A deep dive into the history of the Canadian Government and the Department of National Defence leasing First Nations reserves as practice bombing ranges during World War I and World War II. This documentary follows the Enoch Cree Nation's process of developing it's land claim against the Canadian Government following the discovery of active landmines in the heart of the nation's cultural lands and golf course in 2014, almost 70 years later.
La Justice sous l'Occupation
À la recherche du Schindler polonais
This richly illustrated historical documentary investigates the mechanism of nationalist feelings that radicalise. It shows how fascism was on the rise even a decade before the founding of the NSB, due to a number of anti-democratic initiatives led by a millionaire with a predilection for one-legged women, a market vendor, a cleric, and an artist. Historians, writers and collectors of fascist curios reveal how an initially marginal and fragmented movement grew into a radical populist party.
He built the mightiest army in history and selected its leaders. Eisenhower, MacArthur and Patton all obeyed his commands. George Marshall was the only soldier ever to receive the Nobel Peace Prize.
De Gaulle, l'homme à abattre
The story of a courageous battle between U.S. Navy "Tin Can" ships and two of the most powerful Japanese ships in the fleet. The Tin Can sailors fought bravely to secure a victory for the U.S Navy and save MacArthur's invasion force.
The "Alaska at War" film project was an effort to document events of World War II in Alaska. It was funded by the Alaska Legislature through the Alaska Historical Commission and was supported by the Alaska Historical Society and private subscription. The production work was performed by aurora Films, assisted by a citizen's advisory committee. The production "Alaska at War" was first shown in public on Alaska Day, October 18th 1986.
A portrait in seven fragments of Paolo Gobetti, an eclectic figure who, amid his tireless activity in Italian cinema and cultural landscape, founded the National Film Archive of Resistance (Archivio nazionale cinematografico della Resistenza, ANCR).
Nezapomeneme
Za trvalý mír
Jonathan Stavleu explores, in a stream-of-consciousness video essay, the relationship people have with water and what happens when access to it is taken away. For this work, he examines anecdotal histories he has heard from Estonians, as well as stories from his own family history in the Netherlands, weaving them together into a journal-like narrative.
A wartime short encouraging workers to join free, government-organised engineering training schemes.
Wartime short promoting the evacuation if urban children to rural areas.
A collection of material shot before and during WW2 in the director’s hometown of Banja Luka, where its quiet life was disrupted by the enemy.
This film documents Hollywood's efforts to bolster support for the Allied forces in WWII by creating propaganda films.
Just after midnight on 10 March 1945, the US launched an air-based attack on eastern Tokyo; continuing until morning, the raid left more than 100,000 people dead and a quarter of the city eradicated. Unlike their loved ones, Hiroshi Hoshino, Michiko Kiyooka and Minoru Tsukiyama managed to emerge from the bombings. Now in their twilight years, they wish for nothing more than recognition and reparations for those who, like them, had been indelibly harmed by the war – but the Japanese government and even their fellow citizens seem disinclined to acknowledge the past.
Between 1942 and 1944 some 24,916 Jews were deported from Belgium to Auschwitz. The roundups and deportations were organized and carried out by the Nazis with the - not always conscious - cooperation of Belgian authorities. The attitude of the authorities here varied from outright resistance to voluntary or unwitting collaboration.
The untold story of a Royal "propagandist in pearls" whose wartime friendship with President Roosevelt became a vital catalyst to win back freedom for her tiny occupied country.
The Polish city of Łódź was under Nazi occupation for nearly the entirety of WWII. The segregation of the Jewish population into the ghetto, and the subsequent horrors are vividly chronicled via newsreels and photographs. The narration is taken almost entirely from journals and diaries of those who lived–and died–through the course of the occupation, with the number of different narrators diminishing as the film progresses, symbolic of the death of each narrator.