Mission Pluto

The New Horizons team examines the latest findings and imagery from Pluto and the fringes of our solar system revealing a world unlike any other we've seen before.

Since it explored Pluto in 2015, the New Horizons spacecraft has been zooming toward NASA's most distant target yet. Join the mission team as the probe attempts to fly by Ultima Thule, an object 4 billion miles from Earth.

NOVA captures New Horizons' historic flyby of Pluto, the culmination of the spacecraft's nine-year, three-billion-mile journey to reveal the first ever detailed images of this strange, icy world at the very edge of our solar system.

At the edge of our solar system supposedly lies an immense planet. Five to ten times the size of the Earth. Several international teams of scientists have been competing in a frantic race to detect it, in uncharted territories, far beyond Neptune. The recent discovery of several dwarf planets, with intriguing trajectories, have put astronomers on the trail of this mysterious planet. Why is this enigmatic planet so difficult to detect? What would a ninth planet teach us about our corner of the universe? Could it help us unlock some of the mysteries of our solar system?

A Story of Dogs

Three billion miles away a grand-piano-sized spacecraft is speeding through the outer solar system at nearly 1,000 miles per minute. After nearly a decade in space, the New Horizons space probe will have just 86 seconds to complete its primary mission: Discover the planet Pluto. This time-sensitive special will showcase the first quality pictures of Pluto that the probe will capture.

A brief visualisation of NASA’s historic spacecrafts Mariner, Pioneer, Voyager, and Dawn, exploring the solar system, culminating in the New Horizons mission.

New Horizons is the first mission to Pluto and the Kuiper Belt of rocky, icy objects beyond. Principal Investigator Alan Stern leads a mission team that includes the Johns Hopkins University Applied Physics Laboratory, Southwest Research Institute, Ball Aerospace Corporation, the Boeing Company, NASA Goddard Space Flight Center, NASA Jet Propulsion Laboratory, Stanford University, KinetX, Inc., Lockheed Martin Corporation, University of Colorado, the U.S. Department of Energy, and a number of other firms, NASA centers and university partners.

Marc Minkowski conducts the Orchestra and Chorus of the Opera National de Lyon in this 1997 production of Offenbach's opera starring Natalie Dessay, Yann Beuron, Jean-Paul Fouchecourt and Laurent Naouri.

Pluto comes bounding outside to help Mickey get a Christmas tree. Chip 'n Dale see him and make fun of him, but the tree they take refuge in is the one Mickey chops down. They like the decorations, especially the candy canes and Mickey's bowl of mixed nuts. But Pluto spots them and goes after them long before Mickey spots them. Minnie, Donald, and Goofy drop by to sing carols.

Pluto's primitive wolf nature emerges and berates him for going soft. But their little hunting trip goes bad when Pluto encounters a rabbit and bear that give him some trouble.

A person pitches an idea to their boss about manipulation of gravity.

Haunted by his past, Connell returns to his abandoned childhood home. Inside, he awakens Pluto, a towering anthropomorphic teddy bear tied to his buried memories and unresolved trauma. As Pluto pursues him through the house, Connell is forced to confront a series of nightmarish visions from his childhood - bringing him closer to the guilt that has consumed him his entire life. Equal parts haunting and redemptive, this story explores the weight of grief and the courage it takes to confront our deepest wounds.

Documentary follows Gabriel Yorke, the actor turned Berkeley professor, who, after 25 years of silence, is finally willing to speak about his participation in the controversial film Cannibal Holocaust (1980).

This feature-length documentary traces the journey of the Haisla people to reclaim the G'psgolox totem pole that went missing from their British Columbia village in 1929. The fate of the 19th century traditional mortuary pole remained unknown for over 60 years until it was discovered in a Stockholm museum where it is considered state property by the Swedish government. Director Gil Cardinal combines interviews, striking imagery and rare footage of master carvers to raise questions about ownership and the meaning of Aboriginal objects held in museums.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The origin story behind one of Broadway's most beloved musicals, Fiddler on The Roof, and its creative roots in early 1960s New York, when "tradition" was on the wane as gender roles, sexuality, race relations and religion were evolving.