Mujeres sin mañana

Dr. Frankenstein and her assistant, Dr. Yanco, are going to bring one of their experiments to life in Santo Vs. Frankenstein's Daughter. She intends to use a monster named Ursus to do her evil bidding. Using a youth serum to retain their vitality, the doctors set their sights upon none other than El Santo. They need his super human blood to regenerate a stronger youth serum. They kidnap Santo's goddaughter, Norma and lure him into Dr. Frankenstein's lab where he is captured and enslaved. Will Santo make it out alive?

Innocent women are being kidnapped and used as guinea pigs for a brain transplant experiment. The diabolical Dr. Frankenstein continues his quest to perfect his brain transplant operation to bring back his deceased wife at any cost - even if it means playing with the lives of others. El Santo and Blue Demon are called in to help when their friend Alicia becomes Dr. Frankenstein's next target. It'll take both heroes to go up against the dastardly doctor and go mano a mano with his super strong zombie Golem.

Inspired by an exclusive interview and performance footage of Chavela Vargas shot in 1991 and guided by her unique voice, the film weaves an arresting portrait of a woman who dared to dress, speak, sing, and dream her unique life into being.

One enchanted night, during a meteor shower, young Sebastián made a heartfelt wish: for his loving nanny, Lupe, to become his mother, for her warmth and care were what he longed for, unlike his busy mother, Paola. The stars listened, and in their mysterious way, granted his wish, exchanging the roles of the two women, leading to a whimsical adventure full of unexpected laughs and heartwarming chaos.

When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.

Two brothers living a hard life of manual labor in rural Mexico have a simple dream: saving enough money to build their mother her dream house. But fate has other plans. A friendly game of soccer leads to first Rudo, then to Cursi being taken on by the nation’s top talent scout. Suddenly, they find themselves living the high life of star athletes: fame, fortune, fast cars and beautiful women.

“Maria, I'm dying!” is a comedy about a hypochondriac man, the only being in the world capable of even terminal colds, and his wife who has to put up with it until he decides to do something about it. The fear of death has never been so fun.

Gina, a modern business woman in her late forties, has a lover named Adrian, a journalist, who she sees once in a while just to have sex. They are both attracted to the historic figure of Pancho Villa: he admires his power while she admires his virility. As Gina helps Adrian to write a book about Villa, she discovers the similarity between Villa's relation to women to that of Adrian and hers, and that Villa's revolution never included her, nor the rest of the female half of the human species. Can the love of a woman and a man survive machismo?

Rosario, the niece of the rancher, returns to the ranch after ten years of absence. She takes in Margarito, a worker at the ranch, who is immediately smitten by her. Rosario is rescued from a runaway horse by the Seven Men, an outlaw a la Robin Hood that steals from the rich and gives to the poor. He also happens to be the twin brother of Margarito, unbeknownst to him. The confusion between Margarito and the Seven Men generates great comical situations in the film.

A professor recruits a professional wrestler to protect his daughter from vampires intent on kidnapping her and marrying her to the devil.

The Trevino family tries to overcome the irresponsible behavior of Don Cruz, an erratic father with numerous defects that contrast with his son Silvano, a young kid man that is incapable of passing judgment on his own father.

An elderly man falls in love with a beautiful young woman, without knowing that she is in love with his son.

The simple life and the values ​​of loyalty and solidarity of the poor people in the environment of professional boxing, is the plot of this film, where Pepe el Toro shows the effort and tragedies that are experienced in this profession.

This is the story of three brothers - a priest, a soldier, and an outlaw - that are raised separately by their godfathers once their mother dies. They cross their paths again when the soldier and the priest move into two towns near the town the outlaw lives in. The drama will unfold once the three brothers meet each other.

The life of the musician Juventino Rosas, who despite his talent lived an existence of misfortune and poverty.

Pepe el Toro is married to Celia la Chorreada and they have two children.

Leo San Juan, an insecure child of nine years old, lives eternally frightened by horror stories that Nando tells his older brother. Within these stories it is 'The Legend of Nahuala', according to which, an old abandoned Casona is possessed by the spirit of an evil witch known as the Nahuala.

Roberto makes a pact with the devil to please his multiple lovers sexually, Satan accepts the deal but promises to snatch his soul when he finds true love. Meanwhile, two cops are on the lookout for those responsible of a murderous drug on the streets.

After mistakenly going to jail, Maria makes friends with a woman whose kids live in the streets and Maria gets the idea to help them.

Mirtha Del Cañon is the owner of a million-dollar company. Her only son, Bartolo, is a mess, and to straighten him out, she decides to look for a woman for him, to achieve that, she organizes a casting to find the perfect daughter-in-law.