Blondie

Moments before turning 90 years of age, Alberto remembers his life, lived in Copacabana, a neighborhood in Rio de Janeiro. The film is a comedy about old age nowadays, with Copacabana as a background.

Life for a shy young Indian student slowly falls to pieces during a family road trip.

Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.

Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.

Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.

After the death of his mother, a young boy calls a radio station in an attempt to set his father up on a date. Talking about his father’s loneliness soon leads to a meeting with a young female journalist, who has flown to Seattle to write a story about the boy and his father.

Twenty year old Lynn studies Psychology in Amsterdam. Now that she is living on her own, she is re-shaping her live and developing her own identity. This makes her extremely self-conscious. She is constantly thinking on how she is seen by other people, what people may think of her, what she should and shouldn't do. Her self-consciousness gets in the way.

When the fifteen year old Zara knocks on her teacher Gijs' door, she's just been abused and she has no one else to turn to. At least, that's what she tells her teacher. Gijs can't send her back to her home, but soon he regrets his decision. As the evening progresses, Zara spins a web of lies and deception around him.

This film focuses on an aging starlette (Silvia Perez) was once an it-girl. She returns to her hometown for her niece's birthday party and has to deal with her conservative family who does not agree with her chosen lifestyle.

Onder de tafel is a melancholic father-son tale which starts when Jacob hears that his father Kees has started drinking again. He needs to be picked up at the clinic where he is treated for alcoholism. Jacob takes his father to a bungalow park hoping to be able to connect with him at a place where they used to be a happy family. Kees does not recognize his son and the first chance he gets, he grabs a can of beer. Jacob realises that the only chance he has of reconnecting with his dad, is to drink together. And so they do.

A single mom in the 1970s raises her two daughters and becomes involved in illegal drug trade to make a better life.

A young woman has the idea of setting up her boyfriend with a very wealthy but sickly lady to claim her inheritance.

Plasterer Cor has been an introvert all his life. When he is retrained to become a taxi driver, he is forced to crawl out of his shell, but it also put his marriage under a lot of stress.

A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.

A recent college graduate sets out to win back the girl of his dreams.

A young woman invents the love she does not get and she needs. She has always done that, since childhood. It has become a disease. When Nicolas leaves her she refuses to believe it. He will love her anyway, it is needed, she needs it.

The newspapers announce the left's defeat in the upcoming elections. A confused young mother gets up in the night to take care of her child. Leftist teens, completely puzzled, throw themselves headlong into every kind of extreme behavior. The child asks his grandfather for advice.

Kimmi, Sally and Nancy, best friends forever, are spending the night hiding out and drinking at their high school. Kimmi is a vampire and in love with Nancy, but what is 'real sex' and what are the boundaries of desire? Snow starts falling in the gym hall, blood flows freely on the thighs of teenage girls, and it's going to be one hell of a neon colored night, but hey: You Only Live Once. YOLO!

Through a grey blanket of clouds, we barely discern the contours of Mount Fuji, a volcano with many faces. 4,500 exceptional and diverse photographs from the past 150 years form the basis for Ascent. Made entirely with stills, it is a filmic experiment balancing between documentary and fiction, photography and film, where an English woman and her deceased Japanese partner, Hiroshi, lead the way. As Mount Fuji is climbed across geographical, temporal and cultural divides, the narrative unfolds, exploring unexpected paths.

Heaven-Bound Travelers (circa 1935) was discovered among the rolls of film in the Gist collection at the Library of Congress by S. Torriano Berry during the recent restoration of Hell-Bound Train. Eloyce Gist takes a central role onscreen as a wife and mother who is wrongfully accused of adultery by her husband and is left to fend for herself and their daughter in the world. As she struggles to sustain them, the husband becomes riddled with guilt and struggles with his decision, and the social realism of the drama shifts to an allegorical struggle between the devil, appearing to tempt humanity to sin, and the angels. The film does not exist in complete form but the fragments show a project of ambitious scope. Presented with a score composed and performed by Dr. Samuel Waymon.