Ku’te

This sensual drama depicts the story of an inseparable couple trying to cope with the obstacle in life.

Tomboyish Zsa Zsa (Klaudia) has just taken over a big business where Federico is a part-owner. Federico wants to buy Zsazsa out but she refuses. So he loses control of the company and hires Bobby to win Zsazsa's heart and later sell her stocks to him

“Sisid” is the story of a videographer, played by Raymond Bagatsing, who was betrayed by women in the past and swears never to be betrayed again. He meets a nightclub performer played by de Rossi. The two have an affair, perhaps even fall in love, but Bagatsing hesitates to commit himself to her. De Rossi tells Bagatsing the story of one of her lovers, played by Rodel Velayo; Velayo was once chauffeur to the beautiful but spoiled daughter (again, de Rossi) of a wealthy fishpond operator. De Rossi is kidnapped, Velayo helps her escape; when she learns of his involvement in the plot, she leaves him. Velayo wanders about, until he meets de Rossi in the nightclub; he insists that nightclub de Rossi is really his long-lost de Rossi, and pursues her with fierce intensity. Bagatsing feels threatened by Velayo’s presence, even jealous, and the two struggle over the woman they both think they love.

Fe returns home to the Philippines after several years of working overseas, her job a victim of global economic shifts. Fe is initially greeted with affection by her husband Dante, but he has a long history of domestic violence fueled by rage and long-term impotence, and Fe quickly discovers her time away has not changed him. Dante works in a factory making baskets, and Fe soon joins him there; she becomes the lover of Arturo, the man who manages the basket company, but while Arturo treats her well, he's still under the thumb of his father who owns the factory. Meanwhile, an unknown admirer sends her parcels of strange black fruit on a regular basis. Torn between two men who cannot give her what she needs and wants, Fe's frustration leads to take desperate steps to establish her independence.

A group of friends goes to an island for a short film project when they are attacked by a mysterious killer after playing a game of bloody crayons.

A coming of age story of a fishpen boy who is learning to dream big, triggered by his sexual awakening from his boss’ new lover. He starts to find ways to elope with the woman. But his dreams will only produce devastating results, not only for him but also for people around him.

Lolo Peping built his backyard farm in his hometown in Mindanao, out of vegetable scraps or whatever edible plant life he could find in the garbage heap. His neighbors get free food from his garden while he does all the work. They don’t even bother to pay him or say thank you. So Lolo Peping decided to put a bamboo fence around his garden to keep neighbors out.

After a turbulent squall in the night, villagers wake up to the astonishing sight of the sea that has turned red.

Raped and pregnant, an OFW rids herself of unwanted baggage on the flight back home.

A funny poignant film about an Ilocana maiden.

The plot of the movie unfolds through the testimonials of three young sisters: Uring, Luray, and Elya, who recount the grisly sexual molestation they experienced from their adoptive father Timo. The title was taken from the sisters' work as stone tillers in a quarry where most residents earn their living. Apart from being an alcoholic and gambler, Timo is a sex pervert.

Paula and Edmund are peacefully married until she meets Nicanor, a composer who happens to be their neighbor. Edmund feels troubled after seeing Paula seeing interest in Nicanor. Could it be that Nicanor is the man who will destroy their lives?

The loving and nurturing Mariel marries Edward after his first wife abandons him and their three children. Mariel strives to win the acceptance and affection of her new stepchildren, even as she tries to define her role in the family.

Three uplifting stories of faith, compassion and courage provide the framework for this inspirational film. First, Jocelyn, a victim of the mudslides in Leyte, finds strength in the face of tragedy; next, a family's adoption of a neglected young boy brings healing; and in the final chapter, widower Rudy Abad decides to build a village in the Philippines in memory of his wife, who died in the Sept. 11 attacks.

Lea is a tour guide in Japan who suffered from temporary blindness and if not cured in a few weeks could be permanent. Tonyo who lives right across from Lea is persistent and determined to be her friend. They then become closer and Lea has seen the true character of Tonyo.

When the whole family confronts her 14-year-old daughter of a suspected pregnancy, a 50-year-old woman gives birth to her 20th child.

Bateng, a boy who triggered a series of life-changing events when he stole an old woman's purse.

In a fishing village that’s been ravaged by a strong typhoon, the bond of twin brothers is disrupted by another young boy. Hilom follows the journey of the brothers, Andres and Gael, as they find healing against the harsh landscape of an island that’s also trying to recover.

On the eve of her school’s annual Talent Show in a small rural village in the mountains of Iloilo, twelve-year-old Thirdy is worried she will not be able to perform because she could not afford to rent a traditional costume and pay the required contribution. Her ailing but affable grandfather, Cesario, acts as her sole guardian. He works as a bamboo farmer, but they could barely make ends meet. In the midst of all these, Thirdy starts having visions of a mysterious man. She believes the apparition is that of her long dead father while everyone else dismisses her visions as nothing more than fantasies or illusions. On the day of the Talent Show, everything unravels as village problems and family secrets finally collide.

A young woman goes back to her province in the countryside where she gets to once again meet her Grandmother Loleng - a distant relative and a senile parol (Christmas lantern) artisan. Together, they will explore Grandma Loleng’s landscape of memories, only to unearth her innermost secrets and wartime experiences. It is about memory and forgetting, both in the context of the personal and of the national consciousness.