The L Word Mississippi: Hate the Sin

A documentary about the three Woodstock music festivals.

Documentary showing the backstage of production of Samira Makhmalbaf's film Panj É Asr(At Five in the Afternoon), in Kabul, after the fall of the Taliban regime. Everything was recorded with a small digital camera by Samira's 14-year-old sister Hana.

Five New York divas close up. The thing that in addition to their friendship links these gifted, confident and beautiful women; a painter, an actress and three musicians, is their shared homeland, former Yugoslavia.

Forever enshrined in myth by an assassin's bullet, Kennedy's presidency long defied objective appraisal. Recent assessments have revealed an administration long on promise and vigor, and somewhat lacking in tangible accomplishment. His proposals for a tax cut and civil rights legislation, however, promised significant gains in the months before his assassination. While maturation, as evidenced in the handling of the Cuban missile crisis, was apparent, the potential legacy of the New Frontier will forever be left to speculation.

The mother of a child suffering from cancer struggles to maintain a normal life for her family. Stine is thirty-seven years old and the single mother of three girls. Her daughter Cecilie, now aged eleven, has had cancer since she was two. Cecilie has spent half her life in hospital and Stine along with her. Stine is fighting an unfair battle in unbearable chaos. At the same time, she insists on maintaining some sort of life for all three children.

Thoughtful documentary exploring the shocking court decision to grant custody to a child’s father, a convicted murderer, rather than her lesbian mother.

A story about talented homeless and formerly homeless fine arts painters in the worst section of Los Angeles known as Skid Row. People will create art no matter how humble the circumstances.

Collected as part of the Fluxfilm Anthology (a multi-reel compendium of 37 short films assembled by Fluxus founder and central operator George Maciunas), One captures the lifespan of a single match recorded at 2,000 frames per second using a 16mm high-speed camera. The frame rate is then decelerated to the standard 24fps for presentation. The film emphasizes each gesture, sway and flare of flame as the small pinewood carrier ignites across the landscape of the filmstrip and screen, signalling the drama and poetics of this ”minor” event before the fire is extinguished. One also stands as an unassuming beacon, immortalizing on film the essence of some of Ono’s early concerns as an artist. At the slightest touch of fire, they burst into flame. Strike everywhere. Strike often.

The daily lives of two women in Santo Domingo, a white widow in her seventies and her young Afro-Caribbean maid, as they struggle to keep the house clean, the meat seasoned, and the soap opera on TV, without killing each other by the end of day.

The french choreographer Mathilde Monnier and her preparation for her next performance is the main focus of this documentary. The choreography's practices and the bodies, everything is registered in some sort of anthropological way by the filmmaker's camera.

French chef Georges Perrier tries to keep his internationally renowned restaurant relevant in the new culinary world.

Born at just 23 weeks and weighing 1 pound, Tyrese's head was the size of an egg. If he survived the night, the doctors said he would live in a vegetative state without the ability to see, speak or think - but he proved them wrong.

Monsieur

When Rosa came to this place the earthquake had just happened and the building was one enormous ruin. People say it was a cinema, but Rosa, who has lived here for many years, has never seen a film in her life. So many things happen in "Cinema Alcazar" that it's all Rosa can do to keep up.

DIDN'T DO IT FOR LOVE is a documentary portrait of Eva Norvind, a.k.a. Mistress Ava Taurel, born Eva Johanne Chegodaieva Sakonskaya in Trondheim, Norway. The film follows Eva's many careers, from her time as a showgirl in Paris to becoming Mexico's Marilyn Monroe in the 1960s to establishing herself as New York's most famous dominatrix in the 1980s. Using clips from Norvind's Mexican films, stills from various periods, and interviews with friends, partners and family, Treut's documentary traces Eva's search for the wellspring of her obsessive and dark sexuality.

Penelope Spheeris presents an amazing chronicle of the travelling musical carnival known as OZZfest, the most successful summer concert tour for the last five years. Complete access to incredible material sends this documentary film into the realm of pure entertainment. Unforgettable moments from zealous religious protesters, outrageous fans and the guys (and girls) backstage provide an insightful view into the soul of white, middle-class America. A stunning and sometimes disturbing glimpse of a cultural movement, this film is sure to be a reference for historians for decades to come. This comment on Middle America skates the line between your worst nightmare and the best time you’ve ever had. Features interviews with, and performances by BLACK SABBATH, SYSTEM OF A DOWN, SLIPKNOT, PRIMUS, ROB ZOMBIE, GODSMACK and more.

The life and career of renowned magician and sleight of hand artist Ricky Jay.

On the set of Paul Thomas Anderson's Inherent Vice.

Collection of six very personal documentary shorts made by female directors.

The three portrait sketches of the title are called 'Claudia', 'Fernando Birri' and 'Saulat Rahman'. Presumably made when Margaret Tait was a student at the Centro Sperimentale di Cinematographia, Rome.