A Device of No Use

Several fragments of one day in Leningrad in the autumn of 1989, refracted in the imagination of the artist.

Cassette-Television

An overdressed girl tries her luck in dance events that are for Finnish tourists in a small Estonian health resort town, Pärnu.

A young man in a tram is asking a bit too much from a stranger.

An elderly lady pushes the limits of customer service at an up-market department store by continuously requesting announcements for interesting-looking men.

The absurd logic of the ‘real character’ and the extreme rules of Disneyland become apparent when a real fan of Snow White is banned from entering the theme park dressed as Snow White.

Broad Sense is based on an three day long intervention in the European Parliament in Brussels. The video reveals the diversity of security responses to the artist’s visits.

The second entry in Velu Viswanadhan's series of experimental documentaries. This film traces the Ganges river upstream.

Experimental film directed by Dmitry Frolov, shot in the midst of perestroika in the USSR. February 1991. Starring the drummer for the MEANTRAITORS Vladislav Lyashchuk - a very peculiar musician played without bass drums and Toms.

A man reads a letter from his away girlfriend while he contemplates on some memorable places in Jakarta, where they had spent time together.

Experimental short documentary

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories. 

This documentary interweaves celluloid and voice recordings by Maya Deren, and colleagues who knew her firsthand: Jean Rouch, Jonas Mekas, Alexander Hammid, Cecile Starr etc. Maya Deren (1917-1961) was an experimental filmmaker. In the 1940s and 1950s she made several influential avant-garde films, such as Meshes of the Afternoon (1943). Images from this and her other work are used in this documentary. You can also hear her voice, as well as accounts by contemporaries such as Jean Rouch and Jonas Mekas.

This is one of those abstract animated films in which colored, richly textured light moves in a black, three-dimensional space. The pictures and the electronic score are unified in a strict structure made of three main sections which progressively develop three subsections. This film may look like it was made using computers or video to the uninitiated, but only animation and much optical printing are to be seen herein. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.

An exploration of Rodez Cathedral and its stained glass windows: praying figures and scientific imagery. A study on color, repetition and flickering consisting of 292 photographs.

Two different women, from opposite sides of the country, look for distractions from the mundane and the malaise of modern life.

"Ad Vice consists of a succession of colored projection surfaces with segments of text from the worlds of advertising, sport and popular culture." - Anita De Groot

In this meditation on contemporary race relations, two black men discuss in voiceover certain “casual” events in life and cinema that are unnoticed or discounted by whites—gestures, hesitations, stares, off-the-cuff remarks, jokes—details of an ideology of repressed racism.

In this short film, the French photographer, Valérie Jouve explores the way in which an era constructs countless layers of time and space without feeling any need to establish connections between them. The film is about time or, more precisely, the various times that today make up our everyday life.

Alexander V. Men was a Russian Orthodox priest, theologian and writer, whose influence is felt among Christians, both in Russia and abroad. He was murdered on September 9th, 1990.