In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.
Follows the plight of real-life dancers as they struggle through auditions for the Broadway revival of A Chorus Line and also investigates the history of the show and the creative minds behind the original and current incarnations.
A year in the life of troubled Australian graffiti artist Justin Hughes.
Behind the scenes documentary on the making of the film.
POWER
A display of flower bouquets, rotating to show the Kinemacolour process.
A documentary about rock scene of Niš, the third largest city in Serbia.
Tehran Is the Capital of Iran (1966-79) documents life in a deprived district in the south of Tehran. The images of destitution in Tehran's poor areas is accompanied by a variety of spoken accounts: the official viewpoint on the district's living conditions, what the inhabitants have to say, and occasional extracts read out of school manuals. The key element in Shirdel's film is the counterpoint effect he creates with image and sound. His impressively powerful portrayal of social unease helps reinforce the impact of his astonishing documentary images and social themes.
Exode
Presents the history of the domestic cat, tracing the animal as a house pet and as a symbol of mystery and worship from ancient Egypt to the present day. Offers hints on the care and treatment of cats in homes of today.
This short film served as an invitation to the World's Fair that was held in Montreal in 1967. It was largely considered to be the most successful World's Fair of the 20th century with over 50 million visitors. The film presents impressions of the event and of Montreal at its liveliest and most exciting moment in history.
An examination of the choreographed fight scenes and bizarre costuming.
Features the editing and scoring processes, a proposed narration by Orson Welles, and some of the controversies inherent in the film's release.
Many cities or countries have a distinct malaise. They are places that could be Portugal, so sunk in a painful longing of the past, and where each tension of the present is only the tip of an iceberg that is explained in successive retreats that can go straight until origin of the species, at least. This feeling common to many latitudes is often presented as a diagnosis, a denial of a painful present as opposed to the desire to return to a glorious past.
An attempt to erect a virtual memorial for the victims of the Bosnian war, using archive material, videos and statements from survivors in a 3D animation.
An european artist writes about his experience in portraying life in Brazil during the colonial period. Aporteiro – concierge and security guard in one – watches the surveillance cameras in a residential building, while reflecting on his profession and the relationship with his employers. Between the exotic idyll of front yards and deterrent technology, his task is to establish security and normality. Brazil’s troubled past and complicated present come together in this highly charged film.
In November 2017, a devastating earthquake hit western Iran. It took only 13 seconds to lose everything. This is a fleeting observation of the days after the disaster.
"Both Ends Burning" is a film that captures MxPx at a crossroads in their seasoned career. Directed by Bryan Buchelt, this documentary not only follows the band's struggles in the face of the new touring climate, it also looks at the legacy and impact that Mike, Tom, and Yuri have had on the music industry, fellow bands, and their fans. This is one of the first true looks into the life of the notoriously private working class band on the road and at home.
Hungarian refugees in Austrian camps after the failed revolution in Budapest.
A journey into the mind of French actor and director Jean-Pierre Mocky (1929-2019), author of films both playful and profound, of an impressive richness.