Natsu Left Home

A woman rejects her clingy female lover and pursues a female co-worker. The spurned lover plots revenge and the co-worker has a kinky secret.

Sawako enjoys taking photos of older men and making scrapbooks with them. Although the men she has dated have always been older than her, she has been unable to speak well with her father and they have grown apart.

Hazuki clips her nails every time it rains. She caressed 'her' with these fingers back then. Hazuki, an editor of a publishing company now, is attracted by Shiori, the head of planning. On a day when the two women soaked wet in the rain, they enter an motel for shelter and take a shower. There Hazuki sees the image of her lost "girlfriend" in Shiori and eventually they reach out to each other.

On a rainy night, the lights in the windows of the apartment complex go out one by one. Chiaki Onda (Junko Miyashita) was waiting for her husband, Hajime (Akira Hanagami), who came home late tonight. Dinner is cold and the children are already asleep. A rift had already formed between Chiaki and Hajime, and sex was nothing more than a means of fulfilling Hajime's sexual desires, and there was no joy in it. An attraction to her classmate's driver awakens...

The beautiful Shizuko and her husband Toyama Takayoshi have a loving relationship, But Takayoshi is getting older and isn't always able to perform. His primary source of gratification involves observing his wife in sadomasochistic scenarios so he commissions a painter, skilled in the arts of bondage to bring these fantasies to life. Soon, Shiziko becomes a willing and submissive participant in fulfilling the S&M fantasies of not only her husband but a slew of rich lecherous men.

The film tells the story of Aiko, a 35-year-old mute woman who works in a bowling alley, and her brief romance with Yoshioka, a younger man who works as a postal carrier. The two meet when Aiko accidentally knocks Yoshioka off his bicycle, and they have a sexual encounter soon after. Aiko begins preparing lunchboxes and giving them to Yoshioka at his workplace as a way of expressing affection, which she cannot do verbally.

A gay couple is on good terms with each other. They run a shot bar together and are enjoying their love. Their father was also once a lover, and they vowed to be together in the future, but they split up due to the barriers of the world. They are determined not to follow in the footsteps of their father. One day, at their restaurant, the two fathers meet again for the first time in decades. At first they are at odds with each other, but then the love they once had for each other comes back to life...

A famous beauty salon in Harajuku. Junpei and Toshiya, who work there, are a loving couple who live together, although they don't tell the office. One day, like a sudden breeze, a boy named Saburo comes and stays there. Anyway, Saburo, who is as free as the wind, has relationships with the men at the store one after another, and finally ends up with Toshiya. Junpei finds out about this... The start of director Ryūichi Hiroki's trilogy of gay pinku films for ENK Promotion.

Wandering “Saoshi”, Kikunosuke Kagurazaka cures frustrated women with his sexual technique. He comes across a man called Ishida, an owner of an adult entertainment complex in Kabukicho. Ishida controls girls using erotic hypnosis and makes them work as prostitutes. Kikunosuke, who has been looking for missing Rie, finds out that Rie is working under Ishida. Rie is one of the victims under the erotic hypnosis. Kikunosuke challenges Rie in sex battle and successfully brings her to her senses by his sexual technique “Kinuta”. Then he finds out Ishida’s dark past. Kikunosuke beards Ishida who reigns over Kabukicho. One after another, Ishida sends out his girls to put kikunoske under his spell in vain. Kikunosuke wields his technique and leads them all to ecstasy. Who would be the final challenger? Who would be the last man standing, Ishida or Kikunosuke?

A couple arrive by boat to a small fishing village where women dive for seafood. He is returning from a trip and he brings his latest girlfriend, a former hostess, with him. This causes jealousy with a local diver, a woman he had relationship with before he left. Meanwhile the other female divers find ways to satisfy themselves after a hard days work.

One theory is that Sabao is a dull middle-aged man who works at a factory that smells like scent, which is rumored to be making parts for military equipment. I have no friends, and of course no lover. My only reason to live is my sister, Miku, who waits for him to come home every day. A gentle and cute, perfect sister, Miku. Sabao feels great happiness in living with her. However, the feelings for Miku, who was growing at the same time as happiness, were never forgiven by his brother and sister.

A certain university basketball club. It's a circle of pick-up guys who do blind dates all the time using basketball as a base. Then a gay old man who is a former member of the Japanese national team comes to coach. All of the students are unmotivated, so he tries to teach them the joy of sports, but he is drawn in by the fact that there are so many good-looking guys, and he starts teaching them the joys of homosexuality...

Chihiro is a hospital surgeon in a hospital headed by his father. He is excellent and has a good reputation, but in secret he is using drugs and hallucinating. One day a new nurse named Wataru is appointed. Chihiro and Wataru get to know each other. One night, Chihiro falls ssleep and has a dream, embracing Wataru in a drug hallucination. From that day on he often follows Wataru, pretending it is a coincidence and participating in Wataru's favorite activity of basketball with him. However, there is another person who has an interest for Wataru. It's Shiomi, a secretary-general. Both Wataru and Shiomi confess to Wataru but Wataru sleeps with Chihiro. Shiomi makes plans to tear Chihiro and Wataru apart.

A wealthy man has relationships with a married woman, an office lady and a high school girl. Two of them are friends, two are sisters and one leaves him frustrated.

Miki has a good job and works in an office. She's been dating Ryosuke and they're happy together... except for the fact that Miki is also in a relationship with her college professor Tanaka. Tanaka is trying to break up with Miki because of his wife, but Miki won't hear of it. Ryosuke is also unfaithful, and he has a one-night stand with Chihiro, who also has a boyfriend. The plot thickens when both girls discover they are pregnant, and don't know who to name as father. This romantic drama about relationships is proof that love can also come in squares.

The youngest sister Miyo is an illustrator but she is a shut-in. She does not socialize with anybody. The middle sister Mizuki is working at a bar. She gives all of the money she earns to her boyfriend, who is actually married. One day, the oldest sister Hoshimi, who is a painter, returns home. Hoshimi brings different men to the house, and has sex with them. The two younger sisters are thrown off by her behavior, until they find the reason for Hoshimi's frustration.

Putalow's Hatsune lives with his lesbian friend, Mika. She was dating Kokubun, but his wife appeared during the sex and became a shrine. Hatsune was shocked by how he was being tricked, but thanks to Mika, he recovered his energy. One day, Hatsune's sister Shizuka was informed that a lover called Itoyama was created. However, the true identity of Itoyama was a marriage fraudster who was aiming for Shizuka's deposit.

Housewife Atsuko wanted to become a novelist and become an independent woman. So, while receiving the advice of my husband, I started to write a novel about a friend's affair. The world of novels written by Atsuko is visualized and progresses in parallel with reality.

Dissipated Tokyo playwright, Kosuke has retreated to the countryside after deciding that he's done with women, but the indefatigable cat-in-heat Shiori has other ideas, clinging to Kosuke like his shadow.

A militant revolutionary group is torn apart by betrayal as its members descend into paranoia and sexual decadence.