz Garcia, a high school senior in a forgotten Texas town, wants something different than the options awaiting her after graduation. She's earned a ticket out with admission to the University of Texas at Austin, but she can't afford to go. Her one shot is a scholarship for winning the State Powerlifting Championship. It's all or nothing for Luz . . . until nothing stares her in the face.
Interview with Jason Holliday aka Aaron Payne. House-boy, would-be cabaret performer, and self-proclaimed hustler giving one man's gin-soaked, pill-popped view of what it was like to be black and gay in 1960s United States. Preserved by the Academy Film Archive in partnership with Milestone Films in 2013.
GWAR, the bloodthirsty alien antiheroes, conduct a worldwide telethon to feed souls to the World Maggot, which will transport the members of GWAR off our miserable planet once it grows. GWAR's tele-casts attract the attention of GlomCo, the world's monopolistic entertainment giant. GlomCo attempts to bribe GWAR's manager, Sleazy P. Martini, into selling GWAR out to the mainstream of Sunday morning cartoons. GWAR's revenge on the sniveling executives at GlomCo uncovers a dastardly plot to homogenize all humanity by the evil doctor Skulhedface!
Seventeen-year-old Sangaile is fascinated by stunt planes. She meets a girl her age at the summer aeronautical show, nearby her parents' lakeside villa. Sangaile allows Auste to discover her most intimate secret and in the process finds in her teenage love, the only person that truly encourages her to fly.
After leaving her daughter Jessica in a small town in Pernambuco to be raised by relatives, Val spends the next 13 years working as a nanny to Fabinho in São Paulo. She has financial stability but has to live with the guilt of having not raised Jessica herself. As Fabinho’s university entrance exams approach, Jessica reappears in her life and seems to want to give her mother a second chance. However, Jessica has not been raised to be a servant and her very existence will turn Val’s routine on its head. With precision and humour, the subtle and powerful forces that keep rigid class structures in place and how the youth may just be the ones to shake it all up.
Nan Goldin's slide show “The Ballad of Sexual Dependency” converted, mixed and screened as a film by the artist, portraying the American underground culture, the no wave scene, post-Stonewall gay subculture, among others.
This film chronicles how figure skater Katarina Witt fought for her future in socialist East Germany, how she faced the changes after the fall of the Berlin Wall and how she ended up both a beneficiary and victim of the East German regime.
A young woman (Debra Margolies) just out of prison tries to make a new life in Boston.
For more than 40 years Kathryn Bigelow has been making films that explore male violence. With movies like Blue Steel, Point Break, The Hurt Locker and Zero Dark Thirty, the Oscar winning American filmmaker has impressed with hard-hitting moviemaking that holds a mirror up to contemporary America and the world.