Ruma Maida

Edwin was in a dilemma after his daughter ran away from home because she didn't get his blessing for her love affair. This condition makes him trapped in the collections of bizarre dreams and experiences about his daughter.

An omnibus movie derived from five real events experienced by some urban Jakarta residents during maghrib.

A young Australian reporter tries to navigate the political turmoil of Indonesia during the rule of President Sukarno with the help of a diminutive photographer.

Back when urbanization was a new phenomenon, this film captured the aspirations desired by three young men from North Sumatera of Batak ethnicity. As the case with other regional area, people from the rural realm were convinced that their way of live is inadequate, so that they "need" to make it in the city, or bust. So Sabar, Tigor and Sahat went up and down their luck in order to find their desired "gold" in a strange land.

A remake of 1973 film of the same name. "Bulan di Atas Kuburan" is a tale of hardships in the capital city. Sahat, Tigor and Sabar ; three friends from Samosir, North Sumatra, quest after greatness whilst deperately holding on to their inner idealism.

Aisyah just graduated. She lives in Ciwidey, West Java, a religious village near a tea plantation, with her mother and younger brother. Her father had died a few years ago. She wants to be a teacher. One day, she gets a call from the foundation where she enrolled: she gets her wish fulfilled at the location that she never knows: Derok, North Middle Timor District. From the beginning she feels like a "foreigner". The local people mistake her as Sister Maria, just because she wears a veil like a sister. The people is expecting the arrival of Sister Maria as a teacher in the village. This isolated village is without electricity and cellular signals. The new environment, the different tradition and religion make Aisyah giddy. Fortunately there is Pedro (Arie Kriting) who makes the problems easy. She must face the hatred of one of his student, Lordis Defam. Through the chief, she understand that she is a Muslim who is considered an enemy by Lordis Defam who is a catholic

A married woman realizes how unhappy her marriage really is, and that her life needs to go in a different direction. After a painful divorce, she takes off on a round-the-world journey to "find herself".

Tony, an American journalist, is assigned to assist the investigation team of Berita Satu. In Jakarta, Tony immediately attracted to cover street children and Acil is his choice. Interviews are initially go smoothly, but it turns into a mess when Acil steals Tony’s camera. Tony pursue Acil mightily to get into the area of the fishing village. There he meets with Anggun, who is a teacher for street children. Then Marni, a mother who has to be prostitute, and Jampang, the head thug in the fishing village. Through them, Tony goes into marginal lives of the people of Jakarta with all their problems.

Christian mission propaganda film about 'a slice of heathen life, with the bamboo bush people of Borado-Likowali'. Keli is forced to marry Wesa but has a lover in another village. This causes war to break out between the two villages and Wesa is killed. Wesa's father Meo now wants Keli to marry his other son. Keli refuses and the hostilities continue. Just when the authorities have locked up a number of troublemakers, Father Jacobs arrives. The missionary tries to win the confidence of the locals but becomes embroiled in the conflict. An assault by Meo's men leaves him dangerously wounded. The villagers stop fighting and Meo asks the dying missionary's forgiveness.

Set in the 1930s, and narrated like a ballad from the past, "The Tiger from Tjampa" tells of how a young man, Lukman, seeks to avenge his father’s murder by learning pencak silat, a traditional form of self defence, based on the movements of animals.

Divorced couple Georgia and David find themselves on a shared mission: they team up and travel to Bali to stop their daughter Lily from making the same mistake they once made 25 years ago.

This is the story about Setyo, Siti and Ludiro, who were the performer of Javanese Ramayana's Wayang Wong. Setyo and Siti are spouse who live in a village by selling earthenware products. In the village, live as well Ludiro, the head of the stockyard, who is very wealthy and secretly in love with Siti. Conflicts arrived as Setyo's earthenware company is going bankrupt and Siti started to took notice in Ludiro's desire to win her love. These triangle love transform into a civil war in the village that brings not only extremity and injustice, but also the death of the loved ones.

Four stories unfold in Jakarta, a big city that feels cold and dehumanizing. Life there strips away meaning, turning people into soulless zombies. In their search for purpose, youths turn to the only things that seem worthwhile—television and movies. This obsession pushes them down a dark path, transforming them into twisted versions of anti-heroes who make anti-social choices that spiral out of control.

A group of civilians share a bus ride to Sampar, a town full of natural resources. It is heavily guarded by the state army who is fighting against the rebel militias, who want freedom over their homeland.

In Minangkabau, West Sumatera, Yuda a skilled practitioner of Silat Harimau is in the final preparations to begin his "Merantau" a century's old rites-of-passage to be carried out by the community's young men that will see him leave the comforts of his idyllic farming village and make a name for himself in the bustling city of Jakarta.

Tantra and Tantri are inseparable. When they secretly steal eggs from the family’s sacrificial offering, Tantri always gets the whites and Tantra the yolks. One day, however, the yolk is missing, as is Tantra. Her brother gravely ill and in hospital, Tantri starts slipping into magical parallel worlds, approaching the inevitable farewell through costumes, body paint and dance. When at one point Tantri’s mother washes the paint from her face, it is as if tenderly to expel the illusion that things can remain as they are. In long dream sequences and against the background of the Balinese philosophy of sekala – the seen – and niskala – the unseen – Andini relates how one ten-year-old girl deals with parting and grief.

Toni, Aghi, Bubu, and Saras get the task of making essays. They create a free school for street children but they chose to earn money than learn.

A popular high school girl strains her relationship with her close-knit clique when she begins falling for a reclusive, lower-class schoolmate.

Feelings slowly grow between an eccentric writer and an aspiring painter until circumstances — and other people — cause them both to drift away.

Dewi returns to her village in Yogyakarta after ten years of leaving. A letter and newspaper clipping sent by her mother, make her return to her village: Dee’s mysterious pregnancy, her mentally handicapped sister Dewi finds her parents' home situation has not changed. What has changed is the pregnancy of Dee and the always changing view behind the large window of the house. Dewi then knows Priyanto who is just a year living in the village. They make an unusual love story. Joko, Dewi’s old friend, is jealous. The arrival of Dewi reveals his unfinished past.