Two straight (but not really) guys invite two naive (but not really) prostitutes for a night of sex. In the preliminary conversations, a little poetry, a lot of philosophy and heavy doses of vulgarity, all with Beethoven in the background. But when it comes to sex, the truth comes out.
Set in a satirical vision of modern Britain, Hadrian is a young and ambitious civil servant who arranges to receive Greek lessons in preparation for a government promotion which will see him steer British economic policy throughout Greece. But when he meets his teacher Maria, she asks that instead of payment, Hadrian exchanges an hour of his time each week to help her prepare for a citizenship exam that offers potential promotion from Class B to Class A immigrant.
On their final trial as village Lookouts, a troop of young scouts are ambushed by the very creature they were hunting. After a violent battle the lone survivor, Pehn, escapes into the shadows of the Eyrewood, a mysterious and deadly forest that is home to all manner of wild creatures. The most horrifying of all is the Basilisk, a winged titan with the power to turn its prey into stone. This is the beast the troop of "Lookouts" were seeking, and now it hunts for Pehn. With guidance from the stories foretold by his Mother and words or warning passed down from his mentor, Pehn struggles to find the courage he'll need to confront his fate and defeat the horrifying creature that pursues him.
Short film about the budding relationship between Leon and Felix, two people who meet unexpectedly and discover they share a lot in common.
This is the backstory of Hana and Joon Seung, characters in the series "MARS" on Nat Geo. The twin sisters are struggling to fit into their new home and find a ham radio, allowing them to develop a friendship with a female astronaut..
A seemingly mundane evening in suburbia is disrupted by an unforeseen event.
A story about loneliness, acceptance and re-discovering the wonderful dream-like adventure of a child's imagination.
A queer Arab boy, Nazeem, looks up to his Muslim mother with awe. Later in life, it is only through being a drag queen that he holds on to their lost and fraught connection.
A young man is forced out of his comfort zone when he goes on an unconventional date.
Colossal explores the complexities of grief and the process of grieving as understood through the myth of a Man as he ventures through shifting landscapes ruminating.
At first, there was Tagalog, Gym Lumbera’s short and, to his mind, unfinished narrative about the infidelity that comes between a husband and wife in their twilight years, shot on film and reflecting his own real-life infidelity.. And then there was a storm, a real storm and not a metaphorical one, that flooded his house and submerged, and subsequently damaged, the only copy of Tagalog. This damaged version, entitled English, became the missing piece that completed the film. The new work is named after Taglish, the bastard hybrid, some say corruption, of Tagalog and English, and has become a meditation on love and language and the ways in which we betray and destroy them.
Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.
Sarah is a debt collector who lives among the inhabitants of the village of Guimbal on the island of Panay. She wants to find the young man who appeared to her in a dream and goes to the island of Negros. Here, as she interacts with the inhabitants, Sarah continues her search, gathering memories of life and war, dreams, myths, legends, songs and stories that she takes part in and at times revolve around her. She is the daughter of an ancient mermaid, a revolutionary, a primordial element, a virgin who was kidnapped and hidden away from the sunlight. “The film is a retelling of fragments of the American occupation. Dialogue, shot in the Hiligaynon language, is not translated but used as a tonal guide and a tool for narration. Using unscripted scenes shot where the main character was asked to merely interact with the villagers, I discard dialogue and draw meaning from peoples’ faces, voices, and actions, weaving an entirely different story through the use of subtitles and inter-titles.”
"Mapang-akit" is an offshoot of a documentary project made with an Icelandic filmmaker and uses the outtakes from the Hudas Hudas festival in Antique, where a community bonds over a large effigy of Judas Iscariot during Holy Week. Amidst it is a found story of a man who returns home to his death after pursuing a woman in a neighboring village.
Julia, 28, lives a double life as Escort and tells her daughter Lilli, 10, that she works as a secret agent.
After fourteen years away from her homeland, Salomé is forced to return to Cape Verde to see her dying brother. During her stopover at Lisbon airport, Águeda, a cleaning lady, recognizes Salomé as "Mila", her childhood friend. Águeda invites Salomé to leave the airport and spend the stopover at her home, with the women of her family. The neighborhood transports her on a spiritual journey, whose destination reveals a painful bond with her homeland.
While reflecting on the present, a young Palestinian recalls childhood memories of the military invasion and siege of Bethlehem. By trying to understand how his parents led him though those difficult times, he hopes to find the strength and support he needs to cope with the present.
our short stories interlaced to create a surreal world of absurdity, in which characters try to find connections in the mundane.
Ulises meets again with David one night in a street in the center of Madrid. An inevitable return to the dynamics of the past will make him wonder if it is possible that this relationship has a future.
The story of friendship, help and the importance of maintaining family ties. We really want to give each of you a fairy tale. It's time to go home!