Memory Room 451

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

In 1977, the Voyager probe leaves for the galaxy with a message in Spanish recorded in the RNE (Spanish National Radio Studio). Almost 50 years later and sick with Alzheimer's, Carmen is facing being transferred from her home in her town to a residence in the city.

Fascinating -- and unintentionally funny -- experiments at Austria's famed Institute for Experimental Psychology involve a subject who for several weeks wears special glasses that reverse right and left and up and down. Unexpectedly, these macabre and somehow surrealist experiments reveal that our perception of these aspects of vision is not of an optical nature and cannot be relied on, while the unfortunate, Kafkaesque subject stubbornly struggles through a morass of continuous failures.

Our Cinema

A documentary on Jan Slovak, a 55-year-old welder, who fell in love with acting. His desire began, when he got the lead role in a theatrical adaptation of the worst movie of all time, Plan 9 From Outer Space by Ed Wood Jr. The passion for theater became his destiny.

Amusing adventures of star pilot Ijon Tichy on planet Interopia where he hunts a giant animal called Squamp. Adapted from Stanislaw Lem's story from his Star Diaries series.

A short documentary depicting a typical day in the life of a 1940s era flying stewardess.

A young girl's journey into rotting. Leah messes with the wrong mix of mysterious chemistry, energy drinks, and mold, leading to her discovering some nasty powers.

The end of evolution awaits us in a wasteland dominated by bizarre trash formations, dust and rock. From the scattered remains of a long forgotten culture an electric ecosystem rapidly evolves into the ultimate form of existence.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

After a deadly car accident, a boy finds himself trapped in a sinister hospital and begins to wonder if he could be more than human.

This "Theater of Life" documentary was produced in cooperation with the International Committee, YMCA. It focuses on the work of Dr. Spencer Hatch, as he shows residents of small Mexican villages how to make their land better able to grow food and make them more independent.

This short documentary, presented and directed by MGM sound engineer Douglas Shearer, goes behind the scenes to look at how the sound portion of a talking picture is created.

In this comedic docufiction, Javier (Javier Raphael) is a young man who has always wanted to be a football coach like his idol “El Chelís” (José Luis Sánchez Solá), but has never done anything to fulfill his dream. Now, guided by a nosy narrator (Jorge Pietrasanta), he will look for some of the most unorthodox amateur football coaches in Mexico, and for his beloved "Chelís", so that each one can give him lessons until he is fully trained to manage a match and thus become a true "Mexican football coach".

Hymn of the Nations, originally titled Arturo Toscanini: Hymn of the Nations, is a 1944 film directed by Alexander Hammid, which features the "Inno delle nazioni," a patriotic work for tenor soloist, chorus, and orchestra, composed by Italian opera composer Giuseppe Verdi in the early 1860s. (For this musical work, Verdi utilized the national anthems of several European nations.) In December 1943, Arturo Toscanini filmed a performance of this music for inclusion in an Office of War Information documentary about the role of Italian-Americans in aiding the Allies during World War II. Toscanini added a bridge passage to include arrangements of "The Star-Spangled Banner" for the United States and "The Internationale" for the Soviet Union and the Italian partisans. Joining Toscanini in the filmed performance in NBC Studio 8-H, were tenor Jan Peerce, the Westminster Choir, and the NBC Symphony Orchestra. Preserved by the Academy Film Archive in 2010.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Writer Grant Morrison and artist Frank Quitely take over the Superman stories to refocus and revitalize them, centered on a more relaxed and reflective Superman.

Italy, at the end of the 21st century. Quinto, a gentle, naive man on his quest to find the fabled 'City in the Sky' arrives at a dilapidated family-owned hotel run by transsexual Dora and her drug addict son. Locked in one of the rooms is Ai, a malfunctioning android prostitute, waiting to be deactivated. By error at check-in, Quinto meets her.

A band of futuristic cutthroats terrorize the skies on board their powerful airship. After bombing a liner and stealing gold bullion from its hold, the ruffians try to escape, facing only Jack Manley, a valiant naval officer, and Marie Thompson, his sweetheart. (The surviving print lacks the story resolution, which apparently ends when the hero and the police rout the pirates and rescue the kidnapped heroine.)

Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface. As they glide farther away and draw closer together, they reach out in collective queer and desirous exchanges — holding hands, drifting over and under their neighbors, making space, taking care of each other with a casual, gentle intimacy while they come together as individual parts of a whole. The video reflects on notions of togetherness and feminist theorist Silvia Federici’s call to “reconnect what capitalism has divided: our relation with nature, with others, and our bodies.”