I Hate Mondays

Two girls meet by chance in a bookstore and experience an instant connection.

A man on a supermarket encounters a woman who tells him he reminds her of her late son.

In the heat of summer, Fabrizio is desperate to find the right time and place to make out with Nadia, his longtime girlfriend. With frustration building because his best laid plans are constantly getting interrupted, he comes up with a novel solution — but it will take more than just one teen boy to make it happen.

Maybe this is the end. The red supergiant Betelgeuse is about to die and the gamma rays from the supernova could destroy life on Earth. Scientists are divided, the rumour is unstoppable. Sarah, a Belgian astrophysicist based in New Mexico, is spending her days reviewing calculations and controversial theories about the star. Since her colleague and lover Elliot died in a car crash, she is stuck alone inside her home, and suffers violent panic attacks every time she tries to step outdoors. She decides that the time has come to end this impossible situation. But a ghost from the past persuades her to do one last thing: if she must kill herself, to do it in the middle of the mountains, at the place where she first met her lost love. Finally the day comes. Betelgeuse is ready to explode and Sarah is ready to leave the house. Maybe this is the beginning.

An inside joke between friends leads to a debate on when their friend Mark matured.

A movie buff desperately wants to enter a theater to see a Fassbinder film but the doorman will not let him go because he has no ticket. The film is the confrontation between the two that ends with happy end.

A killer hates and punishes people who are using the small phone.

In a country house a patriarch lords over his community made up of a tired woman and a boy in the midst of an economic-adolescent crisis. The guest of the facility is Dr. Girarda, a chemist extradited from Poland.

In an atmosphere grown suddenly impossible to breathe, a diver and a woman appear to be the only survivors. As their reserves of air run out, will they make love or war?

A young woman finds herself in a cold cellar room without any recollection how she got there. Two men alone with her. Both captors try everything to get information from her. Are these men her kidnappers or is there any other reason why she is held captive?

A woman becomes a Lyft driver and tries to reinvent her life.

The cold-hearted AI that runs a futuristic prison summons a prisoner to face his second parole hearing. Can he re-enact his crime without offending again?

Professor Pierre is assigned to find a missing heiress whose fortune will go to a worthless relative if she isn't found. He uses most of his dialect ability in the search by posing as a Chinaman, an Englishman, a sailor and a Scotchman, but is unable to find her. He meets his sweetheart at a restaurant and, there, discovers she is the heiress he has been searching for. She breaks off their romance when she finds out she is rich.

A husband becomes unfaithful to his wife, and buys a bouquet of flowers which he wants to give an another woman. But that woman doesn't come to the meeting, so he tries to get rid of the bouquet.

A man's life is upended by increasingly threatening phone calls demanding he leave a review for a paperweight purchased online.

When a young, deaf woman forms a bond with an unlikely stranger, the two are forced to communicate in the absence of language.

El Mono relojero is a 1938 Argentine animated short film directed by Quirino Cristiani. It is the only film from this director that exists up to this day, since all his other productions (including the first two animated feature films, El Apóstol (1917) and Sin dejar rastros (1918), as well as the first animated film with sound, Peludópolis (1931)) were lost in a series of fires at the facilities where the negatives and copies were stored.

A young llama named Koro discovers that the grass is always greener on the other side (of the fence).

Koro wants to get to the other side of the road.

In a near future where social classes are split into parallel layers of reality, a promising young government worker must decide if she’s willing to risk her status and way of life to pursue the love of someone she can only remember in her dreams.