A Film About Writer's Block & Procrastination
Summer in Corsica. In a Corsican village nestled in the mountains everyone experiences summer in his or her own way: children play, teenagers flirt, and the elders comment on the passage of time at their local bar. In the August heat, it doesn't take long for tensions to rise as one family struggles to keep grudges from bubbling to the surface. Sometimes a spark is all that is needed to set the maquis alight.
Mavka, a water nymph, loves Lukash, a country youth. Their brief happiness ends when Lukash is forced to marry the shrewish Kilina. The Spirit of the Forest turns Lukash into a wolf as punishment for his infidelity. The strength of Mavka's love breaks the spell, but Kilina curses the nymph, transforming her into a weeping willow. This beautiful and tragic story is based on a play written in 1912 by Lesya Ukrainka, a Ukrainian poet, writer and political, civil and female activist, and includes mythological characters taken from Ukrainian folklore.
The story of the "Hutsul Robin Hood" Oleksa Dovbush, an 18th century Carpathian Mountains outlaw who's a popular figure of Ukrainian legend.
A nurse from Ukraine searches for a better life in the West, while an unemployed security guard from Austria heads East for the same reason. Both are looking for work, a new beginning, an existence, struggling to believe in themselves, to find a meaning in life...
Finding himself down and out in Los Angeles, former porn star Mikey Saber decides to crawl back to his hometown of Texas City, Texas, where his estranged wife and mother-in-law are living. Just as this dysfunctional family seems to be making things work, Mikey meets a young woman named Strawberry working the cash register at a local doughnut shop.
Living in war-torn Eastern Ukraine Anna is an aging single mother who is desperate for a change. Lured by a radio advertisement, she goes to party with a group of American men who are touring the country, searching for love.
A young Jewish American man endeavors—with the help of eccentric, distant relatives—to find the woman who saved his grandfather during World War II—in a Ukrainian village which was ultimately razed by the Nazis.
In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.
When Mostafa arrives to Ukraine, he witnesses the kidnapping of an Egyptian scientist. Eventually he gets involved in rescuing him, in a country he knows nothing about.
An ordinary funeral procession moves along its path from church to cemetery. Observing, you slip from reality into a place where time has lost its linearity, looping through the odd images thrown off by a distorted reality. Images of non-existence, of varying reflections of death issuing from both past and future, concrete yet abstract, horrible yet desirable. A family asks a young psychiatrist to be their guest for a while to untangle the circumstances of their father's illness. He's developed a suicidal fixation for ropes and knots among other things. While deeply involved in analyzing the patient's delirium, the doctor begins to lose track of what is taking place. The task of "how to help" is twisted into "who am I? Doctor or patient? Chance guest, member of this suffering family, or a catholic priest who has dreamed this all up?" In order to get a handle on it all, it's best to start from the beginning, but why do things keep shifting, changing?
The new reality changes the usual life in the village of Babylon. Attempts to communize the small town are met with resistance from the rich people living in the town. The Red Army finally puts down the resistance. Amidst the resistance philosopher Fabian returns to Babylon and tries to prevent bloodshed, but he meets a tragic fate.
This film is about what the routine of everyday life can do to the human mind and psyche. It also reflects on the importance of the choices we make and how limited these choices are in the first place. The plot evolves around a family of four. They live in the suburbs, in a strange villa that appears, through a complex game of mirrors, to be more like a piece of installation art than a real house. The main character, who hardly appears on screen, is the son, a man in his thirties. Suffering from asthma and eczema since childhood, he uses his condition to manipulate his parents and his sister. Thus the existence of the terrorized family turns into an endless ritual of attempting to satisfy his whims, and always on the alert for yet another one of his “health crises”. Las Meninas resembles the scattered pieces of a puzzle. It is up to the viewer to assemble them in order to form his very own picture – something that makes the film itself personal and unique.
A Serbian ballroom dancer experiences an unexpected and intense 24-hour romance with a friend's older brother.
Katia, a volunteer from Kyiv fighting against the invasion of Ukraine, uses a laptop donated to the resistance and comes into contact with the young son of the computer’s original owner, who is desperately in search of his missing parents. Her attempts to help the child will see her risk all she holds dear.
Claressa Shields, a high school junior from Flint, Michigan, aided by her tough-love coach, Jason Crutchfield, pushes past all limitations to become the first American woman to win an Olympic gold medal in boxing. But even at the pinnacle of success, Claressa has to reckon with the fact that not all dreams are created equal, and the real fight has only just begun.
Twenty-five-year-old Vadym earns a living recording and selling all kinds of different sounds; nevertheless, he’d rather exchange his life in Kyiv for a better future in far-flung Canada. Thus, when he gets a generous job offer which might help him realise his dream, he jumps at the chance; he soon sets off to record the sounds of animals indigenous to Ukraine and also a rare bird native to the Carpathians. The situation proves somewhat more complicated when Vadym’s companion on the trip turns out to be his mother… To the sounds of a synthesized music score, debuting Ukrainian director Antonio Lukich unfolds a visually creative road movie, in which he demonstrates a highly unusual talent for constructing tragicomic situations.
After spending months as a prisoner in Donbass, Ukrainian aerial reconnaissance expert Lilia returns home to her family. But the trauma of captivity continues to torment her and surface in dreamlike ways. Something growing deep within Lilia will not allow her to forget, yet she refuses to identify as a victim and will fight to liberate herself.
Eight months after the Chernobyl disaster, a Chernobylite woman that stayed behind to care for her sick mother gives birth to a mutated daughter. She wakes up after giving birth to find her mother gone. Masha, isolated and suffering from cataracts from the radiation exposure, becomes fearful that soldiers will take her contaminated baby. While attempting to reunite with her family in Kiev, the blinding mother and infant become lost in a forest. Masha sees a figure chasing her and believes it's a soldier that wants her child.
Mykola is an eccentric pacifist who wants to be useful to humanity. When the war begins at Donbass, Mykola’s naive world is collapsing as the militants kill his pregnant wife and burn his home to the ground. Recovered, he makes a cardinal decision and gets enlisted in a sniper company. Having met his wife’s killers, he emotionally breaks down and arranges “sniper terror” for the enemy. He’s saved from a senseless death by his instructor who himself gets mortally wounded. The death of a friend leaves a “scar” and Mykola is ready to sacrifice his life.