Memory of the Wind

A gifted singer, struggling with addiction on the streets of Skid Row, sets out on a journey to transform his life.

Set in Berlin and New York's Lower East Side, The Great Yiddish Love stars the self-exiled Marlene Dietrich and her Nazi-endorsed replacement, Zarah Leander. It is a melodrama of love, emigration, and betrayal reassembled from Hollywood, German Ufa and Yiddish films from the 1930s and 40s.

A short documentary about the former judoka Marina and her Judo Club for People with Disabilities - "Fuji". Its brave members cope with all things Judo and real-life challenges, but always with a smile and the heart of a true judoka.

Shida is the new kid in class in a private boarding school in Tanzania. He is shy, he has no self-esteem, he does not speak one word of English - the primary language in the school, and he suffers from albinism. Like most children with albinism in the country Shida was taken away from his parents to be protected from the witchcraft related killings. The film follows Shida during his first year at the new school where the rules are strict and tolerance low. He is trying his best to meet the demands. The school is a chance of an education and to escape a life on the bottom of society. With the help from his new friend Allan he is struggling to become better in school and to be accepted by the teachers and pupils.

Chronicling Scottish girl bands from the 1960s to present, a scrapbook of pop music unveils challenges faced in a male-dominated industry. A colourful mixtape of unheard demos, lost archive and rare performances.

In ancient Russian mythology Sirin is a bird with the head of a woman, a Slavic image of the Greek sirens. The ensemble of ancient Russian sacred music "Sirin" was created to revive ancient Orthodox singing traditions. It is an outstanding musical project performing folk sacred songs. The film tells about the unique work of musicians collecting half-forgotten melodies in the most remote corners of Russia.

Hollywood stars, historical footage and stylized reenactments tell the story of costume designer Orry-Kelly, who ruled Tinseltown fashion for decades.

Pinscreen animation makes use of a screen filled with movable pins, which can be moved in or out by pressing an object onto the screen. The screen is lit from the side so that the pins cast shadows.

Carol Morley returns to Manchester, where in the early 1980s, five years of her life were lost in an alcoholic blur. The Alcohol Years is a poetic retrieval of that time, in which rediscovered friends and acquaintances recount tales of her drunken and promiscuous behavior. In Morley’s search for her lost self, conflicting memories and viewpoints weave in and out, revealing a portrait of the city, its pop culture, and the people who lived it.

Delves into the world of makeshift oil refineries and the stark realities of life in war-torn northern Syria,. Mahmood is a prominent figure in these operations, navigating complex working conditions and local dynamics.

A short film about gender roles, Trans, and what it is like to have an identity that deviates from the status quo.

Narrated documentary of the making of Anthony Adverse (1936), featuring many clips from the actual film.

Film time takes on book time. An homage to a Bette J. Davis' illustrated text, itself an homage to the small music makers of the insect world.

Maya Deren's Sink, a 30 minute experimental film, is an evocative tribute to the mother of avantgarde American film. The film calls forth the spirit of one who was larger than life as recounted by those who knew her. Teiji Ito's family, Carolee Schneemann and Judith Malvina, float through the homes recalling in tiny bits and pieces words of Deren's architectural and personal interior space. Clips from Maya Deren's films are projected back into the spaces where they were originally filmed appearing on the floorboard, furniture, and in the bowl of her former sink. Fluid light projections of intimate space provide an elusive agency for a filmmaker most of us will never know as film with its imaginary nature evokes a former time and space.

Penthesilea, the first of six films made by Laura Mulvey and Peter Wollen, traverses thousands of years to look at the image of the Amazonian woman in myth. It asks, among other questions, is the Amazonian woman a rare strong female image or is she a figure derived from male phantasy? The film explores the complexities of such questions, but does not seek any concrete answers.

In the male dominated society of Iran, Farahnaz Shiri, the first female bus driver in Tehran, has made her own little society in her bus. In Iran there are different sections for men and women on public buses. Women should enter buses from the back door, which is separated from men’s entrance, and should sit or stay in a limited zone at the end of the buses which is separated from men’s zone. But in Mrs. Shiri’s bus everything is vice-versa. She is the governor and the only law maker of her own little society. In her bus, men must enter from the backdoor entrance and must sit or stay in the limited zone at the end of the bus. Mrs. Shiri is struggling to prove herself in this society and resisting a series of injustices that she faces as a woman in the Iranian society.

Southern Rites visits Montgomery County, Ga., one year after the town merged its racially segregated proms, and during a historic election campaign that may lead to its first African-American sheriff. Acclaimed photographer Gillian Laub, whose photos first brought the area unwanted notoriety, documents the repercussions when a white town resident is charged with the murder of a young black man. The case divides locals along well-worn racial lines, and the ensuing plea bargain and sentencing uncover complex truths and produce emotional revelations.

Two case studies highlighting the work of the National Council of Social Service: the conversion of a barn into a village hall in South Cerney, Gloucestershire, and the building of an occupational centre in the depressed mining village of Pentre in the Rhondda Valley, Wales.

A powerfully moving, personal exploration of a grief for the father she never knew, this award-winning film chronicles Tracy Droz Tragos' heart-wrenching quest to understand and cope with a loss shared by the estimated 20,000 Americans whose fathers were killed in Vietnam. Weaving emotionally compelling interviews with home movies, stock footage, and family photos, Tragos travels from Selma, Alabama, to the U.S. Senate in search of her father’s Naval Academy roommates and war buddies, each of whom has been silently mourning his death and remembers her father’s life in his own way. Along her journey, Tragos uncovers a 30-year-old mystery, as she comes to know her father as a man, untangled from the memory of a war that wounded a nation. And while some discoveries are almost too difficult to bear, it is ultimately the truth that allows her, and her entire family, to understand and move forward.

A personal and political biography of the Octopus, or the Prague National Library project, but also a biography of the last years of the life of the author of this design, Jan Kaplický, who wrote in his diary in 1998: to win the competition and have one love. With this entry, read by Eliška Kaplicky at the beginning of the film, it is as if the world-class Czech architect wrote not only the "script" for the final decade of his life, but also for a film that follows the dramatic social story of creative imagination and the intimate relationship between a man and a woman.