La buona uscita

Abang and Adi are undocumented orphans living in present-day Malaysia. While the older brother, a deaf mute, has resigned himself to a life of poverty, his younger sibling burns with indignation. A brutal accident upsets the fragile balance of their relationship.

A newspaper reporter becomes a witness to a murder and finds himself relentlessly pursued by the killer.

A dying man with a criminal past is given 24 hours to return from exile, make peace with his family and his aging ex-accomplice, but the vengeful crime boss who banished him is determined to have his revenge.

Jon, a first-time filmmaker, finds himself in Lansing, Michigan to present his film at a local film festival. Vince, his high school friend who is now a volunteer fireman and small-time drug dealer, also visits the town to support Jon on his big day, or so it seems. After a raucous hello and much backslapping, it appears that there is an undercurrent of tension in the air.

An African immigrant bank security guard turns the tables on Dublin's nastiest criminals when they force him to be the "inside man" on a bank robbery.

Roberto, a shy law student in Rome, meets Bruno, a forty-year-old exuberant, capricious man, who takes him for a drive through the Roman and Tuscany countries in the summer. When their journey starts to blend into their daily lives though, the pair’s newfound friendship is tested.

In 1987, Ricardo is seventeen years old. This summer, Ricardo has a busy schedule: lose his virginity, find a way to get into bars, get a car and spend time with his friends. In order to make fast money, Ricardo decides to use his Italian connections to take a shortcut via the world of crime. But things don't go so smoothly.

Haunted by the past, Vijay turns to crime, while Ravi, his brother, becomes an honest police officer. Fate pits them against each other when Ravi is sent to nab Vijay.

Josie Alibrandi is 17 and doesn't know where she belongs. This year, however, everything is going to change. Josie will face her fears, uncover secrets, and even discover the true identity of her father.

Inspector Abhay Rathod is a honest and diligent Police Inspector employed with Bombay Police. He was assigned the case of racketeer and criminal don, Shekhar Mohan. Abhay successfully entraps and arrests him, and has him sentenced to a long jail term. Years later, Abhay is now the Assistant Commissioner of Police; is married, and has a son named Chirag; and Shekhar Mohan has completed his jail term and is looking to seek vengeance against Abhay. He does so by kidnapping Chirag and taking him along with him. He object is not to seek any ransom money, but attempt to separate the child from his parents, as well as attempt to make a place in his heart. Shekhar finds out that Chirag loves racing and takes him on various race courses where the child is thrilled to watch fast sport cars, and soon starts a friendship with "Uncle" Shekhar. But with Abhay and the police closing in fast, will Shekhar and Chirag be able to maintain their friendship?

"Despite the multitude of characters and situations, the plot is simple: the eternal flow of life. It is based on Les contes fantastiques d’Hoffmann, a play by Jules Barbier and Michel Carré, who were inspired by some of the stories of the German E.T.A. Hoffmann. On a drunken night in the city, Hoffmann tells how he courted and lost three girls, his impossible loves: Olympia, a mechanical doll that only he believes to be truly human; Giulietta, the courtesan who steals his reflection in a mirror; and Antonia, a young woman who sings until she literally dies." Venue & Opera Company: Teatro Regio di Parma Recorded: 1988 Singers: Alredo Kraus, Ruth Welting, Jonathan Omilian, Barbara Hendricks, Elena Zilio, Nicola Gjiuselev, Bruno Buulgarelli, Francis Egerton, Aldo Bottion Orchestra: Orchestra Sinfonica dell'Emilia-Romagna "Arturo Toscanini" Chorus: Coro del Teatro Regio di Parma Chorus Master: Adolfo Tanhzi Stage Director: Beppe de Tomasi

Halit Berati, a virtuoso clarinet player, is invited by the Italians to record his music, which is to be sold along Italian records.

World War II Italy...1943. After parachuting behind enemy lines on an espionage mission, an American soldier is imprisoned by the enemy. He escapes with four Italian prisoners, enlisting their aid in exploding a bridge.

Ray is an aging ex-socialist who has become a bankrobber after seeing the demise of socialism in 1980s Britain. Teaming up with a gang of other has-beenish crims, he commits one bank job too many. The gang dissolves in a murderous flurry of recriminations.

Thomas, in his forties, holds an important post in a slaughterhouse. He is engaged to Marie-Rose, the daughter of the director, whom he hopes to follow later. In a routine examination in the hospital, however, he finds out that he has cancer and his days are counted. The upheaval that he suffers as a result, however, does not take long, his decision is certain: he will use the short time to clean up some bad guys. What else can he do now?

In late 19th century France, the Countess Louise, wife of a wealthy general, sells the earrings her husband gave her on their wedding day to pay off her secret debts, then claims to have lost them. Her husband quickly learns of the deceit, which is the beginning of many tragic misunderstandings, all involving the earrings, the general, the countess, and her new lover, the Italian Baron Donati.

Ira translates as “Anger,” but the titular emotion isn’t often conveyed by the unnamed man and woman at the center of this subdued Italian drama set on the grim fringes of society. Instead, they spend their nights working—he in the market, she on the streets—or wandering restlessly and relentlessly around their dark, decaying city. Writer/director Mauro Russo Rouge follows his characters as they drive down roads lit by the yellow glow of streetlights, push through the crowds at a pink-hued nightclub, pick up supplies in a glaringly bright supermarket, and meander down sidewalks with drinks in hand. They rarely emerge into the sunlight; most of the action takes place in claustrophobic indoor spaces or in the cold, gray light of dusk or dawn. So, too, do their expressions remain withdrawn—even when their nascent relationship triggers a decisive act of violence.

Giancarlo "Eddie" Marturano, a down and out gambler trapped in the world he's created for himself. Like his adopted home of Atlantic City, Eddie is beaten, down on one knee, struggling mightily to rise to his feet again. His only salvation is his beloved Sandra and their hope of a better future. When he and his partner in crime, Christian Flynn, stumble onto the deal of their lives, will it finally be their avenue out of town?

Lucia (Natassja Kinski) is a volatile, exciteable young woman. She forms a romance with Carlo (Stefano Dionisi), who is somewhat callow and is very skittish. Their romance is not an easy one, but they are assisted in coping with its ups and downs by their mutual friendship with Franco (Franco Citti), an older, wiser and more stable man.

In a time of war and disease, a young officer gallantly tries to help a young woman find her husband.