The Who: Live at Lyon

Rock is music for young people. Nick Rock-n-Roll, the protagonist of the film, doesn’t agree with it all. He’s 48 years old and as during his youth he still feels music deeply and looking for something special, unusual, which is out of stereotypes and mainstream. This film is about immersion in a world of new independent rock-music in Russia. Dipping into it Nick Rock-n-Roll remembers his own life, analyzing the nature of his passionate love to rock. His eternal search allows Nick not to feel his age that’s why it is necessary for him always to slake his thirst. Features four independent bands: Bosch's With You, Last Tanks in Paris (П.Т.В.П.), Deti Picasso, Salvador

Special TV appearances filmed and recorded live in different locations in Europe & USA. Tracklist: 1 - Highway To Hell (Germany)(2:36), 2 - Riff Raff (Glasgow)(5:25), 3 - Rock 'N' Roll Damnation (Glasgow)(3:36), 4 - Dog Eat Dog (Glasgow)(4:30), 5 - Bad Boy Boogie (Glasgow)(7:39), 6 - Let There Be Rock (Glasgow)(8:35), 7 - I'm A Rocker (Glasgow)(6:44), 8 - Bad Boy Boogie (Arnheim)(5:06), 9 - The Jack (Arnheim)(5:20), 10 - Whole Lotta Rosie (Arnheim)(5:20), 11 - Sin City (USA)(4:47), 12 - Highway To Hell (Arnheim)(4:16)

In February 2016, rock 'n' roll trio Thelma & the Sleaze embarked on the world's first “Intra-City Tour”. They played 31 shows in 29 days and raffled off a promotional mini-van in the process, in an unprecedentedly absurd publicity stunt that raised the bar for independent artists everywhere. Exploring the furthest of reaches of Nashville’s music scene, blazing new trails in its wake, the film follows the twists and turns, triumphs and follies of all 29 days as Thelma & the Sleaze bring their raw rock 'n' roll fury through DIY spaces, art galleries, laundromats, screen printing shops, record stores, clothing shops, candy factories, roller rinks and even a McDonald’s.

Live footage from Danko Jones's concert at Wacken in 2012 including a backstage interview with the band and a spoken word performance. The band play some of their well-known songs such as 'Lovercall', 'First Date' and 'Full of Regret'.

This program features then-newcomer Sandy Duncan in her first network television special. Only a few years after being passed over by Gene Kelly for a role in Hello Dolly, Duncan's star had ascended so far so fast that he was now her special guest star. Paul Lynde is also featured in a campy version of "Bad, Bad Leroy Brown".

Tracklist: 01. Shipyard overture (Industrial revolution) 02. Suite for flute 03. Oxygene 2 04. Tribute to Chopin 05.Aero 06.Oxygene 4 07. Souvenir 08. Space of freedom (March 23) 09. Theremin memories 10. Chronology 2 11. Mury 12. Chronology 6 13. Oxygene 8 14. Light my sky 15. Tribute to Jean Paul II (Acropolis) 16. Rendez-vous 2 17. Vivaldi "summer- presto" 18. Oxygene 12 19. Rendez-vous 4 20. Solidarnosc (Oxygene 13) 21. Aerology (Remix) 22. No Comment: Alternative shots 23. Concert teaser Darsteller: Jean Michel Jarre Musik: Jean Michel Jarre, Luis Llach

The Summer Night Concert of The Vienna Philharmonic is the world's biggest annual classical open-air concert set in the magical Schönbrunn Palace Baroque park in Vienna. The concert will take place on 31 May 2018 and its theme for this year is 'An Italian Night'. The concert is broadcast on TV and radio in more than 60 countries, and thus reaches an audience of millions. The evening’s repertoire is an attractive combination of extremely popular works for orchestra including the William Tell Overture, the March from the opera Aida and the Intermezzo from Cavalleria Rusticana, as well as famous Soprano arias like Vissi d’arte, vissi d‘amore from the Opera Tosca. Valery Gergiev returns to conducts the Summer Night Concert and is joined by star Soprano Anna Netrebko in what promises to be one of the most popular concerts this year!

