Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanya at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.
Ono Yasuomi is a cram school teacher with poor communication skills. He hopes to get married but doesn't know what ordinary means and feels awkward on dates with women. He asks Kasumi, a student who knows lots of trivia about romance, to teach him the meaning of ordinary.
Tanaka is going through a tough time trying to support his younger sister Mitsuko, recently arrested and hold up in jail. As an investigative reporter, he immerses himself into a story about a shocking murder case gone cold; a family was brutally murdered a year ago and the case remains unsolved.
Adachi and Kurosawa are now in a relationship. While they are happily dating and enjoying their office romance, Adachi is offered a job transfer. Adachi is happy to have the chance to do the work he wants, but the new job is far away in Nagasaki, 1200 km away. Will their love have a happy ending?
Yumiko returns to work in Hama-chan's department. She had once left the company after getting married, but a dark shadow now seems to loom over her.
A strict, but caring mother has an awakening when she is told she has cancer and it is terminal. She has a few months. She needs to complete her tasks in that short time frame.
21st Century Girl is an omnibus feature that is of the girls, by the girls and for the girls. The work of 15 women directors under the age of 30, each of whom contributed an 8-minute film, the package highlights a range of genres, visions and thematic concerns.
Journalists Ichiro Sakai and Junko cover the wreckage of a typhoon when an enormous egg is found and claimed by greedy entrepreneurs. Mothra's fairies arrive and are aided by the journalists in a plea for its return. As their requests are denied, Godzilla arises near Nagoya and the people of Infant Island must decide if they are willing to answer Japan's own pleas for help.
The story is set at the blood donation club in Kurusu Private High School. There are four girls who are fascinated by the pleasure of having their blood drawn – Maki (Erika Karata), Jinko (Ichika Osaki), Nami (Mikoto Hibi), and Kaoru (Nazuki Amano). One day, Maki meets Mai (Nina Makino), a beautiful girl dressed in black, in the blood donation room. Mai fainted after her rampage against the nurses, and Maki unintentionally carries her into the blood donation club room. Mai then reveals a shocking fact – She is a dropout vampire who could not attack humans! Struck by Mai's fragile expression, Maki and other members decide to feed her with their own blood instead of donating blood…
A brother and sister learn their biological grandfather was a kamikaze pilot who died during World War II. During their research into his life, they get conflicting accounts from his former comrades about his character and how he joined his squadron.
A new salesman named Kosuke Okuda happens to meet Mao Watarai, a friend from his middle school days. Back then, Mao was called stupid and bullied, but now she is an attractive woman. Kosuke and Mao fall in love and decide to marry, but Mao has a secret.
In a small Tokyo apartment, twelve-year-old Akira must care for his younger siblings after their mother leaves them and shows no sign of returning.
A family of four are the sole inhabitants of a small island, where they struggle each day to irrigate their crops.
Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.
Tamako graduated from a university in Tokyo, but she now lives with her father back in Kofu. Tamako doesn't help her father or tries to get a job. She spends her time just eating and sleeping throughout the four seasons of the year.
In a dysfunctional family where the mother is a heroin addict and prostitute, beaten by her son, and the father is an ex-TV reporter, sleeping with his daughter and filming his son being beaten up, ‘Q’, a complete stranger enters the bizarre family, changing their lives for the better, finding a balance in their disturbing natures.
Brash, loudmouthed and opportunistic, Kikujiro is the unlikely companion for Masao who is determined to see the mother he has never met. The two begin a series of adventures which soon turns out to be a whimsical journey of laughter and tears with a wide array of surprises and unique characters along the way.
Shiino one day finds out that her best friend Mariko has committed suicide. After snatching Mariko's urn from her abusive father, Shiino heads to Marigaoka Cape, a place Mariko always wanted to go.
Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.
Fantastical road movie about a pained guy and girl who head from the boonies to Tokyo. Hiro Kenichiro has directed numerous music videos and makes his feature film debut. Set in a world where people get a "blue mail" missive from their future selves. Kagari randomly meets a runaway girl named Yuki. They set off on a trip for Tokyo and gradually discover each other's past secrets.