In 1870s America, a peaceful American settler kills his family's murderer which unleashes the fury of a notorious gang leader. His cowardly fellow townspeople then betray him, forcing him to hunt down the outlaws alone.
A young British officer resigns his post when he learns of his regiment's plan to ship out to the Sudan for the conflict with the Mahdi. His friends and fiancée send him four white feathers as symbols of what they view as his cowardice. To redeem his honor, he disguises himself as an Arab and secretly saves their lives.
Eight years after fleeing the Congo following his assassination of that country's minister of mining, former assassin Jim Terrier is back, suffering from PTSD and digging wells to atone for his violent past. After an attempt is made on his life, Terrier flies to London to find out who wants him dead -- and why. Terrier's search leads him to a reunion with Annie, a woman he once loved, who is now married to an oily businessman with dealings in Africa.
An 11-year-old girl watches her father come down with a crippling depression. Over one summer, she learns answers to several mysteries and comes to terms with love and loss.
Imagine what it would be like if black settlers arrived to settle a continent inhabited by white natives? In 1788, the first white settlers arrived in Botany Bay to begin the process of white colonisation of Australia. But in Babakiueria, the roles are reversed in a delightful and light-hearted look at colonisation of a different kind. This satirical examination of black-white relations in Australia first screened on ABC TV in 1986 to widespread acclaim with both critics and audiences alike. This is the story of the fictitious land of Babakiueria, where white people are the minority and must obey black laws. Aboriginal actors Michelle Torres and Bob Maza (Heartland) and supported by a number of familiar faces from the time, including Cecily Polson (E-Street) and Tony Barry, who starred in major ABC-TV hits such as I Can Jump Puddles and his Penguin award-winning Scales of Justice. Babakiueria was awarded the United Nations Media Peace Prize in 1987.
Kenneth Bianchi is a security guard whose attempts to become a police officer are repeatedly thwarted. He moves to California to live with his cousin Angelo and dates a string of women, becoming increasingly preoccupied with sex. Eventually the cousins decide to start an escort agency. After violently killing a prostitute they thought had betrayed them, Kenneth and Angelo begin committing a series of crimes that become a media sensation.
Based on the Helen Hunt Jackson novel of 1884 about a young woman of partial Native American descent, who experiences love and loss in 1800s California.
Fifteen-year-old Mia is in a constant state of war with her family and the world around her. When she meets her party-girl mother’s charming new boyfriend Connor, she is amazed to find he returns her attention, and believes he might help her start to make sense of her life.
Frustrated when network brass reject his sitcom idea, producer Pierre Delacroix pitches the worst idea he can think of in an attempt to get fired: a 21st century minstrel show. The network not only airs it, but it becomes a smash hit.
One day, hospital orderlies, watching corpse in the morgue, recognize film director. Man, even though he died, he begins to remember his life. He made a career making movies, had numerous mistresses, but never realized their dreams. His life was interspersed with many setbacks that enfeebled him from the inside. Although he made a career in film, he was not happy with his life.
The Fool is a movie about a simple plumber. An honest man, he is up against an entire system of corrupted bureaucrats. At stake are the lives of 800 inhabitants of an old dorm that is at risk of collapsing within the span of the night.
An African-American GI retires from the US Army in West Berlin to live with his white girlfriend, who already has a baby with another black man. After an argument with her family, she deserts him as well. Despite finding a job and a new place to live, he keeps running into racism, which also manifests itself in sexual intimidation.
A lesbian couple experiences microaggressions at a workshop upstate. Claire and her fiancée Monica embark from the boisterous streets of New York City to the Berkshires, where Claire has been invited to stage her latest work at a rural theater company. While Claire's actors question her ability to write heterosexual dialogue, Monica encounters her own source of micro-aggression in the form of Mutty, the groundskeeper.
Through the eyes of a British "documentary", this film takes a satirically humorous, and sometimes frightening, look at the history of an America where the South won the Civil War.
Spurred by a white woman's lie, vigilantes destroy a black Florida town and slay inhabitants in 1923.
A brutal and emotional portrayal of betrayal and complicated family relationships. When a Mafia Boss discovers that someone is stealing from him, a series of tragic events unfolds.
Clashing kingdoms. Rival rulers. The enemies of Jesus close in while His followers struggle to keep up, leaving him to carry the burden alone. Threatened by the reality of Jesus' growing influence, religious leaders do the unthinkable—ally with their Roman oppressors. As the seeds of betrayal are planted and opposition to Jesus' message turns violent, he's left with no alternative but demand his followers rise up.
Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound, and is an interpretation of the particular aria.
Noel travels from upstate New York every year to sell Christmas trees in New York City. Returning without the help of his long-time girlfriend, this year Noel finds it impossible to do the one thing he knows so well: sell Christmas trees. As Noel begins to spiral downwards, alienating co-workers and customers in the process, it turns out this same community of people may be the only ones capable of saving Noel from self-destruction.
KYRIE and SHAKA come from two different worlds. Kyrie insists that no one picks him up directly from his home in East Cleveland and Shaka, who is far more well off, is more than willing to flaunt what he has and throw out money on the newest games and sneakers. Still, they are best friends trying to get through life together. Kyrie struggles to come out to his best friend before leaving for college. Shaka doesn't know how to tell Kyrie that he is moving to a different state. It's a story about humanity, politics, fear, and its consequences, all told from the perspective of two teens in East Cleveland, Ohio.