In 1956, actress and Hollywood star Grace Kelly (1929-82), then at the height of her film career, unexpectedly dropped everything to marry Prince Rainier III of Monaco. Jinx, an American journalist and friend of the future princess, accompanied her on her journey to the wedding and covered the sensational event.
A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.
Documentary about how the arrival of the railway industry impacted Puerto Rican culture economically, socially, and humanistically during the first half of the 20th century. It includes photos by Jack Delano, among others, and scenarios to reconstruct the experience of what could have been the last trip made by train from San Juan to Ponce in 1953.
British cinema's original sex symbol, Diana Dors, left her £2 million fortune in various bank accounts, their details and locations revealed by an apparently uncrackable cipher. In this documentary, everyone from her son Jason Dors Lake to the legendary code-breakers of Bletchley Park try to solve the mystery.
The history of how the Museum of Spanish Abstract Art of Cuenca was created. In the mid-1950s, the Spanish collector and painter Fernando Zóbel de Ayala (1924-84) becomes fascinated by the young generation of Spanish abstract artists, so he begins to collect their works to show them to the public in Toledo. Until Gustavo Torner, a young forest engineer interested in art, proposes him to visit his city, Cuenca.
Kourou et l'épopée spatiale française
Canberra, the National Capital of Australia, is a city which has been planned; a place where modern living is enriched by a lovely setting. But the hustling young city of today is expanding and developing, and there is emerging the pattern of the proud city of tomorrow.
In the fifties, when the future Democratic Republic of Congo was still a Belgian colony, an entire generation of musicians fused traditional African tunes with Afro-Cuban music to create the electrifying Congolese rumba, a style that conquered the entire continent thanks to an infectious rhythm, captivating guitar sounds and smooth vocals.
The movie recalls children who suffered mental and physical harm both during the last century, particularly in religious orphanages, and during the time of early modernperiod witch-hunts. It shows that the mindsets and behavioural patterns of both time periods are more alike than one might think.
How can the masses be controlled? Apparently, the American publicist Edward L. Bernays (1891-1995), a pioneer in the field of propaganda and public relations, knew the answer to such a key question. The amazing story of the master of manipulation and the creation of the engineering of consent; a frightening true story about advertising, lies and charlatans.
A box found in an abandoned storage unit unearths a time capsule of correspondences from a forgotten era: the underground drag scene in 1950s New York City. Firsthand accounts and newly discovered footage help cast a long overdue spotlight on the unsung pioneers of drag.
The 1950s were a time marked by an idealistic feeling. The atomic age, with its promise to save humanity, revolutionized the world, technologically, socially and politically. All these factors gave birth to one of the most prolific film genres in the history of cinema: science fiction, which delighted the audience. Only a few years later, these same spectators saw on their television screens how the Russians launched the Sputnik into space.
January 1953: On the eve of his death Stalin finds himself yet another imaginary enemy: Jewish doctors. He organizes the most violent anti-Semitic campaign ever launched in the USSR, by fabricating the "Doctors' Plot," whereby doctors are charged with conspiring to murder the highest dignitaries of the Soviet Regime. Still unknown and untold, this conspiracy underlines the climax of a political scheme successfully masterminded by Stalin to turn the Jews into the new enemies of the people. It reveals his extreme paranoia and his compulsion to manipulate those around him. The children and friends of the main victims recount for the first time their experience and their distress related to these nightmarish events.
De Gaulle, l'homme à abattre
Documentary about the life and work of Mário Eloy, one of the greatest painters of the second generation of modernism in Portugal.
This one-hour film, narrated by Actor BURT LANCASTER, explores the lingering effects of The Hollywood Blacklist, which occurred in the late forties and early fifties as part of the Anti-Communist witch-hunts that terrorized the nation. This film is seen through the eyes of the wives and children of the now deceased Hollywood figures whose careers were destroyed when studio bosses, along with guild and union officials capitulated to the demands of the House Un-American Activities Committee.
Working from the text of James Baldwin’s unfinished final novel, director Raoul Peck creates a meditation on what it means to be Black in the United States.
Demonstration of shoplifting methods. With the Cooperation and Assistance of Berkeley, California Police Department and Berkeley Police Reserve; Addison H. Fording, Chief of Police; J.F. Hink & Son Department Store, L.W. Hink, President. Technical Assistance: Wm. P. Beall, Lieutenant; E.A. Skells, Sergeant, Berkeley Police DepartmentGeorge Jelten, Director of Visual Merchandising, J.F. Hink and Son. Director of Photography: John L. Siegle. Sound: Walter D. Porep. Narration: John E. Pedersen.
Die Concorde - Absturz einer Legende
Historical film covering the British Vanwall Grand Prix team behind the scenes and at the 1957 Monaco Grand Prix and British Grand Prix at Aintree.