The Realest Real

Against a backdrop of deceitful intrigue and sexy escapades, a twin searches for her sister's killer while capturing all the potential suspects on camera.

A series of seemingly unconnected events and 50 important speaking parts make this film a jigsaw puzzle to be solved by the viewer. Martin and Claire were separated in childhood, and are brought together by a series of coincidences. A tragic car crash is central to the story, but seemingly unimportant events can hold great significance. Through a montage of different film stock and techniques director Diane Bertrand creates pieces of a puzzle, from which the viewer has to piece together a story. That's the premise of the film, and it is solvable. You just have to work a bit...

On their fifth wedding anniversary, Sitio and Ana start arguing inside an elevator that keeps opening in their same floor. Emotionally and physically trapped, the two will have to work together to find a way out.

Frankie was recently diagnosed with HPV. After getting a follow-up cervical cancer screening, she tries to find connection as she goes about her day. It turns out not to be so easy.

Anna and Beca meet for the first time after texting for weeks, and find that they have a hard time connecting to each other in real life.

Preparations for a carnival are under way in a Bulgarian town. People are very excited. They are head over heels in the forthcoming celebration and gradually, they lose their self-identities and adopt that of masks they put on. All of a sudden, a Stranger lands in the little town. Coming from another planet, he has the ability to impersonate the true image of everyone who violates another man. Misunderstandings and comical situations succeed each other. Quite a number of 'bad guys' come out...

In this bittersweet family comedy, shy teenager Libby moves back to Israel to live with her hapless father Shaul, unexpectedly finding herself without a home as war breaks out around them. Shaul devises a creative solution: posing as refugees, they are taken in by a wealthy family in Jerusalem. Finally in a “normal” household, Shaul and Libby begin to build their father-daughter relationship, but their false identities can’t last forever.

Sitcom for 1920s cinemas about the Winter family.

In the days leading up to a possibly career-changing exhibition, a sculptor navigates her relationships with family, friends, and colleagues.

Sandrine and Alice are two sisters who, in their thirties, decide the time has come to attempt a reconciliation with their mother.

Based on the change a rapidly growing town faces when southern developers take over.

Mariken Halle first asked around her neighborhood if she might make a school film about one of her neighbors. When that didn’t work, she and her small film crew began addressing people on the streets of Göteborg. How would they imagine a movie that they would want to star in? The results were far from fantastic – she encountered dismissively amused responses and boring, confused ideas. But some of the people she talked to were different. They try getting into their “life role” – and she begins to direct them....

Richard Linklater's SLACKER inspired a generation of American filmmakers by exploring the subculture of Austin, Texas in a loose narrative with a tapestry of quirky characters. Celebrating the 20th anniversary of that iconic movie, 24 of Austin's top filmmakers banded together to update SLACKER with their own perspectives on the city.

Sofia introduces her three adult daughters to her new lover who is their age and happens to be a woman. The women, in particular Elvira find it extremely difficult to accept their mothers sudden apparent sexual reversal. The news pushes the neurotic Elvira to the point of nervous breakdown. Sol, the youngest daughter, writes a lude rock song about it and performs in front of them at a concert. The daughters plot together on how to get their mothers new girlfriend, a native Czech, and brilliant pianist, out of her life. Their plot goes terribly wrong and turns the film from a light-hearted comedy, into mildly amusing drama.

This offbeat comedy about love and romance won writer, director and actress Heidi Van Lier top honors a Grand Jury Prize at the 1999 Slamdance Film Festival. Heather Green (Van Lier) is a journalist with an alternative newspaper in Chicago who is obsessed with her ex-boyfriend. Randy (Joe Kraemer) is in turn obsessed with Heather. A would-be documentary filmmaker, Randy constantly films her, sometimes without her knowledge. When Heather takes up a challenge from Randy and announces she can seduce the next man she meets, her desperation makes it clear she's had bad luck with men for a very good reason. When Heather finally does meet the man of her dreams, a good-looking attorney named Cliff

It was the year of 1962 when I turned 12 and my breasts began to grow. Cecilia, my sister, went to study in Paris, I was left alone with my parents and their problems. I discovered that the breasts made men and women crazy, while mine began to draw the attention of my friends without adults realizing that I needed a bra.

The lives of three people faced with an uncertain future. Marguerite, 17, is uncomfortable with her family enviroment and turns to God. Claire, who desperately wants a child, encounters again a former lover. Eva asks the unemployed Jacques, who has been left by his wife and his daughter, to find a missing friend.

Set in the 1970's, MIGHTY FINE is the story of Joe Fine (Chazz Palminteri) a charismatic, high-spirited man, who relocates his family--wife Stella (Andie MacDowell), a Holocaust survivor, daughters Nathalie (Jodelle Ferland) and Maddie (Rainey Qualley)--from Brooklyn to New Orleans, in search of a better life. Unfortunately, Joe's spending spree is wildly out of touch with reality, as his apparel business is teetering on the brink of collapse, a fact he refuses to accept. Written and directed by Debbie Goodstein, MIGHTY FINE is told from the perspective of an adult Nathalie remembering the events of her youth, and is inspired by Goodstein's memories of her own father. MIGHTY FINE ultimately shows how coming to terms with the past without judgment is the most fruitful way to move toward the future.

Somewhere deep, deep in Russia there is a town called Marks (named after Karl Marks, founder of Communism theory) where all people are working on toy factory and receiving their wages as toys. News from other cities are arriving on very rare occasion. One morning, Boris, a former boxing who is running from something, wakes up in train and see four letters MAR_S. From his first steps he starts to meet new people as Gregori, young man with a dream who is in love with local librarian, Greta, whose dream is to get out from this god-forgotten town. With each new step, he is meeting new people, but the past is hard to escape

TV host Miranda Vega heads a variety talk-show format. Confronted with plummeting ratings, she is forced to try a different approach that brings singing hookers, drug addicts, and other no-talents into the studio. Miranda feuds with lesbian actress Marta Pena, prompting Marta's companion Soraya, a "karate artiste," to participate in the variety show. Chaos reigns when the show goes on the air live.