A lottery win of $5,000 forever changes the lives of a miner turned dentist and his wife.
Based on late field biologist John Sincock's experiences in Kauai.
During the trip back from their vacation, a young couple is stranded in the middle of the road and they lose all forms of communication, including each other.
A female impersonator giggles and flirts. By the following decade, many female impersonators would be shown doing their acts on the stage and in the movies; the Eltinge Theater on 42nd Street in New York is named for Julian Eltinge, the most famous of them. This was probably the earliest "name" example for the movies. Gilbert Saroni plays an exceedingly ugly woman who coyly flirts with her fan.
Erkki Kurenniemi was arguably one of the first artists to propose or fantasise about a complete cultural surrender to cyber existence, and his entire career, covering such diverse fields as artificial intelligence, music, engineering, film, dance or rhetorics, testifies to this desire to escape the limits of the human body and transgress into a different dimension, bordering on techno-fetishism. In his 1964 short Electronics in the World of Tomorrow, Kurenniemi presents a slideshow of the most aseptic signs of technological imagination: diagrams, chips, machines, cold surfaces. But footage of human warmth also comes up - mostly in black and white, as if to give humans the status of a memory. Originally silent, the film was in this version endowed with a electronic music piece by Kurenneimi himself: a cold, aggressive soundtrack that could be said to present technology as a potentially menacing affair, although this is a reading that the director would certainly refute.
A young man looking for a hookup gets lured by a mysterious entity
This animated psychedelic short portrays the stream-of-consciousness adventures of a young woman, including an encounter with her dead father, her mother's struggle with cancer, and open-heart surgery at the hands of the doctor who birthed her (the "Delivery Man" of the title).
A still, highly overexposed shot of a car bridge and the river below. A cinematic haiku by Chris Marker.
A cinematic haiku by Chris Marker.
An insider's look into Francis Ford Coppola's latest Live Cinema project, Distant Vision.
Against the backdrop of a European cityscape, worlds intersect when a woman and a man on separate travels meet, or rather, collide on the screen. Their affects mingle, creating a zone between their bodies in which something happens: intoxication, stillness, desire and love. Something that is neither one nor the other's, but a third creation between dreaming and being awake, where possibilities are held and lost. This is URDA / BONE.
Can an eight-year-old boy dressed as a bunny change the world? He thinks he can.
A short segment of the feature film Melody Time, re-released as a separate entity five years afterwards.
Julian is in a dilemma. He loves the person, he is in a relation ship with, less than his best friend.
Night Stream, a short experimental film about rebirth and fertility, succinctly evokes the flow of tension and trance within the dream state.
No End was inspired by a poem I wrote over the course of six months. During this process, abstract images surfaced, subsided, and settled: eventually forming the foundation of a film. The result is a lyrical journey that explores the intersection of interconnectivity and the lived experience. The film includes an original soundtrack by Graham Stewart of Viosac.
A creative mother tries in different ways to figure out if her teenage son is gay.
Ted hangs out on the river banks where he lives his homosexuality in secret. One night his brother's gang shows up for some gay bashing. Shocked by the violence of his brother, Ted decides to confront him...
Antoine, twenty-five, does not want to be alone this evening. He leaves in the middle of the night to find a remedy for his loneliness.
Based on the novel by Alexandre Dumas.