Hosted by Cyril Ritchard, with performances by Florence Henderson, Barbara Harris, Stanley Holloway, John Cullum, Patricia McBride and Edward Villella. Songs include; On A Clear Day, The Heather On The Hill, Wait Till Were Sixty-Five, Wouldnt It Be Loverly?, Camelot, Why Cant A Woman Be More Like A Man?, How Could You Believe Me?, I Remember It Well, Without You, Gigi, Im Getting Married In The Morning, Hurry, Its Lovely Up Here, Melinda, On The S.S. Bernard Cohn, What Did I have That I Dont Have?, Ive Grown Accustomed To Her Face, Its Almost Like Being In Love, Bonnie Jean, Waltz At Maxims (She Is Not Thinking Of Me), I Could Have Danced All Night, On The Street Where You Live, and Come Back To Me.

Extended versions of the entrance music videos of these 10 WWE Superstars. Triple H Undertaker The Rock Mr. McMahon Kane Chris Jericho Edge Kurt Angle The Hurricane Billy & Chuck

A group of musicians who have never met get together for a week to live in a mansion to write an album, record it in a studio, and perform it at a Masquerade Ball.

Based on the 1973 rock opera album of the same name by The Who, this is the story of 60s teenager Jimmy. At work he slaves in a dead-end job. While after, he shops for tailored suits and rides his scooter as part of the London Mod scene.

Rebbe Mendel is a single father who teaches the Talmud, a sacred text of Judaism, to the boys of his small Polish town. Behind closed doors, he also instructs his daughter, Yentl, despite the fact that girls are forbidden to study religious scripture. When Yentl's father dies, she still has a strong desire to learn about her faith -- so she disguises herself as a male, enrolls in a religious school, and unexpectedly finds love along the way.

Filmed during Tarja’s The Shadow Shows World Tour, during which the influential heavy rock singer circled the world for 7 ½ times with over 300.000 km travelled and played over 200 shows in 40 countries in front of 1 million people. Act II consists of the singer’s very intimate set filmed and recorded live at the Metropolis Studio in London, UK and the breathtaking live performance of one of her shows in Milan, Italy, as well as previously unreleased interviews and photo galleries. Set-List: 1. No Bitter End / 2. 500 Letters / 3. Demons in You / 4. Little Lies / 5. Eagle Eye / 6. Diva / 7. Calling from the Wild / 8. Supremacy (Muse Cover) / 9. Tutankhamen / Ever Dream / The Riddler / Slaying the Dreamer / 10. Undertaker / 11. Lanterna dos Afogados (Os Paralamas do Sucesso Cover) / 12. Love to Hate / 13. Victim of Ritual / 14. I Walk Alone / 15. Innocence / 16. Die Alive / 17. Until My Last Breath.

Kind of biopic of Leonardo Dantes and at the same time an ode to the national art with a parade of many of the essentials: Loli Alvarez, La Momia, Los Barones of Transylvania, Tony Genil, Tony Luna, la Santera Miguelina and add and follow

A Pennsylvania band scores a hit in 1964 and rides the star-making machinery as long as it can, with lots of help from its manager.

Ivanhoe Martin arrives in Kingston, Jamaica, looking for work and, after some initial struggles, lands a recording contract as a reggae singer. He records his first song, "The Harder They Come," but after a bitter dispute with a manipulative producer named Hilton, soon finds himself resorting to petty crime in order to pay the bills. He deals marijuana, kills some abusive cops and earns local folk hero status. Meanwhile, his record is topping the charts.

Martin Scorsese and the Rolling Stones unite in "Shine A Light," a look at The Rolling Stones." Scorsese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.

“Live at Madison Square Garden” is a concert video by the American band Bon Jovi from the last North American part of their “Lost Highway” tour. It was recorded on July 14 and July 15, 2008, at Madison Square Garden.

From America's deep South, to Detroit and New York this captivating and enlightening documentary special traces the evolution of blues through pivotal moments in American history. Brewer discovers that there was no music called 'the blues' when its creators just stepped into a new feel of musical expressionism… just a means of releasing a lifetime of pain and oppression, from which music, momentarily, set them free.

Live television version of the classic musical.