Sanjog

The film opens with the murder of business magnate Amit Singhania (Bakul Thakker) who lives a wealthy lifestyle along with his wife, Ria Singhania (Shamita Shetty), in a spacious bungalow. He runs a company, Spykar Jeans. Ria is asked to co-operates with the Police, who suspect her for foul play as she is the sole proprietor of Amit's business and wealth. The police also suspect Amit's subordinate, Siddharth Sardesai (Parmeet Sethi), who may have killed Amit, who was also having an affair with Sonia Sharma (Sonia Kapoor), who works for an ad agency run by Diwakar. Ria meets with Aditya (Manoj Bajpai), who also works for the same ad agency, and is attracted to him, both get intimate, but Aditya, who is married to Neha (Shilpa Shetty), and has a school-going son,

Chandni and her dad belong to a well-off family. Iftekhar feels that Chandni has come of age and must get married, and he selects a groom for her and asks her to marry him. She refuses and runs away from home. She meets up with Fooman and Dhaboo and gets into a series of adventures with them, including eluding the police. One of their adventures lands them aboard a ship captained by Prem, who is transporting Princess Shehzadi to her native land. The princess likes Prem and would like him to marry her, but Prem refuses, and as soon as they land, Prem is arrested by the King, imprisoned, and tortured. Fooman, Dhaboo, and Chandni plan to help Prem to escape, which jeopardizes their own lives.

1955 bollywood film

Aashiqui 3

Single mother Elaine is disturbed by her son Martin's aggressive behaviour, she visits his late father's estranged family in small-town Luxembourg, which hides a much darker nature. When she realizes that Martin could become like them, Elaine is forced into a desperate fight for her son's future.

In modern-day Helsinki, two lonely souls in search of love meet by chance in a karaoke bar. However, their path to happiness is beset by obstacles – from lost phone numbers to mistaken addresses, alcoholism, and a charming stray dog.

Local boy Ryan Dunne, now a pitcher for Boston College, meets Tenley Parrish, the daughter of a wealthy couple who summer on the Cape. Ryan and Tenley fall in love, much to the chagrin of their families, while Ryan clings to one last hope of being discovered and signed to a pro baseball contract.

Bharti, a highly successful singer, escapes from his jealous wife who is unable to deal with his female fan following. He meets Jyothi, a dancer who has also escaped from her cruel husband.

Michael Morda, a young sculptor living in San Francisco, is madly in love with Elinor Hunter, and they plan to be married. When Elinor becomes jealous of Julie Stressman, an old friend of Michael's and one of his models, Michael reluctantly asks Julie not to visit him at his studio. They agree to meet only at the construction site where he is working on a sculpture for which Julie is modeling. When Elinor also shows up at the site, Julie leaves so as to avoid a confrontation, but she is killed by some falling materials. Julie's dying request is that Michael adopt her daughter Mitzi, whose father died years earlier. In order to prevent Mitzi from being taken to an orphanage, Michael lies and says he is her father. Elinor hears this, and without asking questions, leaves him and marries another man the same night.

It is a story of a 55-year-old man Pandit Girdhari Laal Sharma who wants to escape his family legacy of becoming a priest and aspires to become a storyteller instead. His reality is that he is stuck trying to find a date for his daughter's wedding. What follows is a series of unfortunate events which land him in jail. His dream starts unfolding in the most unexpected way as his stories find an audience amongst the prisoners.

Set in the 1970s, an undercover Indian spy takes on a deadly mission to expose a covert nuclear weapons program in the heart of Pakistan.

Playboy songwriter Brad Allen's succession of romances annoys his neighbor, interior designer Jan Morrow, who shares a telephone party line with him and hears all his breezy routines. After Jan unsuccessfully lodges a complaint against him, Brad sets about to seduce her in the guise of a sincere and upstanding Texas rancher. When mutual friend Jonathan discovers that his best friend is moving in on the girl he desires, however, sparks fly.

A theater director struggles with his work, and the women in his life, as he attempts to create a life-size replica of New York inside a warehouse as part of his new play.

Best friends since they were kids, Rabbi Jacob Schram and Father Brian Finn are dynamic and popular young men living and working on New York's Upper West Side. When Anna Reilly, once their childhood friend and now grown into a beautiful corporate executive, suddenly returns to the city, she reenters Jake and Brian's lives and hearts with a vengeance. Sparks fly and an unusual and complicated love triangle ensues.

Young lovers — she's a child of the ghetto, determined to escape her alcoholic, bickering parents; he's a socially prominent attorney with a long-standing health problem — attempt to defy every obstacle to their romance and ultimate marriage.

Francis Bigger, a notorious charlatan who tours the country lecturing on the subject of mind over matter, slips off the platform in the middle of his performance and ends up in hospital under the care of Dr Tinkle. The hospital is about to enter a period of total chaos.

In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.

The story centers around a small town entrepreneur named Maniram who makes a major profit by cheating people and selling them tainted food. His business is run by his daughter-in-law Tejo, who is married to Maniram's mentally challenged younger son. When Maniram's elder son comes back into town to get married, things start to go awry.

Sultana, a small town prostitute and her pimp Khudabaksh migrate to the metropolis, bringing with them their dreams and meagre belongings. Sultana goes about her bright and artful seductions but somehow misses her targets. Her business collapses. Desperately, Khudabaksh too tries his hand at many jobs but is unsuccessful. Sultana's loneliness and despair get objectified in her desire for a 'salwaar' that she needs to complete her black ensemble for the observance of mourning for Moharram.

This film suggests a network of hierarchical relations between people through sometimes subtle and at other times blunt illustrations.