OS Love

When you were born, what did you desire the most?

Surrealist dark comedy about a subway train obsessed man.

The then unknown Jennings and Andrew Larbi made a little film called One Cold Eskimo, which aired on the television series Takeover TV, produced by World of Wonder for Channel 4 in the UK. Takeover TV was a show that invited viewers to send in their curious, weird, or dumbfounding videotapes for possible airing. One Cold Eskimo is all of that.

Comedic avant-garde animation of The Simpsons. Third part of a 4 piece series of short films.

Comedic avant-garde animation of The Simpsons. Fourth part of a 4 piece series of short films.

A tramp heads home drunk on a Saturday night, finding it hard to make it to his room. When he finally does, he cannot make it to his bed.

A duckling tries to save the animals when a storm hits their farm.

A man encounters strange animals during a road trip.

This is the Animal Village within the forest. The Monkey Family with many children, the Bear Family, the Raccoon Family and many other animal families live happily together in this village. One night, a strong northerly wind puts the Monkey Family in panic, and the little boy bear of the Bear Family falls into the river. The Raccoon Family and the Monkey Family members all rush to the river to rescue him.

Animated short movie from 1931.

A retelling of part of the Gulliver's Travels adventures. A short film from 1950.

Who’s afraid of the big bad wolf? "Not I!" answer the first two brothers as they build their new homes -- one made of straw and the other of sticks. But when the wolf huffs and puffs and blows down their houses, the brothers seek protection in the third pig’s house, very wisely made of bricks. Will the three little pigs finally be safe once and for all? Bonus shorts include: The Big Bad Wolf, Three Little Wolves, Lambert The Sheepish Lion, Chicken Little, Three Blind Mouseketeers, and Elmer Elephant.

Walt Disney Treasures - Silly Symphonies

In a realm beyond the senses, plants interact with surreal cinematography to chart the course of our character: an entity said to embody the life and work of Felisberto Hernández, Uruguayan father of magical realism. Through this journey, we are confronted with an open-ended experience questioning the nature of musicality versus cinematography, entity versus aberration, and self versus space, in a self-referential, blurry, digital and mystical setting.

A specialised center is closing its doors. The mentally handicapped inhabitants helped by their educators are taking their destiny in their own hands.

A short segment of the feature film Melody Time, re-released as a separate entity five years afterwards.

To the toccata portion of Bach's "Toccata and fugue in D minor," we watch a play of sorts. Blue smoke forms a background; a grid of black lines is the foreground. Behind the lines, a triangle appears, then patterns of multiple triangles. Their movements reflect the music's rhythm. Behind the barrier of the black lines, the triangle moves, jumps, and takes on multiple shapes. In contrast with the blue and the black, the triangles are warm: orange, red, yellow. The black lines bend, swirl into a vortex, then disappear. The triangle pulsates and a set of many of them rises.

Because of a storm, the Gang has to stay overnight at Darla's house, and they drive her father crazy.

While trying to track down Butch, Spanky and Alfalfa get caught up in a dance recital.